Mirroring Nella Larsen's Passing, The Blacker the Berry: A Novel of Negro Life is the fantastic debut of Wallace Thurman. A Black boy could get along but a Black girl would never know anything but sorrow and disappointment. Emma Lou was born black. Abandoned by her father at birth, she is subjected to skin bleaching by her mother, hoping to make her child more desirable. Learning that she is unwanted in white society but also ostracized within her own, Emma Lou navigates a harsh and unrelenting world as she tries to come to terms with her life and love herself in the skin she's in. Professionally typeset with a beautifully designed cover, this edition of The Blacker the Berry: A Novel of Negro Life is a reimagining of a Harlem Renaissance staple for the modern reader.

VINTAGE CLASSICS' HARLEM RENAISSANCE SERIES Celebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history. 'Why not? She's just as a good as the rest, and you know what they say, "the blacker the berry, the sweeter the juice"' Growing up, Emma Lou Morgan stuck out - her skin was the darkest in every room, even within her own home. With the encouragement of her uncle, Emma flees smalltown Idaho firstly to study in Los Angeles before travelling to Harlem. Though she enjoys the glamour of attending the theatre and the buzz of cabaret, every excursion is tinged with the fear of discrimination. Even in big cities, Emma cannot escape the bigotry of colourism, but can she change how it makes her feel about herself? The Blacker the Berry is an arrestingly vivid portrayal of how very deeply every facet of prejudice runs. 'Thurman's novel presents some of the most layered portrayals of New York City life...from seedy employment agency waiting rooms to swank Harlem hot spots' NPR

The Messenger was the third most popular magazine of the Harlem Renaissance after The Crisis andOpportunity. Unlike the other two magazines, The Messenger was not tied to a civil rights organization. Labor activist A. Philip Randolph and economist Chandler Owen started the magazine in 1917 to advance the cause of socialism to the black masses. They believed that a socialist society was the only one that would be free from racism.

The socialist ideology of The Messenger "the only magazine of scientific radicalism in the world published by Negroes," was reflected in the pieces and authors published in its pages. The Messenger Reader contains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West.

The Messenger Reader, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.

The groundbreaking Harlem Renaissance novel about prejudice within the black community Emma Lou Morgan's skin is black - 'too black', as the narrator writes at the beginning of The Blacker the Berry. Tired of the scorn and contempt of her classmates, teachers, friends and even family, she leaves her hometown of Boise, Idaho, travelling first to Los Angeles and then to Harlem, New York, in search of a community to which she can belong. In Harlem, Emma Lou finds an exciting, vibrant scene of nightclubs and dance halls and parties and love affairs ... but there is no escaping the shame she feels about the darkness of her skin. Written by an overlooked author of the Harlem Renaissance The Blacker the Berry is a vivid and disturbing portrait of a young woman who has been rejected by her own race. It is a strikingly relevant reflection on the role that skin colour plays in American society.

This book is the definitive collection of the writings of Wallace Thurman (1902-1934), providing a comprehensive anthology of both the published and unpublished works of this bohemian, bisexual writer. Widely regarded as the enfant terrible of the Harlem Renaissance scene, Thurman was a leader among a group of young artists and intellectuals that included, among others, Langston Hughes, Zora Neale Hurston, Richard Bruce Nugent, Gwendolyn Bennett, and Aaron Douglas. Through the publication of magazines such as Fire!! and Harlem: A Forum of Negro Life, Thurman tried to organize the opposition of the younger generation against the programmatic and promotional ideologies of the older generation of black leaders and intellectuals such as W.E.B. Du Bois and Benjamin Brawley. Thurman also left a permanent mark on the period through his prolific work as a novelist, playwright, short story writer, and literary critic, as well as by claiming for himself a voice as a public intellectual. The Collected Writings of Wallace Thurman is divided into eight sections to highlight the variety of genres and styles Thurman practiced as he courageously pursued controversial subjects throughout his short and brilliant career. It includes Essays on Harlem, Social Essays and Journalism, Correspondence, Literary Essays and Reviews, Poetry and Short Fiction, Plays, and Excerpts from Novels. Filling an important gap in Harlem Renaissance literature, this collection brings together all of Thurman's essays, nearly all of his letters to major black and white figures of the 1920s, and three previously unpublished major works. These books are Aunt Hagar's Children, which is a collection of essays, and two full-length plays, Harlem and Jeremiah the Magnificent. The introduction to the volume, along with the carefully researched introductory notes to each of the eight sections, provide a challenging new reevaluation of Thurman and the Harlem Renaissance for both the general reader and scholar.