Winner of the American Historical Association's 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press's parallel fight for a multiracial democracy of equality, justice, and opportunity for all-a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii

For at least two centuries, the South's economy, politics, religion, race relations, fiction, music, foodways and more have figured prominently in nearly all facets of American life. In A New History of the American South, W. Fitzhugh Brundage joins a stellar group of accomplished historians in gracefully weaving a new narrative of Southern history from its ancient past to the present. This groundbreaking work draws on both well-established and new currents in scholarship, including global and Atlantic world history, histories of African diaspora, environmental history, and more. The volume also considers the experiences of all people of the South: Black, white, Indigenous, female, male, poor, elite, and more. Together, the essays compose a seamless, cogent, and engaging work that can be read cover to cover or sampled at leisure. Contributors are Peter A. Coclanis, Gregory P. Downs, Laura F. Edwards, Robbie Ethridge, Kari Frederickson, Paul Harvey, Kenneth R. Janken, Martha S. Jones, Blair L. M. Kelley, Kate Masur, Michael A. McDonnell, Scott Reynolds Nelson, Jim Rice, Natalie Ring, and Jon F. Sensbach.

Pulitzer Prize Finalist Silver Gavel Award Finalist "A sobering history of how American communities and institutions have relied on torture in various forms since before the United States was founded." -Los Angeles Times "That Americans as a people and a nation-state are violent is indisputable. That we are also torturers, domestically and internationally, is not so well established. The myth that we are not torturers will persist, but Civilizing Torture will remain a powerful antidote in confronting it." -Lawrence Wilkerson, former Chief of Staff to Secretary of State Colin Powell "Remarkable...A searing analysis of America's past that helps make sense of its bewildering present." -David Garland, author of Peculiar Institution Most Americans believe that a civilized state does not torture, but that belief has repeatedly been challenged in moments of crisis at home and abroad. From the Indian wars to Vietnam, from police interrogation to the War on Terror, US institutions have proven far more amenable to torture than the nation's commitment to liberty would suggest. Civilizing Torture traces the history of debates about the efficacy of torture and reveals a recurring struggle to decide what limits to impose on the power of the state. At a time of escalating rhetoric aimed at cleansing the nation of the undeserving and an erosion of limits on military power, the debate over torture remains critical and unresolved.

In today's United States, the legacy of the American Revolution looms large. From presidential speeches to bestselling biographies, from conservative politics to school pageants, everybody knows something about the Revolution. Yet what was a messy, protracted, divisive, and destructive war has calcified into a glorified founding moment of the American nation. Disparate events with equally diverse participants have been reduced to a few key scenes and characters, presided over by well-meaning and wise old men.

Recollections of the Revolution did not always take today's form. In this lively collection of essays, historians and literary scholars consider how the first three generations of American citizens interpreted their nation's origins. The volume introduces readers to a host of individuals and groups both well known and obscure, from Molly Pitcher and "forgotten father" John Dickinson to African American Baptists in Georgia and antebellum pacifists. They show how the memory of the Revolution became politicized early in the nation's history, as different interests sought to harness its meaning for their own ends. No single faction succeeded, and at the outbreak of the Civil War the American people remained divided over how to remember the Revolution.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

The past has long fingers into the present, but they are not just the fingers of fact. How we remember the past is at least as important as the objective facts of that past. The memories used by a people to define itself have to be understood not just as (sometimes) bad history but also as historical artifacts themselves. Texas' pasts are examined in this groundbreaking volume, featuring chapters by a wide range of scholars. Current historians' views of Texas in the nineteenth century and especially the significance of the Alamo as a site of memory in architecture, art, and film across the years comprise a major element of this volume. Other nineteenth-century historical events are also examined through their memorializations in the twentieth century: the construction of Civil War monuments by the United Daughters of the Confederacy, public and private Juneteenth celebrations, and the Tejano memorial on the Capitol grounds commemorating the history of Mexicans in Texas. Twentieth-century chapters include collective memories and meaning attached to the Ku Klux Klan, the significance of the civil rights movement in the eyes of different generations of Texans, and the lasting (or fading) Texan memories of Lyndon Baines Johnson. The volume editors offer these studies as a model of how Texas historians can begin to incorporate memory into their work, as historians of other regions have done. In the process, they offer a more nuanced and even a more applied version of Texas history than many of us learned in school. GREGG CANTRELL is the Erma and Ralph Lowe Professor of History at Texas Christian University and the author of Stephen F. Austin: Empresario of Texas. ELIZABETH HAYES TURNER, an associate professor at the University of North Texas, is the author of Women, Culture, and Community: Religion and Reform in Galveston, 1880-1920.

Winner of the American Historical Association's 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press's parallel fight for a multiracial democracy of equality, justice, and opportunity for all-a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii

Inspired by the centenary of the publication of Washington's autobiography, Up From Slavery, this collection of essays reinterprets Washington's career and self-presentation. As the most visible and widely acclaimed black leader of his era, Washington played a pivotal role in advocating a strategy for the racial uplift of African Americans in an age of intensifying racism and discrimination. This collection insists that in order to understand the era of Jim Crow, we must come to terms with Washington and his autobiography. It uses Washington, his autobiography, and his program to consider the meanings of Up From Slavery, the plight of African Americans, and possible responses by blacks in the United States and elsewhere to the "highest stage of white supremacy." Collectively and individually, these essays shed light on aspects of Washington and his life that have been poorly understood. Neither a critique nor an apologia, Booker T. Washington and Black Progress offers fresh perspectives by leading scholars on one of the most remarkable and influential figures in turn-of-the-century America, providing a new appreciation of both the man and his times.

Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region's inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South. As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity. Contributors: Bruce E. Baker Catherine W. Bishir David W. Blight Holly Beachley Brear W. Fitzhugh Brundage Kathleen Clark Michele Gillespie John Howard Gregg D. Kimball Laurie F. Maffly-Kipp C. Brenden Martin Anne Sarah Rubin Stephanie E. Yuhl |A collection of fresh and innovative essays that offer a variety perspectives on how southerners have interpreted their past and their identity from the Revolution to the present. Thirteen contributors explore this idea among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South from North Carolina to Texas.

From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching.

Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation.

The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.

Since the Civil War whites and blacks have struggled over the meanings and uses of the Southern past. Indeed, today's controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. "The Southern Past" argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honor all Southerners or only select groups.

For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion. Streets became sites for elaborate commemorations of emancipation and schools became centers for the study of black history. This counter-memory surged forth, and became a potent inspiration for the civil rights movement and the black struggle to share a common Southern past rather than a divided one.

W. Fitzhugh Brundage's searing exploration of how those who have the political power to represent the past simultaneously shape the present and determine the future is a valuable lesson as we confront our national past to meet the challenge of current realities.

In 1905, the sociologist James Cutler observed, "It has been said that our country's national crime is lynching". If lynching was a national crime, it was a southern obsession. Based on an analysis of nearly six hundred lynchings, this volume offers a new, full appraisal of the complex character of lynching. In Virginia, the southern state with the fewest lynchings, W. Fitzhugh Brundage found that conditions did not breed endemic mob violence. The character of white domination in Georgia, however, was symbolized by nearly five hundred lynchings and became the measure of race relations in the Deep South. By focusing on these two states, Brundage addresses three central questions ignored by previous studies: How can the variation in lynching over space and time be explained? To what extent was lynching a social ritual that affirmed traditional values? What were the causes of the decline of lynching? An original aspect of the work is that it demonstrates the role blacks played in combatting lynching, whether by flight, overt protest, or other strategies. The most lasting of these were efforts to organize opposition to lynching, efforts that culminated in the expansion of the NAACP throughout the South. The book's multidisciplinary approach and the significant issues it addresses will interest historians of African-American history, the South, and American violence. At the same time, it will remind a more general audience of a tradition of violence that poisoned American life, and especially southern life.

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society. The contributors are: Davarian L. Baldwin, Trinity College W. Fitzhugh Brundage, University of North Carolina at Chapel Hill Clare Corbould, University of Sydney Susan Curtis, Purdue University Stephanie Dunson, Williams College Lewis A. Erenberg, Loyola University Chicago Stephen Garton, University of Sydney John M. Giggie, University of Alabama Grace Elizabeth Hale, University of Virginia Robert Jackson, University of Tulsa David Krasner, Emerson College Thomas Riis, University of Colorado at Boulder Stephen Robertson, University of Sydney John Stauffer, Harvard University Graham White, University of Sydney Shane White, University of Sydney |This collection of thirteen essays, edited by W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines to present a fresh look at the history of African Americans and mass culture. This book depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society.

Long out of print, this is the only novel set during the infamous Atlanta race riot of 1906, in which dozens of African Americans were killed or injured. The ""white circle"" of the book's title delineates a realm of freedom, opportunity, and equality into which no black person could enter. The tensions that exploded into three days of deadly mob violence are explored through the intertwined stories of a white journalist, a black college professor, and the woman they both love - an artist of mixed race who chooses to pass as white. Until the riot, Atlanta had been touted as a place where blacks and whites lived peacefully, yet separately. Thornwell Jacobs tries to make sense of what happened by weaving into his story threads of thought on such issues as media sensationalism, interracial love, social Darwinism, and class divisions within black and white communities. This edition of ""The Law of the White Circle"" comes with additional writings that offer alternative perspectives on the Atlanta riot and put the novel and its real-world events in historical and sociological context. Included are a foreword by W. Fitzhugh Brundage, a noted historian of the South whose scholarly interests include lynching and historical memory; an essay by historian Paul Stephen Hudson, the recognized authority on Thornwell Jacobs; an excerpt from ""A Man Called White"", the autobiography of NAACP leader Walter White, whose family lived in Atlanta at the time of the riot; and the poem ""A Litany of Atlanta,"" composed during the riot by the renowned African American scholar, writer, and civil rights leader W. E. B. Du Bois.

One July week in 1900 an obscure black laborer named Robert Charles drew national headlines when he shot twenty-seven whites -- including seven policemen -- in a series of encounters with the New Orleans police. An avid supporter of black emigration, Charles believed it foolish to rely on southern whites to uphold the law or to acknowledge even minimal human rights for blacks. He therefore systematically armed himself, manufacturing round after round of his own ammunition before undertaking his intentionally symbolic act of violent resistance. After the shootings, Charles became an instant hero among some blacks, but to most people he remained a mysterious and sinister figure who had promoted a "back-to-Africa" movement. Few knew anything about his early life.

This biography of Charles follows him from childhood in a Mississippi sharecropper's cabin to his violent death on New Orleans's Saratoga Street. With the few clues available, William Ivy Hair has pieced together the story of a man whose life spanned the thirty-four years from emancipation to 1900 -- a man who tried to achieve dignity and self-respect in a time when people of his race could not exhibit such characteristics without fear of reprisal. Hair skillfully penetrates the world of Robert Charles, the communities in which he lived, and the daily lives of dozens of people, white and black, who were involved in his experience. A new foreword by W. Fitzhugh Brundage sets this unique and innovative biography in the context of its time and demonstrates its relevance today.