The Seven Wonders: Stories About Witches

Seven stories of power, defiance, and wonder, where magic lingers, fate shifts, and witches rise.

The Seven Wonders is an anthology of witchcraft in its many incarnations: gothic, modern, and utterly strange. From rural South Africa to eerie academies, from hedge witches whispering secrets to forces that defy understanding, these seven tales explore the trials of power, the cost of magic, and the unbreakable bonds that tether witches to their craft.

In a world that has long feared and vilified witches, this collection reclaims them as heroines – figures of resistance, wisdom, and transformation. Whether through fire, foresight, or forbidden rites, each story unveils a different Wonder – some dark, some wondrous, all unforgettable.

The stories appearing in this anthology are: • Lifael – Felix Lamont • Shooting star – Manjari Jogi • The Mud Witch – Ciaran R. Maidwell • The Shaman and the Witch – Nadia • Cassim Unfamiliars – Francesco Nassimbeni • A Spell for Healing Death – Luke Wildman • Witchling – Mia Haven

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Who was he? This man she was so captivated by. Suzanne's divorce was months ago and something had put her on this cruise ship for a reason. She wasn't looking for love, but had it found her? As across the table he sat down, caught her eye and smiled a knowing smile. She knew he was intelligent by the conversations she'd overheard him have but now clad in a sharp tuxedo suit with a bow-tie nestled in the crook of his crisp white shirt collar she was hooked. She felt her heart racing with excitement, maybe there was a chance for her after all, a chance to talk to him more and maybe see whether the connection that she felt was real or whether it's all in her head. She wondered if it was just an infatuation, something drawing her to him with no explanation and it was something that she should just ignore. Could she let go of the past and let fate play its game?

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