Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.

Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought - questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.

Scholars of religion have begun to explore horror and the monstrous, not simply within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought - questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. This volume pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.

The Twilight saga, a series of five films adapted from Stephanie Meyer's four vampire novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans. This series has also been the subject of criticism and sometimes derision - often from critics and on occasion even from fans. However, it also offers rich opportunities for analytic and critical attention, which the contributors to Screening Twilight demonstrate with energy and style. Through examining Twilight, the book unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages. The chapters addressTwilight in the context of the vampire and myth, in terms of genre and reception, identity, gender and sexuality, and through re-viewing the series fandom. Screening Twilight is also a revelation of how a popular cinematic phenomenon like Twilight rewards close attention from contemporary critical scholars of cinema and culture.

Sean S. Cunningham and Victor Miller's Friday the 13th franchise is one of the most successful horror film franchises in history. To date, it includes twelve movies, a television show, comic books, and video games, among other media. In See! Hear! Cut! Kill! Experiencing "Friday the 13th," Wickham Clayton explores several aspects of the films including how the technical aspects relate to the audience, their influence on filmmaking, and the cultural impact of the franchise. Clayton looks at how perspective is established and communicated within the Friday the 13th films, which is central to the way the audience experiences and responds emotionally to these movies. Then he considers how each sequel gives viewers, whether longtime fans or new audiences, a "way in" to the continuous story that runs through the series. Clayton also argues that the series has not developed in isolation. These films relate to contemporary slasher films, the modern horror genre, and critically successful Hollywood films in general. They reflect popular trends of film style and often act as key examples in the genre and beyond.

Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.

The remarkable commercial success of Mel Gibson's The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film's failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mainstream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky's Noah (2014) and Ridley Scott's Exodus: Gods and Kings (2014), along with the telenovelas of Latin America. Such texts follow previous traditions while appearing distinct both stylistically and thematically from the Biblical epic in its prime, making academic consideration timely and relevant. Featuring contributions from such scholars as Mikel J. Koven, Andrew B. R. Elliott and Martin Stollery, and a preface from Adele Reinhartz, the book will be of interest to students and scholars of film, television and religion. -- .

Sean S. Cunningham and Victor Miller's Friday the 13th franchise is one of the most successful horror film franchises in history. To date, it includes twelve movies, a television show, comic books, and video games, among other media. In See! Hear! Cut! Kill! Experiencing "Friday the 13th," Wickham Clayton explores several aspects of the films including how the technical aspects relate to the audience, their influence on filmmaking, and the cultural impact of the franchise. Clayton looks at how perspective is established and communicated within the Friday the 13th films, which is central to the way the audience experiences and responds emotionally to these movies. Then he considers how each sequel gives viewers, whether longtime fans or new audiences, a "way in" to the continuous story that runs through the series. Clayton also argues that the series has not developed in isolation. These films relate to contemporary slasher films, the modern horror genre, and critically successful Hollywood films in general. They reflect popular trends of film style and often act as key examples in the genre and beyond.

The Twilight saga, a series of five films adapted from Stephanie Meyer's four vampire novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans. This series has also been the subject of criticism and sometimes derision - often from critics and on occasion even from fans. However, it also offers rich opportunities for analytic and critical attention, which the contributors to Screening Twilight demonstrate with energy and style. Through examining Twilight, the book unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages. The chapters addressTwilight in the context of the vampire and myth, in terms of genre and reception, identity, gender and sexuality, and through re-viewing the series fandom. Screening Twilight is also a revelation of how a popular cinematic phenomenon like Twilight rewards close attention from contemporary critical scholars of cinema and culture.