The latest in a renowned research-level series, this volume focuses
on Yeats's multifarious (especially occult) reading and his
iconography. Closely examining the making of his work - a new
unfinished play for dancers is presented - the volume turns to his
immediate influence in Japan via Yone Noguchi and in England on the
work of Dorothy Wellesley, as well as to his legacy in the elegiac
poems of W.H. Auden and Seamus Heaney.
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