Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

Using modern knowledge to shed light on ancient techniques, this text examines two of the earliest therapeutic techniques of Chinese medicine: acupuncture and moxibustion. Acupuncture is the implantation of very thin needles into subcutaneous connective tissue and muscle at a great number of different points on the body's surface; moxibustion is the burning of Artemisia tinder (moxa) either directly on the skin or just above it. For 2500 years the Chinese have used both techniques to relieve pain and to heal a wide variety of illnesses and malfunctions. Providing a full historical account of acupuncture and moxibustion in the theoretical structure of Chinese medicine, Doctors Lu and Needham combine it with a rationale of the two techniques in the light of modern scientific knowledge.

In recent decades various versions of Chinese medicine have begun to be widely practiced in western countries, and the academic study of the subject is now well established. However, there are still few scholarly monographs that describe the history of Chinese medicine and there are none at all on the medieval period. The collection presented here is an example of the kind of international collaboration of research teams, centers and individuals that is required to begin to study the source materials adequately.
The primary sources for this research come from a collection of medieval manuscripts discovered in 1900 in a walled-up room in the Buddhist cave-shrines of Dunhuang, Gansu Province, west China. Dunhuang was formerly an important Silk Road town, and formed the base of one of the first garrisons to be established during the Han period to secure the safe passage of soldiers, officials and traders between east and west. While the majority of the manuscripts stored in the cave are copies of Buddhist scriptural texts, there are also thousands of non-Buddhist texts, both religious and secular. The presence among these of some one hundred medical texts suggests that the Dunhuang prefectural school was a centre for copying and transmitting medical writings. In the collection we find the earliest handwritten copies of well-known classical medical treatises, together with hitherto unknown medical works, including illustrations and charts, texts related to religious and popular healing traditions and, excitingly, extensive portions of texts previously known only through brief quotations in later works.
This is the first book to discuss this fascinating material in a western languagein the century since the Dunhuang library was discovered, and it is likely to remain the only book of its kind in English for a considerable time.

Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

Wide-ranging introduction to the history and culture of pre-modern medicines in China Numerology, talismans, and Daoist medicine Alchemy, medicine and religion Archaeological finds and medicine Global impact of Chinese medicine: transmission to Europe, the socialist worlds Traditional medicines that have become modern drugs