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Showing 1 - 11 of 11 matches in All Departments
Set in a crumbling Soviet Black Sea resort, The Life of Insects with its motley cast of characters who exist simultaneously as human beings (racketeers, mystics, drug addicts and prostitutes) and as insects, extended the surreal comic range for which Pelevin's first novel Omon Ra was acclaimed by critics. With consummate literary skill Pelevin creates a satirical bestiary which is as realistic as it is delirious - a bitter parable of contemporary Russia, full of the probing, disenchanted comedy that makes Pelevin a vital and altogether surprising writer.
A cyber-age retelling of the myth of Theseus and the Minotaur from
one of Russia's most exciting young writers.
Victor Pelevin's unforgettable first novel, Omon Ra, is the story of a young man who always dreamt of becoming the ultimate Russian hero, a cosmonaut in the mould of Yuri Gagarin. Enrolling as a cadet at the Zaraisk flying school, it is not long before he is chosen to be the sole pilot of a mission - to the dark side of the moon. 'An inventive comedy as black as outer space itself. Makes The Right Stuff look like a NASA handout.' Tibor Fischer
After auditioning for the part as a singing geisha at a dubious bar, Lena and eleven other "lucky" girls are sent to work at a posh underground nightclub reserved exclusively for Russia's upper-crust elite. They are to be a sideshow attraction to the rest of the club's entertainment, and are billed as the "famous singing caryatids." Things only get weirder from there. Secret ointments, praying mantises, sexual escapades, and grotesque murder are quickly ushered into the plot. The Russian literary master Victor Pelevin holds nothing back, and The Hall of the Singing Caryatids, his most recent story to be translated into English, is sure to make you squirm in your seat with utter delight.
As a poet, Tartarsky is a failure. As a copywriter for one of Moscow's biggest advertising firms he makes $2,000 in ten minutes - and that's before the cocaine kicks in. But as Tartarsky speeds through a surreal world of PR mercenaries, back-door deals and Zen Buddhism, he begins to suspect the disturbing truth behind it all - as suggested to him by the disembodied voice of Che Guevara. Babylon confirms Victor Pelevin's reputation as the funniest and sharpest observer of the chaos and absurdity of post-Soviet Russian life.
Damilola Karpov is a pilot. Living in Byzantium, a huge sky city floating above the land of Urkaine, he makes his living as a drone pilot - capable of being a cameraman who records the events unfolding in Urkaine or, with the weapons aboard his drone, of making a newsworthy event happen for his employers: 'Big Byz Media'. His recordings are known as S.N.U.F.F.: Special Newsreel/Universal Feature Film. S.N.U.F.F. is a superb post-apocalyptic novel, exploring the conflict between the nation of Urkaine, its causes and its relationship with the city 'Big Byz' above. Contrasting poverty and luxury, low and high technology, barbarity and civilisation - while asking questions about the nature of war, the media, entertainment and humanity.
The short stories of Victor Pelevin are as individual, reality-warping and endlessly inventive as his novels, moving effortlessly between different genres and moods, bursting with absurd wit and existential satire. In The Blue Lantern he brings together sex-change prostitutes, melancholy animals and a cabinful of young boys obsessed by death. Sidestepping the world we take for granted, these stories show in miniature the fantastical talent for which the Observer acclaimed Pelevin's work as 'the real thing, fiction of world class'.
When Ariadne helped Theseus escape the Minotaur's labyrinth with the aid of a ball of thread, she led the way for the bewildered victims of a twenty-first century minotaur. Trapped in an endless maze of Internet chatrooms, a group of mystified strangers find themselves assigned obscure aliases and commanded by the Helmet of Horror, the Minotaur himself. As they fumble their way back to reality through a mesmerising world of abundant information but little knowledge, we are forced to wonder - can technology itself be anything more than a myth?
An intellectually dazzling and hilarious fantasy about identity and Russian history, and a spectacular elaboration of Buddhist philosphy, The Clay Machine-Gun confirms Victor Pelevin as 'one of the brightest stars in the Russian literary firmament' Observer. 'Victor Pelevin is the future of the Russian novel. His satires take the temperature of post-Soviet Russia, in all its amoral, dystopian chaos.With his fusion of oriental and sci-fi, there's no mistaking Pelevin's place in the absurdist pantheon alongside Gogol and Bulgakov.' Independent.
Roman thought he'd found the perfect opportunity to rebel. He may have been wrong. He awakens strapped to a set of parallel bars in a richly appointed sitting room, and begins a conversation with a masked man which will change his life. His world has been a facade - one which the mysterious Brahma is about to tear away. A stunning novel about the real world, and about the hidden chanels of power behind the scenes, EMPIRE V is a post-modern satirical novel exploring the cults and corruption of politics, banking and power. And not only are these cults difficult to join - it turns out they may be impossible to leave . . .
The world's first Zen Buddhist paranormal romance?published to
coincide with Halloween
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