Steve Pink directs this romantic comedy, based on David Marmet's play 'Sexual Perversity in Chicago', starring Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant. Bernie Jackson (Hart) and his friend Danny Martin (Ealy) consider themselves successful womanisers. However, when they become involved with two roommates, Joan Derrickson (Hall) and Debbie Sullivan (Bryant), Bernie and Danny find that life becomes a lot more complicated. The two couples go through numerous ups and downs, with the difficulties and successes of each relationship having a knock-on effect on the other. Can romance and friendship survive such close proximity?

Animated road trip adventure. Kate (voiced by Hayden Panettiere) and Humphrey (Justin Long) are two young wolves from a National Park in Canada who find themselves shipped halfway across the country by the park's rangers. While Humphrey is a streetwise, fun-loving Omega wolf, Kate is a sleek and sophisticated Alpha wolf and considers herself Humphrey's superior. Thrown together in a foreign land, and faced with a journey of over a thousand miles to get back home and restore peace on their warring home turf, the two must overcome their differences and learn to look out for each other.

Bryan Cranston and James Franco star in this comedy directed and co-written by John Hamburg. Overprotective father Ned (Cranston) has always had a special relationship with his daughter Stephanie (Zoey Deutch) so when she invites him, along with her mother Barb (Megan Mullally) and brother Scotty (Griffin Gluck), to spend Christmas with her and her millionaire boyfriend Laird (Franco), he reluctantly agrees, for the sake of his daughter's happiness. However, when Laird reveals his plan to propose to Stephanie and asks for Ned's blessing, the caring father vows to do everything in his power to prevent his little girl from agreeing to spend her life with the moronic mogul. With Laird determined to convince his future father-in-law to accept him however, he devises a plan to get Barb and Scotty on his side.

Occupy Wall Street did not come from nowhere. It was part of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped New York City. From the earliest European colonization to the present, New Yorkers have been revolting. Hard hitting, revealing, and insightful, Revolting New York tells the story of New York's evolution through revolution, a story of near-continuous popular (and sometimes not-so-popular) uprising. Richly illustrated with more than ninety historical and contemporary images, historical maps, and maps drawn especially for the book, Revolting New York provides the first comprehensive account of the historical geography of revolt in New York, from the earliest uprisings of the Munsee against the Dutch occupation of Manhattan in the seventeenth century to the Black Lives Matter movement and the unrest of the Trump era. Through this rich narrative, editors Neil Smith and Don Mitchell reveal a continuous, if varied and punctuated, history of rebellion in New York that is as vital as the more standard histories of formal politics, planning, economic growth, and restructuring that largely define our consciousness of New York's story.

Between our first paper and our final granite markings, our lives evolve. During this limited time on earth, we garner numerous experiences, some of which may hinder our vision and change our perceptions without our awareness. The death of a loved one is one such tragedy that can blind, sometimes completely.

In this volume of primarily free verse poetry, author David J. Gluck addresses this challenge we all experience sometime in our lives. The work, a two-year journey through grief, conveys Gluck's feelings as he discovers how to live an engaging life after the death of his mother.

Communicating in a strong narrative voice, the poems in Paper and Granite: Between the Markings offer a serious presentation of significant thoughts and emotions. Gluck reminds us that we must never forget those who affected us and made us who we are. Nevertheless, we must learn to see beyond the stones no matter how difficult this may be.

Ron Gluck, bush pilot and international relations liaison, glances back in time, anecdotally revisiting flying, language gems, and conversation slices occurring from 1963 to 2007 in Papua New Guinea, Cameroon, Washington, D.C., and New York City.

He flew five thousand accident-free hours mostly in single engine planes over uncharted mountainous terrain of Papua New Guinea and later in charted Cameroon. The safety he attributes to God's grace and to superb maintenance by fellow JAARS specialists.

The incidents revisited were central to events that took place but were never scrutinized. Dismissed as coincidence, they were accepted as "how things worked out." In his review, Gluck suggests a continuing role of the Creator in the world today in ways seldom discussed, but alluded to with these questions.

Is not the living God, maker of heaven and earth, still involved in weather, ideas, timing, and answering prayers?

Doesn't He who gives life also sustain heartbeats and breathing in every living being, including those reading this profile?

"What a precious manuscript ...just now finished reading it and did not want it to end."

--Linda Hancock, librarian

"Reading your book at same time as John 7:18. You've glorified Him."

--Kenneth Gray, PhD, Economic Research Service, USDA, retired

"Your Lamnso story showed how Bible translators have given one isolated culture after another a giant step forward, reducing their speech to texts that can then be read by others. No wonder the Lamnso were thrilled, and deeply grateful "

--Robert Park, professor emeritus of law, the George Washington University

"Marigold was absorbed in her book; she had gotten as far as the V." So begins Marigold and Rose, Louise Gluck's astonishing chronicle of the first year in the life of twin girls. Imagine a fairy tale that is also a multigenerational saga; a piece for two hands that is also a symphony; a poem that is also, in the spirit of Kafka's The Metamorphosis, an incandescent act of autobiography. Here are the elements you'd expect to find in a story of infant twins: Father and Mother, Grandmother and Other Grandmother, bath time and naptime-but more than that, Marigold and Rose is an investigation of the great mystery of language and of time itself, of what is and what has been and what will be. "Outside the playpen there were day and night. What did they add up to? Time was what they added up to. Rain arrived, then snow." The twins learn to climb stairs, they regard each other like criminals through the bars of their cribs, they begin to speak. "It was evening. Rose was smiling placidly in the bathtub playing with the squirting elephant, which, according to Mother, represented patience, strength, loyalty and wisdom. How does she do it, Marigold thought, knowing what we know." Simultaneously sad and funny, and shot through with a sense of stoic wonder, this small miracle of a book, following thirteen books of poetry and two collections of essays, is unlike anything Gluck has written, while at the same time it is inevitable, transcendent.

The poems in this collection are written in the language of flowers. Louise Gluck received the Pulitzer Prize for The Wild Iris in 1993, and has also received the National Book Critics Award for Poetry and the Poetry Society of America's Melville Kane Award.

With real-world examples, fascinating applications and clear explanations, this textbook helps uninitiated students understand the basic ideas and human impact of groundbreaking learning and memory research. Its unique organization into three sections-Behavioral Processes, Brain Substrates, and Clinical Perspectives-allows students to make connections across chapters while giving instructors the flexibility to easily assign the material that matches their course. The new edition again offers the book's signature inclusion of human and animal studies with an engaging full-colour design and images. You'll find even more meaningful real-life examples; new coverage of learning and memory research and brain-imaging; an expanded discussion of the role of genetics in producing individual differences; new material on the role of sleep in memory, and more.

The COVID-19 pandemic has had an enduring effect across the entire spectrum of law and policy, in areas ranging from health equity and racial justice, to constitutional law, the law of prisons, federal benefit programs, election law and much more. This collection provides a critical reflection on what changes the pandemic has already introduced, and what its legacy may be. Chapters evaluate how healthcare and government institutions have succeeded and failed during this global 'stress test,' and explore how the US and the world will move forward to ensure we are better prepared for future pandemics. This timely volume identifies the right questions to ask as we take stock of pandemic realities and provides guidance for the many stakeholders of COVID-19's legal legacy. This book is also available as Open Access on Cambridge Core.

Louise Gluck says in one of her essays that every end of a book is for her a "conscious diagnostic act, a swearing off" in which she discerns the themes, habits, and preoccupations of the previous volume to define the tasks of the next. The First Four Books of Poems shows this poet in the conscious evolution she describes, marking time in changes. Readers will hear specifics of sequence: where the ferocious tension of her first book, Firstborn, moves towards the more finely-spun lyricism of her second, The House on Marshland. They will also discover how the charged nouns of that book acquire more intimate weight to become the icons in her third, Descending Figure, and then rise to an archetypal mythic scale in The Triumph of Achilles. These poems are as various as the force of Gluck's intelligence is constant. In another essay, she cautions, "the deft skirting of despair is a life lived on the surface, intimidated by depth, a life that refuses to be used by time, which it tries instead to dominate or evade." The First Four Books of Poems attests to how truly Gluck has tested and proven the validity of her own warning. The fierce, austerely beautiful voice that has become Gluck's trademark speaks in these poems of a life lived in unflinching awareness. Always she is moving in and around the achingly real, writing poems adamant in their accuracy and depth. Their progression is proof of her commitment to change; with her first four books of poetry collected in a single volume, Louise Gluck shows herself happily "used by time."

Finalist for the 2005 National Book Critics Circle Award in Poetry-an erotic, powerful collection "One of the best books of contemporary poetry."-Victoria Chang, Huffington Post "Vital, immediate, and cinematic in scope."-Library Journal (Best Poetry of 2005) Selected by Nobel Prize laureate and competition judge Louise Gluck as the 2004 winner of the Yale Younger Poets prize, Richard Siken's Crush is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, Gluck hails the "cumulative, driving, apocalyptic power, [and] purgatorial recklessness" of Siken's poems. She notes, "Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form."