The essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled 'The Lilies of the Lord' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981.

Yeats Annual No. 18 is another special number in this renowned research-level series offering a tribute to the pioneering Yeats scholar, A. Norman Jeffares. It demonstrates the 'living stream' of his life's work as senior scholars offer commentary upon Yeats's life and works. Memories of the man are shared by Seamus Heaney, Christopher Rush and Colin Smythe, who compiles a bibliography of Jeffares's work. Terence Brown, Neil Corcoran, Warwick Gould, Joseph M. Hassett, Phillip L. Marcus, Ann Saddlemyer, Ronald Schuchard, Deirdre Toomey and Helen Vendler offer essays on such topics as Yeats and the Colours of Poetry, Yeats's Shakespeare, Yeats and Seamus Heaney, Lacrimae Rerum and Tragic Joy, Raftery's work on Yeats's Thoor Ballylee, Edmund Dulac's portrait of Mrs George Yeats, The Tower as an anti-Modernist monument, with close studies of 'Vacillation', 'Her Triumph', and 'The Cold Heaven'. Throughout, the essays are inflected with memories of Jeffares and his critical methods. The volume is rounded with further essays on A Vision by Neil Mann and Matthew de Forrest, while reviews of recent editions and studies are provided by Matthew Campbell, Wayne K. Chapman, Sandra Clark, Denis Donoghue, Nicholas Grene, Joseph M. Hassett, and K.P.S. Jochum. Yeats Annual is published by Open Book Publishers in association with the Institute of English Studies. Further details, including how to order back issues, can be found at: http: //www.ies.sas.ac.uk/publications/yeats-annual

The latest in a renowned research-level series, this volume focuses on Yeats's multifarious (especially occult) reading and his iconography. Closely examining the making of his work - a new unfinished play for dancers is presented - the volume turns to his immediate influence in Japan via Yone Noguchi and in England on the work of Dorothy Wellesley, as well as to his legacy in the elegiac poems of W.H. Auden and Seamus Heaney.

This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal

This is the first collection of essays to address the coming subject in studies of the Irish Literary Revival and the Modernist Movement--Yeats's poetic, theatrical, and occult collaborations. His creative dealings with such figures as Dolmetsch, Florence Farr, Lady Gregory, George Yeats, and Frank O'Connor, set his individual genius into the creative community which he himself built. With research materials, shorter notes, and reviews of 20 books, exhibitions and performances, and ten plates including unknown images of Yeats, Anne Yeats, Mrs. Patrick Campbell, and others.

From this renowned research-level series, Poems and Contexts: Yeats Annual 16 thrusts Yeats's poems back into the circumstances of their creation and revision, thereby addressing what is very much the coming subject in studies of the Irish Literary Revival and the Modernist Movement: the historicity of Yeats's texts. Essayists and their themes include Wayne Chapman on Yeats's Rebellion Poems, while Joseph M. Hassett and P. S. Sri address Yeats's poetic sequences from fresh viewpoints. Deirdre Toomey illuminates the turning point of 'The Municipal Gallery Revisited', A. Norman Jeffares contributes a major biographical study of Iseult Gonne, and Neil Mann a study of George Yeats and Athanasius Kircher. The volume also features research materials, including a full printing of Richard Ellmann's Notebooks on Yeats.

Writing the Lives of Writers ponders that strange ventriloquized dialogue between biographers and their subjects, a dialogue all the stranger when the subject is a writer. It contains 22 essays by internationally distinguished scholars and biographers including Martin C. Battestin, Isobel Grundy, John Haffenden, Hermione Lee, Lawrence Lipking, Ray Monk, Hazel Rowley, Max Saunders, Martin Stannard and John Worthen. They tackle the lives of Chaucer, Tyndale, More, Fielding and Lady Mary Wortley Montagu, Wordsworth, Henry James, Ford Madox Ford, Yeats, Lawrence, Dorothy Richardson, Virginia Woolf, Malcolm Lowry, F.R. Leavis, Richard Wright and Brian Penton.

"Yeats Annual" is an established research-level publication for current thought and documentation upon the life and work of "the greatest poet in the English tongue of this century" (Dame Helen Gardner). The focus in this sixth number is on Yeats at work on various manuscripts and on his tours of America.;Almost every contributor draws on unpublished material and the items contained in this work included the complete surviving archive of letters to Yeats from Olivia Shakespear published for the first time, the earliest surviving manuscripts of "Cathleen ni Houlihan" by Lady Gregory and Yeats, an examination of the manuscripts of "Deirdre" and Yeats' interest in Arthurianism, plus an account of his first tour of California in 1904 and a re-examination of several of Yeats' works such as "Responsiblities". The volume also includes a number of reviews on works written about Yeats.

Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.

Yeats's Mask, Yeats Annual No. 19 is a special issue in this renowned research-level series. Fashionable in the age of Wilde, the Mask changes shape until it emerges as Mask in the system of A Vision. Chronologically tracing the concept through Yeats's plays and those poems written as 'texts for exposition' of his occult thought which flowers in A Vision itself (1925 and 1937), the volume also spotlights 'The Mask before The Mask' numerous plays including Cathleen Ni-Houlihan, The King's Threshold, Calvary, The Words upon the Window-pane, A Full Moon in March and The Death of Cuchulain. There are excurses into studies of Yeats's friendship with the Oxford don and cleric, William Force Stead, his radio broadcasts, the Chinese contexts for his writing of 'Lapis Lazuli'. His self-renewal after The Oxford Book of Modern Verse, and the key occult epistolary exchange 'Leo Africanus', edited from MSS by Steve L. Adams and George Mills Harper, is republished from the elusive Yeats Annual No. 1 (1982). The essays are by David Bradshaw, Michael Cade-Stewart, Aisling Carlin, Warwick Gould, Margaret Mills Harper, Pierre Longuenesse, Jerusha McCormack, Neil Mann, Emilie Morin, Elizabeth Muller and Alexandra Poulain, with shorter notes by Philip Bishop and Colin Smythe considering Yeats's quatrain upon remaking himself and the pirate editions of The Land of Heart's Desire. Ten reviews focus on various volumes of the Cornell Yeats MSS Series, his correspondence with George Yeats, and numerous critical studies. Yeats Annual is published by Open Book Publishers in association with the Institute of English Studies, University of London.

Yeats Annual No. 11 has four broad themes: W.B. Yeats's written and oral poetic technique; his philosophical interests in Eastern thought and A Vision; his manuscripts: and Jack B. Yeats's work, including his illustrations for his brother's writing. The contributions include: Michael Sidnell on Yeats's 'Written Speech'; Helen Vendler on Yeats and Ottava Rima; Steve Ellis on Chaucer, Yeats and the Living Voice; P.S. Sri on Yeats and Mohini Chatterjee; Matthew Gibson and Colin McDowell on A Vision and the automatic script; Wayne Chapman on the 'Countess Cathleen Row' of 1899 and revisions to the play; Warwick Gould and Deirdre Toomey on The Flame of the Spirit; Hilary Pyle on Jack B. Yeats's Illustrations for his Brother; John Purser's edited transcript of Jack Yeats and Thomas MacGreevy in conversation. There are shorter notes by Morton D. Paley, A.Norman Jeffares, Lis Pihl and others. Fourteen new books are reviewed and the nine plates include hitherto unpublished images.

Yeats Annual No. 10 finds new thresholds and margins in Yeats's thought and work. It concentrates upon his plays, his occult concerns with spiritualism and the Irish belief in an otherworld, and closely examines certain aspects of his textual state and the borders of his canon. 'The admirable Yeats Annual ... a powerful base of biographical and textual knowledge. Since 1982 the vade mecum of ... Yeats ... full of interest'. Bernard O'Donoghue, The Times Literary Supplement

William Butler Yeats is considered Ireland's greatest poet. He is one of the most significant literary figures of the twentieth century. He was awarded the Nobel Prize for Literature in 1923. This is the definitive collection of his poems, encompassing the full range of his powers, from the love lyrics to the political poems, from poems meditating on the bliss of youth, to the verse that rails against old age. A detailed notes section and full appendix provide an invaluable key to the poems as well as biographical information on the life of the poet and a guide to his times. The collection includes Yeats's fourteen books of lyrical poems, his narrative and dramatic poetry, and his own notes on individual poems.

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. Its twelfth issue, That Accusing Eye: Yeats and His Irish Readers, is a special number devoted to one of the great realities of Yeats's writing, the Irish audience that he loved enough to scorn. This audience managed to wound him both by its attention and its indifference. As the eight essays by Irish critics show, it matters even more in the changing Ireland of today. A total of eighteen authors is represented, and seventeen new books are reviewed, including five new volumes in the Cornell Manuscripts Series.

Yeats Annual No.8 has two distinct themes: Yeats's poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats's lectures given in England and America in 1902-4.

Mythologies is the definitive edition of W.B. Yeats's folklore and early prose fiction, edited according to Yeats's final textual instructions. Its extensive annotation makes luminous Yeats's 'fibrous darkness', that 'matrix out of which everything has come', by comprehensively dealing with oral and written sources, abandoned and unpublished writings. The documentation is especially designed to acknowledge Yeats's strategies of self-allusion and the special role folkloric prose plays in relation to his poetry, drama, autobiographical writings, speculative prose, essays and letters. Featuring a number of new images, this is the first time that a work of Yeats's has been edited according to 'Book History' principles, and will be fascinating reading for all students and scholars of Yeats. Winner of the 2006 Wheatley Medal prize for an outstanding index.

This is the first collection of essays to address the coming subject in studies of the Irish Literary Revival and the Modernist Movement - Yeats's poetic, theatrical and occult collaborations. His creative dealings with such figures as Dolmetsch, Florence Farr, Lady Gregory, George Yeats, and Frank O'Connor, set his individual genius into the creative community which he himself built. With research materials, shorter notes, and reviews of 20 books, exhibitions and performances, and 10 plates including unknown images of Yeats, Anne Yeats, Mrs Patrick Campbell and others.

Writing the Lives of Writers ponders that strange ventriloquized dialogue between biographers and their subjects, a dialogue all the stranger when the subject is a writer. It contains 22 essays by internationally distinguished scholars and biographers including Martin C. Battestin, Isobel Grundy, John Haffenden, Hermione Lee, Lawrence Lipking, Ray Monk, Hazel Rowley, Max Saunders, Martin Stannard and John Worthen. They tackle the lives of Chaucer, Tyndale, More, Fielding and Lady Mary Wortley Montagu, Wordsworth, Henry James, Ford Madox Ford, Yeats, Lawrence, Dorothy Richardson, Virginia Woolf, Malcolm Lowry, F.R. Leavis, Richard Wright and Brian Penton.

William Butler Yeats is considered Ireland's greatest poet. He is one of the most significant literary figures of the twentieth century. He was awarded the Nobel Prize for Literature in 1923. This is the definitive collection of his poems, encompassing the full range of his powers, from the love lyrics to the political poems, from poems meditating on the bliss of youth, to the verse that rails against old age. A detailed notes section and full appendix provide an invaluable key to the poems as well as biographical information on the life of the poet and a guide to his times. The collection includes Yeats's fourteen books of lyrical poems, his narrative and dramatic poetry, and his own notes on individual poems.