South African-born Roger Michell, (director of Notting Hill, Changing Lanes, My Cousin Rachel) brings us this British documentary which follows Dames Judi Dench, Maggie Smith, Eileen Atkins and Joan Plowright as they take a look back at their lives and careers while spending a weekend at a country retreat.

From time to time four old friends, all extraordinary actresses, meet up in the English countryside to gossip, to remember and to laugh. For once they let the cameras in...

Nothing Like A Dame is a unique celebration of the lives and careers of four iconic actresses: Dame Eileen Atkins, Dame Judi Dench, Dame Joan Plowright and Dame Maggie Smith. All four have gone from being fledgling actresses in the 1950s to acting royalty. They've watched each other's careers grow and bloom and have celebrated life's ups and downs together. Nothing Like A Dame invites you to spend time with these acting legends as they talk about their lives and their professional experiences across theatre, television and film.

Candid, funny, caustic, irreverent, poignant and utterly engrossing, this unmissable documentary film is proof that there is truly nothing like a Dame...

Few things in life can be relied upon, but the drama, humour and wildly disparate personalities of Doc Martin and Portwenn are always guaranteed to bring joy to viewers everywhere.

As we join the Doctor in this eighth season, we find his relationship with his wife Louisa back on a more even keel, although juggling their jobs with baby care is proving more challenging daily. Meanwhile Bert and Al Large face challenges of their own, with brewing whisky and running a B&B not quite turning out as they had hoped; Mrs Tishell suffers a terrible and unexpected setback in her life; and Penhale, already facing romantic challenges, faces a mini crime spree and decides to host a Police Open Day. Newcomers to the village include a new curate as well as Morwenna’s parents, Jack and Tara who worked as missionaries in Kenya; and the village sees the return of Beth, the American tourist and veterinarian Angela Sim.

And swimming through the maelstrom of it all is Doctor Ellingham, suffering humanity’s foibles with little tolerance and suffering literally with a newly adopted dog, against his better judgment, underfoot

One of the most loved television series of all time is brought back to life with a stellar cast and a story full of scandal, romance and intrigue set against a sweeping historical backdrop.

1936. The house at 165 Eaton Place has stood empty since the Bellamy family sold it six years earlier. Now the doors are finally flung open by new owners, diplomat Sir Hallam, his wife Lady Agnes, and, back from the Raj, Maud, Lady Holland, his mother. With the arrival of Agnes’s debutante sister, Lady Persie, the sumptuous home is ready to come to life.

And who better than Rose, the house’s former parlourmaid, to recruit the new staff? The new 'downstairs' family is as full of characters as its previous incarnation with the highly strung butler Mr Pritchard, cook Mrs Thackeray, chauffeur Harry Spargo and a vivacious and spirited young team.

Soon both the elegant upstairs world and the downstairs staff have built their own labyrinth of secrets, lies and scandal, and as they feel the tremors of royal and political upheaval and the ominous threat of war, the house reverberates to the familiar sounds of rumour, excitement and dread…

One of the most loved television series of all time is brought back to life with a stellar cast and a story full of scandal, romance and intrigue set against a sweeping historical backdrop.

Season 1
1936. The house at 165 Eaton Place has stood empty since the Bellamy family sold it six years earlier. Now the doors are finally flung open by new owners, diplomat Sir Hallam, his wife Lady Agnes, and, back from the Raj, Maud, Lady Holland, his mother. With the arrival of Agnes’s debutante sister, Lady Persie, the sumptuous home is ready to come to life. And who better than Rose, the house’s former parlourmaid, to recruit the new staff? The new 'downstairs' family is as full of characters as its previous incarnation with the highly strung butler Mr Pritchard, cook Mrs Thackeray, chauffeur Harry Spargo and a vivacious and spirited young team. Soon both the elegant upstairs world and the downstairs staff have built their own labyrinth of secrets, lies and scandal, and as they feel the tremors of royal and political upheaval and the ominous threat of war, the house reverberates to the familiar sounds of rumour, excitement and dread…

Season 2
Set in the year preceding World War Two, 165 Eaton Place reopens its doors and welcomes you back into the enthralling lives of its inhabitants, both upstairs and down. Now a well‐established and thriving household in the heart of London, life in Eaton Place has moved on; Lady Agnes and Sir Hallam’s family is complete with the addition of two small children and London has settled into an easy peace with the apparent aversion of war. But with both upstairs and downstairs harbouring life‐changing secrets and the menace of war creeping ever closer, the smooth running of Eaton Place threatens to come crashing to a shattering halt. And as romance, heartbreak and intrigue engulf the household, its inhabitants discover that the real threat is much closer to home…

If you can't trust your head, can you trust your heart?

If she had been found moments later, Amelia's heart would have stopped and never recovered. Instead she was taken from the desolate beach to the nearest hospital just in time to save her life. When her sister Lexi arrives from New York, Amelia's heart is beating, but the accident has implanted a series of false memories. These memories revolve around a man named Sam, and a perfect love story that never existed.

Determined to help her sister, Lexi enlists the help of Nick, a local vet who bears a striking resemblance to Sam. Together, Lexi and Nick recreate and photograph Amelia's dream dates in the hopes of triggering her true memories.

But as love starts to stir between Lexi and Nick, they must navigate a complex web of emotions. How can Lexi fall for Amelia's dream man without hurting her sister?

Filled with breathtaking romance, heart-wrenching emotion, the magic of destiny and the power of sisterhood, The Memory of Us is a must-read for fans of Holly Miller and Colleen Hoover.

The materials mechanics of the controlled separation of a body into two or more parts - cutting -- using a blade or tool or other mechanical implement is a ubiquitous process in most engineering disciplines, be it mechanical, civil, medical, food or process based, and a surprising number of engineers are involved in cutting and the design of cutting tools. There are a wide range of books available on the cutting of metals, but no other text is devoted to the cutting of materials generally, the mechanics of which (toughness, fracture, deformation, plasticity, tearing, grating, chewing, etc) have wide ranging implications for engineers, medics, manufacturers, and process engineers, making this text of particular interest to a wide range of engineers and specialists.
* The only book to explain and unify the process and techniques of cutting in metals AND non-metals. The emphasis on biomaterials, plastics and non-metals will be of considerable interest to many, while the transfer of knowledge from non-metals fields offers important benefits to metalcutters.
* Comprehensive, written with this well-known author's lightness of touch, the book will attract the attention of many readers in this under-served subject
* The clarity of the text is further enhanced by detailed examples and case studies, from the grating of cheese on an industrial scale to the design of scalpels, supporting online materials data and FEM modelling material.

Computer animated action movie featuring Marvel Comics superheroes Iron Man (voice of Adrian Pasdar) and Hulk (Fred Tatasciore). When Earth comes under attack from powerful monster Zzzax (Dee Bradley Baker), Iron Man and Hulk combine their unique strengths in the hope of defeating the enemy and saving the world. But can they learn to work as a team despite their differences?

Upbeat drama in which a retired boxer turned school janitor helps a bullied child stand up to his tormentors. Dan Barnes (Steve Austin) is an ex-professional boxer who gave up the sport partly from fatigue and partly in search of a less violent way of life. When he begins working in the more sedate role of a high school janitor, he is surprised to find that his fighting gifts may come in handy. One of the children at the school, Matthew (Daniel Magder), is being cruelly bullied by some of his classmates. Taking on the role of mentor, Dan teaches Matthew to box. Though one of the boy's tormentors, Hector (Jaren Brandt Bartlett), is the current school boxing champion, under the expert guidance of his tutor Matthew just might spring a surprise on the bullies.

Sorcerer is a book in the form of a script/novel/manual about the pleasures of being with others and of being alone. Three friends hang out and share a long and unremarkable conversation about getting dressed, headaches, ticks, compression fantasies, surgery, and their aspirations, among other things. The characters find contentment in each other’s company, conversing in the placid, eerie rhythms of a sitcom in which conflict never arises. When two of the friends go home for the night, the remaining one watches TV, dances, and takes apart his face in front of a giant mirror.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.