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The story of the voyage of the sixth-century Irish saint, Brendan the Navigator, is one of the greatest legends of the Middle Ages. To the nations of medieval Europe the ocean voyage became a metaphor for the perilous journey of the Christian soul in search of the Promised Land, and no spiritual odyssey attracted wider interest. In recent years Brendan's voyage has become increasingly popular as a topic of interest, not only in medieval studies, but also within the history of travel literature in general. One of the legend's charms is that it can be read in a number of ways: as a thinly disguised account of Irish travels and discoveries in the Atlantic, as a seafaring story in the fashion of the Irish immrama (literally "rowings out"), or as an allegorical tale of Man's journey through life. It also has links with the monastic culture of its day, and contains echoes of the Odyssey and the Aeneid, Sinbad the Sailor and the quest for the Holy Grail. Barron and Burgess's volume collects the most important versions of the voyage from a wide variety of cultures, and presents them in modern English translations together with a general introduction to Brendan, explanatory commentaries and an extensive bibliography.
Layamon's Brut is a landmark in English literature, the first major work in English after the Norman Conquest, and the precursor of a rich Arthurian literature, from Malory to Tennyson and on to our own time. This edition combines a fully-edited version of the original text with a close parallel prose translation, together with a lengthy Introduction, textual notes and a full and up-to-date bibliography. Written c.1200-1220, the Brut develops the themes of its principal source, Robert Wace's Roman de Brut, itself a version of Geoffrey of Monmouth's bestseller, the Historia Regum Britanniae, in a metre and idiom reminiscent of Old English. It demonstrates the fundamental strength of a native culture which survived two centuries of French dominance to re-emerge as a fusion of a national tradition and continental influences.
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