This publication covers Financial Accounting and Reporting Practice.

The focus is on accounting standards, interpretations and updates issued by the IASB. It is aimed at the under- and postgraduate student, practising accountants, financial analysts, credit providers and the wider business community. Each chapter includes practical examples, with journal entries where appropriate, that demonstrate the more important principles.

Martha Wells' New York Times and USA Today bestselling Murderbot series exploded onto the scene in 2017, and the world has not been the same, since. Murderbot returns in its highly-anticipated, first, full-length standalone novel, Network Effect.

You know that feeling when you're at work, and you've had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot.

Come for the pew-pew space battles, stay for the most relatable A.I. you'll read this century.

-- I'm usually alone in my head, and that's where 90 plus percent of my problems are.

When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

Two roads lead to Mount Hope. None leads out. There’s no place to run in a community that’s been taken–and is being intentionally kept–off the grid.

A small southern town was evacuated after a freak power-plant accident. As the first anniversary of the mishap approaches, some residents are allowed to return past the national guard roadblocks. Mount Hope natives Maggie and Jordan quickly discover that their hometown is not as it was before. Downed cellular networks fail to resume service. Animals savagely attack humans. And the damaged power plant, where Jordan’s father is an engineer, is under military lockdown.

As friends and family morph into terrifying strangers, Maggie and Jordan increasingly turn to each other. Their determination to discover who–or what–has taken control of Mount Hope soon has them in the cross-hairs of a presence more sinister than any they could have imagined.

On June 23, 1900, the Southern Railroad Company's Engine #7 and its passengers were greeted by a tremendous storm en route to Atlanta, Georgia. Stalled for some time in nearby McDonough, travelers grew impatient as rain pelted the roof and wind buffeted the cars. When finally given the go-ahead, their resulting joy was short-lived: the locomotive soon reached Camp Creek--and disaster. After weeks of constant showers, the swollen creek had eroded the bridge supports. Under the train's weight, the bridge collapsed, and all but nine perished in either the fiery fall or watery depths. With the help of local newspapers and eyewitness accounts, Georgia historian and professor Jeffery C. Wells recounts this tragic tale.

This books provides students with an introduction to the work of Ian McEwan that places his fiction in historical and theoretical context. It explores his biography and his hallmark literary techniques, and it looks at the issues of ethics and representation, focusing particularly on his most recent fiction. Including a timeline of key dates and an interview with the author, this guide offers an accessible reading of McEwan's work and an overview of the varied critical reception this has provoked.

The powerful potential of digital media to engage citizens in political actions has now crossed our news screens many times. But scholarly focus has tended to be on "networked," anti-institutional forms of collective action, to the neglect of advocacy and service organizations. This book investigates the changing fortunes of the citizen-civil society relationship by exploring how social changes and innovations in communication technology are transforming the information expectations and preferences of many citizens, especially young citizens. In doing so, it is the first work to bring together theories of civic identity change with research on civic organizations. Specifically, it argues that a shift in "information styles" may help to explain the disjuncture felt by many young people when it comes to institutional participation and politics. The book theorizes two paradigms of information style: a dutiful style, which was rooted in the society, communication system and citizen norms of the modern era, and an actualizing style, which constitutes the set of information practices and expectations of the young citizens of late modernity for whom interactive digital media are the norm. Hypothesizing that civil society institutions have difficulty adapting to the norms and practices of the actualizing information style, two empirical studies apply the dutiful/actualizing framework to innovative content analyses of organizations' online communications-on their websites, and through Facebook. Results demonstrate that with intriguing exceptions, most major civil society organizations use digital media more in line with dutiful information norms than actualizing ones: they tend to broadcast strategic messages to an audience of receivers, rather than encouraging participation or exchange among an active set of participants. The book concludes with a discussion of the tensions inherent in bureaucratic organizations trying to adapt to an actualizing information style, and recommendations for how they may more successfully do so.

As Atlanta finished rebuilding after the Civil War, a new horror arose from the ashes to roam the night streets. Beginning in 1911, a killer whose methods mimicked the famed Jack the Ripper, murdered at least twenty black women, from prostitutes to working class women and mothers. Each murder attributed to the killer occurred on a Saturday night, and for one terrifying spring in 1911, a fresh body turned up every Sunday morning. Amid a stifling investigation slayings continued until 1915. As many as six men were arrested for the crimes, but investigators never discovered the identity of the killer or killers despite having several suspects in custody. Join local historian Jeffrey Wells as he reveals the story of the Atlanta Ripper, unsolved to this day.

'Hope is about learning to dream - provided one remembers the dream comes not so much out of one's own unconscious, but out of God's. Hope is first learning God's dream, and then living it.' This striking guide to thoughtful Christian living explores the everyday experience of Christian hope and wisdom. In thirty six short and engaging reflections, Sam Wells explores what influences and shapes how we live, love, think, read Scripture, feel and dream. Helping us grapple with cultural forces and contemporary questions, Learning to Dream Again sets out to shape a theological imagination that is grounded in the reality of being human in a suffering world and yet open to transformation by the life and joy of God.

Kristin Hanggi directs this made-for-TV comedy based on the children's books by Jim Benton. At the centre of events is Jamie Kelly (Emily Alyn Lind), a middle school girl whose diary reflects the preoccupations of her peers and classmates. Armed with the support of her friend Isabella (Mary-Charles Jones), Jamie sets out to win the heart of the boy she has the biggest crush on, Hudson (David Mazouz), and to get one over on the vindictive Angeline (Sterling Griffith). The pages of her diary record her successes - and failures...

This richly illustrated work is a history, critical analysis, and celebration of the Halas and Batchelor Cartoon Studio, Britain's leading and most influential animation company from 1940 to 1995. This lavish study draws on the archives of the Halas & Batchelor Collection and looks at the studio's key works, including "Animal Farm," Britain's first full-length animated film; "The Tales of Hoffnung," with the legendary Peter Sellers; and the cult classics "Butterfly Ball," featuring the work of Beatles illustrator Alan Aldridge, and "Autobahn," with the music of Kraftwerk. The book includes an autobiographical account by Vivian Halas, daughter of the company's founders, as well as critical insights by animation professor Paul Wells. Animation worldwide is indebted to John Halas and Joy Batchelor for their outstanding work. This book explores their legacy.

Turn the pages in That's not my cat... to explore smooth stripes, fuzzy paws and fluffy ears.

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