One of the most loved television series of all time is brought back to life with a stellar cast and a story full of scandal, romance and intrigue set against a sweeping historical backdrop.

1936. The house at 165 Eaton Place has stood empty since the Bellamy family sold it six years earlier. Now the doors are finally flung open by new owners, diplomat Sir Hallam, his wife Lady Agnes, and, back from the Raj, Maud, Lady Holland, his mother. With the arrival of Agnes’s debutante sister, Lady Persie, the sumptuous home is ready to come to life.

And who better than Rose, the house’s former parlourmaid, to recruit the new staff? The new 'downstairs' family is as full of characters as its previous incarnation with the highly strung butler Mr Pritchard, cook Mrs Thackeray, chauffeur Harry Spargo and a vivacious and spirited young team.

Soon both the elegant upstairs world and the downstairs staff have built their own labyrinth of secrets, lies and scandal, and as they feel the tremors of royal and political upheaval and the ominous threat of war, the house reverberates to the familiar sounds of rumour, excitement and dread…

If you can't trust your head, can you trust your heart?

If she had been found moments later, Amelia's heart would have stopped and never recovered. Instead she was taken from the desolate beach to the nearest hospital just in time to save her life. When her sister Lexi arrives from New York, Amelia's heart is beating, but the accident has implanted a series of false memories. These memories revolve around a man named Sam, and a perfect love story that never existed.

Determined to help her sister, Lexi enlists the help of Nick, a local vet who bears a striking resemblance to Sam. Together, Lexi and Nick recreate and photograph Amelia's dream dates in the hopes of triggering her true memories.

But as love starts to stir between Lexi and Nick, they must navigate a complex web of emotions. How can Lexi fall for Amelia's dream man without hurting her sister?

Filled with breathtaking romance, heart-wrenching emotion, the magic of destiny and the power of sisterhood, The Memory of Us is a must-read for fans of Holly Miller and Colleen Hoover.

Computer animated action movie featuring Marvel Comics superheroes Iron Man (voice of Adrian Pasdar) and Hulk (Fred Tatasciore). When Earth comes under attack from powerful monster Zzzax (Dee Bradley Baker), Iron Man and Hulk combine their unique strengths in the hope of defeating the enemy and saving the world. But can they learn to work as a team despite their differences?

Sorcerer is a book in the form of a script/novel/manual about the pleasures of being with others and of being alone. Three friends hang out and share a long and unremarkable conversation about getting dressed, headaches, ticks, compression fantasies, surgery, and their aspirations, among other things. The characters find contentment in each other’s company, conversing in the placid, eerie rhythms of a sitcom in which conflict never arises. When two of the friends go home for the night, the remaining one watches TV, dances, and takes apart his face in front of a giant mirror.

Upbeat drama in which a retired boxer turned school janitor helps a bullied child stand up to his tormentors. Dan Barnes (Steve Austin) is an ex-professional boxer who gave up the sport partly from fatigue and partly in search of a less violent way of life. When he begins working in the more sedate role of a high school janitor, he is surprised to find that his fighting gifts may come in handy. One of the children at the school, Matthew (Daniel Magder), is being cruelly bullied by some of his classmates. Taking on the role of mentor, Dan teaches Matthew to box. Though one of the boy's tormentors, Hector (Jaren Brandt Bartlett), is the current school boxing champion, under the expert guidance of his tutor Matthew just might spring a surprise on the bullies.

Roger Murtaugh (Danny Glover) is a family man cop who is about to turn fifty. Cautious by nature, he is less than happy to be paired with Martin Riggs (Mel Gibson) when he is assigned to investigate Californian drug baron 'The General' (Mitchell Ryan). Following the death of his wife, Riggs has become a manic loner who no longer cares whether he lives or dies; an approach which causes more than a few problems as he and Murtaugh attempt to bring the General to justice.

Many welfare states are now struggling to deal with the issues and tensions raised by the growth of minority ethnic populations and increasing ethnic diversity. The fact that most societies in the developed world are now multicultural raises many challenges for policy and for the delivery of welfare services which most states have yet to address, retreating into forms of institutional racism to deny minorities the services they need. Using the UK as an exemplary case study, this much-needed book combines historical and theoretical approaches to the issue of 'race' and ethnicity within welfare provision, including an examination of how minorities experience welfare in a range of service settings. The book inspires new ways of approaching welfare and social policy, in anticipation of a society that is equal, inclusive, fair and just for all and will make essential reading for students, researchers, practitioners and policy makers

The fifth instalment of Prototype's annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between. With contributions by Alex Aspden, Ed Atkins & Steven Zultanski, Mau Baiocco, Claire Carroll, Hal Coase, James M. Creed, Iulia David, Nia Davies, Fiona Glen, Olivia Heal, Emma Hellyer, Hannah Hutchings-Georgiou, Rowe Irvin, Sasja Janssen (trans. Michele Hutchison), Bhanu Kapil, Sharon Kivland, Jeff Ko, Prerana Kumar, Grace Connolly Linden, Dasha Loyko, Nasim Luczaj, Ian Macartney, So Mayer, Catrin Morgan, Ghazal Mosadeq, Kashif Sharma-Patel, Helen Quah, Dipanjali Roy, Leonie Rushforth, Stanley Schtinter, Lutz Seiler (trans. Stefan Tobler), Madeleine Stack, Malin Stahl, Corin Sworn, Olly Todd, Yasmin Vardi, Kate Wakeling, Nathan Walker, Ahren Warner, Stephen Watts & Rojbin Arjen Yigit

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.