From the Booker-shortlisted, million-copy bestselling author of We Are All Completely Beside Ourselves comes an epic novel about the infamous, ill-fated Booth family. Charmers, liars, drinkers and dreamers, they will change history forever.

Junius is the patriarch, a celebrated Shakespearean actor who fled bigamy charges in England, both a mesmerising talent and a man of terrifying instability. As his children grow up in a remote farmstead in 1830s rural Baltimore, the country draws ever closer to the boiling point of secession and civil war. Of the six Booth siblings who survive to adulthood, each has their own dreams they must fight to realise - but it is Johnny who makes the terrible decision that will change the course of history - the assassination of Abraham Lincoln.

Booth is a riveting novel focused on the very things that bind, and break, a family.

Dis die Desembervakansie van 1983/84. Daar’s troepe in Angola, Lady Di is die mode-ikoon van die dag, Geloftedag word nog met groot toewyding gevier – en vakansie is nie vakansie as daar nie iemand is om die beddens op te maak en die skottelgoed te help was nie. Tebatso, self ’n enkelma van drie kinders (haar man is dood in ’n mynongeluk), is so te sê ’n ekstra lid van die Vrystaatse gesin vir wie sy werk: Sy versorg die vier kinders al van babadae af en ken Mies Engela se susters en hul mans se nukke en grille danksy jare se vakansies op die plaas.

Wanneer die uitgebreide familie besluit om ’n strandhuis te huur vir drie weke oor Desember, kry Tebatso vir die eerste keer in haar lewe die geleentheid om haar geografiese horisonne te verbreed (hoewel die “wit” strand danksy apartheidswetgewing vir haar taboe is en sy eintlik maar min van die see te siene kry). Hierdie algehele wegbreek van haar normale milieu is egter ook ’n soort wegbreek uit haar aanvaarde perspektief: Sy sien vir die eerste keer dat daar ánder maniere is om na die wêreld te kyk as dít wat sy as die norm aanvaar het en leer dat daar oor die kleurgrens heen mense is wat ander gebruik en misbruik – en ook dié wat toelaat dat hulle misbruik wórd.

Sy ontmoet ’n Xhosa-man wat al haar vertroude denkpatrone uitdaag en haar meteens laat wonder oor die geordende wêreldjie waarin sy nog altyd geborge voel … en sy begin deur die linksgesinde Adriaan (wat protesteer as sy hom “baas” noem) besef dat daar ook andersdenkendes onder die wit Afrikaners te vinde is.

Colonial Countryside is a book of commissioned poems and short stories produced by ten global majority writers featuring National Trust houses with significant colonial histories. This includes properties whose owners engaged in the slavery business, in colonial administration or who were involved with the East India Company or British rule in India. Historians have accompanied these pieces with commentaries detailing the evidence upon which each creative commission was based. The book ends with a photo essay by the project’s commissioned photographer, Ingrid Pollard, the Turner Prize shortlisted artist who has pioneered critical interventions into the supposed whiteness of the British countryside. Peter Kalu’s story gives an account of Richard Watt of Speke Hall reflecting on his Jamaican experiences; Karen Onojaife’s story is set in Charlecote Park where a once-favoured Black page finds himself cut adrift; Jacqueline Crooks’ magical realist tale brings together an abused Indian princess and enslaved African employed in the mahogany trade; Ayanna Lloyd Banwo has written about Diego, the Spanish-speaking African who became Drake’s closest confidante; Masuda Snaith’s short story cycle tracks the cross-currents of empire across Lord Curzon’s Kedleston Hall; Maria Thomas’s account of Penrhyn Castle links past and present. It is a gothic tale of history biting back. Malachi’s story features a young Black man who dates a white girl with a taste for country house visiting, including Calke Abbey. Other contributions include poetic meditations on artefacts to be found in country houses. Hannah Lowe reflects on the taste for Chinoiserie, Seni Seneviratne gives voice to the enslaved children trapped within the frames of 18 th century art and Andre Bagoo makes connections between William Blathwayt of Dyrham Park and two stands featuring kneeling African men, brought to the house by his uncle in the seventeenth century.

The next action-packed FIREBORN adventure ‘The best kind of children’s fantasy story: thrilling and imaginative’ B. B. Alston, author of Amari and the Night Brothers ‘The perfect balance of high adventure, breathless action and eerie wonder’ Jonathan Stroud, author of the Bartimaeus trilogy HOPE GROWS FROM THE ASHES . . . Twelve has chosen a Hunter name to reflect her new elemental powers: Phoenix. When she and her friends learn that the witch-palace of Icegaard is in grave danger, they must battle frightening new monsters and find a way to defeat the evil force. But as Phoenix learns to control her new powers, the faceless Croke begins to haunt her dreams and she will have to fight with everything she’s got to save Icegaard and all of Ember.

Nicolas Cage stars in this action thriller directed by Paco Cabezas. Paul Maguire (Cage) is a criminal who, with the help of his friends Kane and Danny (Max Ryan and Michael McGrady), steals a briefcase full of money from a Russian mobster. Realising that the mob would come after the money, the men decide to hide it away and meet up five years later to divide it up. Five years on and Paul, Kane and Danny meet as promised to split the proceeds of their last job together. As Paul has become fully reformed living a normal life as a doting husband and father, he prepares to go to a charity dinner with his wife, leaving his daughter at home with friends. When Detective St. John (Danny Glover) informs him that his daughter has been kidnapped, Paul ignores the police's efforts and decides to seek revenge his own way.

Johannes Roberts writes and directs this high school-set British horror-thriller. When a group of teachers become trapped in school after hours by a mysterious group of murderous, hooded teenagers, alcoholic teacher Robert Anderson (David Schofield) must do all he can to save his daughter, Kate (Eliza Bennett), from the gang's clutches.

Twenty years after creating the phenomenal bestselling classic The One Minute Manager, Ken Blanchard returns to its roots with the most powerful and essential title in the series as he explores the skills needed to empower yourself to success. In this captivating business parable, bestselling author Ken Blanchard tells the story of Steve, a young advertising executive who is about to lose his job. During a series of talks with a gifted magician named Cayla, Steve comes to realize the power of taking responsibility for his situation and not playing the victim. Passing along the knowledge she has learned from The One Minute Manager, Cayla teaches Steve the three tricks of self leadership. These three techniques not only empower him to keep his job, but give him the skills he needs to keep growing, learning, and achieving. The primary message of SELF-LEADERSHIP AND THE ONE MINUTE MANAGER is that power, freedom, and autonomy come from having the right mindset and the skills needed to take personal responsibility for success.

Silas Talbot’s life illuminates his time—not with greater brightness than the lives of his more famous contemporaries, but with perhaps broader range and greater insight into the experiences and circumstances of a plain citizen of the new republic—a citizen whose bravery and energy helped to create it. Silas Talbot was a farmer’s son who went to sea, learned the building trades, saved and invested his money wisely, married well several times, fought as a Rhode Island soldier in the Revolutionary War, became a lieutenant colonel, served with courage and competence, became a privateer and a prisoner-of-war in the conflict at sea, speculated in western lands, was elected to the New York State Legislature and the U.S. Congress, represented the interests of American sailors forced to serve in Britain’s navy, and finally achieved the rank of U.S. Navy captain and became the second commanding officer of the frigate USS Constitution. In a full and energetic life of sixty-two years he met and served the famous—Washington, Adams, Hamilton, Lafayette—and also raised a family; advanced in the social, political, and business circles of New York and Rhode Island; and was, as the author notes, “among the first of the new citizens of the new republic to seize its gifts.�

This unique book focuses specifically on teaching and learning in environmental law, exploring innovative techniques, tools and technologies employed across the globe to teach this ever more important subject. Chapters identify particular challenges that environmental law poses for pedagogy, offering a mix of theory and practical guidance to legal scholars who are seeking to take up, or improve, their teaching of this subject. Providing an examination of teaching formats and methodologies that are both innovative and particularly adapted to the teaching of environmental law, contributions explore topics such as digital learning, joint teaching, flipped classrooms and scenario-based approaches, as well as discussing teacher-based, reflective, student-centred and research-based methods. The book also considers specific contexts for teaching environmental law such as specialized postgraduate programs, supervision methods for research students, teaching within non-law programs, and teaching online. Environmental law scholars at all levels of university instruction will find this book an invaluable opportunity to learn about new methods and approaches to teaching in this area. Its insights into legal teaching methodologies more broadly will also be of interest to legal academics in other areas of the law.