Accomplished American artist Stella Wright’s beachside home in Cape Town is perched on the edge of land and sea, safety and vulnerability, the domestic and the wild. When Stella takes an afternoon swim, she is unprepared for the drama that unfolds. She and a nearby surfer are tracked by a giant great white shark that swims close enough so she can look it in the eye, leaving the two of them deeply traumatised.

The surfer – Ben – is a waterman who paints trawlers for a living. There is an almost instant attraction between them, but Stella is married to wealthy American financier Jack Barlow, and she and her husband are preparing to leave the country.

Stella and Ben begin a passionate affair. The two of them must face their fear of the water; Stella because beaches and oceans form the basis of her art, Ben because surfing is his passion. Into this situation Jack returns from overseas to tie up their affairs and bring Stella back to New York.

Stella must make a choice between the man who has reawakened her original passion for art, and the man who can give her everything else the world has to offer.

My Side of the Ocean is a novel of great empathy and insight, exploring essential questions about what it means to live, and love, when the secure foundations of a life have been ripped away.

Since 1950, the South has undergone the most dramatic political transformation of any region in the United States. The once Solid-meaning Democratic-South is now overwhelmingly Republican, and long-disenfranchised African Americans vote at levels comparable to those of whites. In The Rational Southerner, M.V. Hood III, Quentin Kidd, and Irwin L. Morris argue that local strategic dynamics played a decisive and underappreciated role in both the development of the Southern Republican Party and the mobilization of the region's black electorate. Mobilized blacks who supported the Democratic Party made it increasingly difficult for conservative whites to maintain control of the Party's machinery. Also, as local Republican Party organizations became politically viable, the strategic opportunities that such a change provided made the GOP an increasingly attractive alternative for white conservatives. Blacks also found new opportunities within the Democratic Party as whites fled to the GOP, especially in the deep South, where large black populations had the potential to dominate state and local Democratic Parties. As a result, Republican Party viability also led to black mobilization.
Using the theory of relative advantage, Hood, Kidd, and Morris provide a new perspective on party system transformation. Following a theoretically-informed description of recent partisan dynamics in the South, they demonstrate, with decades of state-level, sub-state, and individual-level data, that GOP organizational strength and black electoral mobilization were the primary determinants of political change in the region. The authors' finding that race was, and still is, the primary driver behind political change in the region stands in stark contrast to recent scholarship which points to in-migration, economic growth, or religious factors as the locus of transition. The Rational Southerner contributes not only to the study of Southern politics, but to our understanding of party system change, racial politics, and the role that state and local political dynamics play in the larger context of national politics and policymaking.

Two-movie collection featuring Disney's classic live-action/animation and the 2016 remake. In 'Pete's Dragon' (1977) lonely orphan Pete (Sean Marshall) finds a new friend in a surprising form: Elliott (voice of Charlie Callas), a 12-foot tall dragon that has the power to make itself invisible. Together they innocently cause chaos in their sleepy home town, but their partnership is put in jeopardy when visiting medicine seller Dr Terminus (Jim Dale) tries to kidnap Elliott. In 'Pete's Dragon' (2016) young boy Pete (Oakes Fegley) is found by forest ranger Grace (Bryce Dallas Howard) after having lived in a forest for the last six years alongside his best friend, a dragon called Elliot (voice of John Kassir). After taking him home to try and find his family, Grace is shocked to learn of the dragon's existence. However, when Elliot comes under threat from a hunter (Karl Urban), Pete, Grace, her father Meacham (Robert Redford) and lumber mill owner Jack (Wes Bentley)'s daughter Natalie (Oona Laurence) set out to protect him.

Eight more animated adventures for children from the underwater town of Bikini Bottom. SpongeBob (voice of Tom Kenny) is an enthusiastic sea sponge who embraces life and all its challenges. Among his fellow inhabitants of Bikini Bottom are Mr Krabs (Clancy Brown), a miserly crab, Patrick Star (Bill Fagerbakke), an amiable sea star, and Squidward (Rodger Bumpass), an octopus. A number of the town's inhabitants, including SpongeBob, work at the local fast food restaurant, Krusty Krab, where Bob attempts to perfect his burger flipping technique. Episodes are: 'Back to the Past', 'The Bad Guy Club for Villains', 'Keep Bikini Bottom Beautiful', 'A Pal for Gary', 'Yours, Mine and Mine', 'Kracked Krabs', 'A Day Without Tears' and 'Summer Job'.

Internationally bestselling author Sophie Irwin brings us another delightful, escapist historical romance, led by an audacious heroine who has suddenly inherited a fortune-but it has strings attached... When shy Miss Eliza Balfour married the austere Earl of Somerset, twenty years her senior, it was the match of the season--no matter that he was not the husband Eliza wanted. Now, ten years later, Eliza is widowed. Suddenly, she is left titled, rich, and, for the first time in her life, utterly in control of her own future. She's always lived by society's conventions, but now, Eliza has resolved to do as she wants. And what she wants is to head to Bath with her cousin Margaret, pursue painting, learn to drive, and flirt with Bath's most alluring new resident, the infamous Lord Melville. But when the ripples of Eliza's behavior reach her late husband's nephew-who broke Eliza's heart, years ago--Eliza will learn that freedom does not come without consequences. The only way to ensure she can keep her fortune is to avoid all scandal-but where's the fun in that?

Circuit analysis is the fundamental gateway course for computer and electrical engineering majors. Irwin and Nelms’ Engineering Circuit Analysis has long been regarded as the most dependable textbook on the subject. Focusing on the most complete set of pedagogical tools available and student-centered learning design, this book helps students complete the connection between theory and practice and build their problem-solving skills. Key concepts are explained multiple times in varying formats to support diverse learning styles, followed by detailed examples, including application and design examples. These are then followed by Learning Assessments, which allow students to work similar problems and check their results against the answers provided. At the end of each chapter, the book includes a robust set of conceptual and computational problems at a wide range of difficulty levels.   This International Adaptation enhances the coverage of network theorems by adding new theorems such as reciprocity, compensation, and Millman’s, and strengthens the topic of filter networks by including cascaded and Butterworth filters. This edition also includes inverse hybrid and inverse transmission parameters to describe two-port networks and a dedicated chapter on diodes

Primary Maths for Scotland Textbook 1B is the second of 3 first level textbooks. These engaging and pedagogically rigorous books are the first maths textbooks for Scotland completely aligned to the benchmarks and written specifically to support Scottish children in mastering mathematics at their own pace. Primary Maths for Scotland Textbook 1B is the second of 3 first level textbooks. The books are clear and simple with a focus on developing conceptual understanding alongside procedural fluency. They cover the entire first level mathematics Curriculum for Excellence in an easy-to-use set of textbooks which can fit in with teacher's existing planning, resources and scheme of work. - Packed with problem-solving, investigations and challenging problems - Diagnostic check lists at the start of each unit ensure that pupils possess the required pre-requisite knowledge to engage on the unit of work - Worked examples and non-examples help pupils fully understand mathematical concepts - Includes intelligent practice that reinforces pupils' procedural fluency

Children's adventure sequel to the Disney 'Buddies' series spin-off movie 'The Search for Santa Paws' (2010). New puppies Noble (voice of Aidan Gemme), Hope (Tatiana Gudegast), Jingle (Marlowe Peyton) and Charity (G. Hannelius), known as the Santa Pups, sneak into Mrs. Claus (Cheryl Ladd)'s sled when she is leaving for Pineville. While there, Mrs. Claus and the pups discover that the festive spirit is fading and they must work together to save Christmas.

Disney Channel musical sequel in which Ross Lynch and Maia Mitchell reprise their roles as a teenage couple. Having previously found themselves trapped inside Brady (Lynch)'s favourite film 'Wet Side Story' during their summer holiday, he and girlfriend Mack (Mitchell) are now back in the real world. However, they become distracted when they return to school and decide they may be better off breaking up at least until next summer. But when characters from the movie, including the leads Tanner (Garrett Clayton) and Lela (Grace Phipps), turn up in their world they have to work together to get the cast back to where they belong. Brady and Mack come to realise that if they don't succeed the movie that brought them together might not exist, meaning they won't have ever met...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.