The Usurpers, Willa Muir's fourth novel, was written in the early 1950s and was based on the diaries she kept in Prague in the period 1945-1948, when her husband the poet Edwin Muir was the Director the British Institute in Prague, the lecturing and teaching arm of the British Council there. Under the guise of Utopians in Slavomania, The Usurpers offers acute, humorous and sometimes acerbic observations on relations among the British themselves in Prague (the city is never named) and between them and their Czech friends and those in the Czechoslovak establishment who were suspicious of the British presence, and depicts, largely through the actions and conversation of its characters, a deteriorating political environment in which the lives of many Slavomanians and even some of the Utopians are increasingly under threat in the lead-up to the Communist coup of February 1948. The Usupers was ready for publication in 1952 and was submitted to a number of major UK publishers under the pen-name Alexander Cory. The publishers were nervous. There was some concern about libel suits and perhaps also about the political sensitivity of the contents. Then, when she was publicly revealed to be the author, Willa Muir withdrew it. The typescript, from which this edition has been prepared, has long been in the care of the Library of the University of St Andrews and over the years a number of critics and Willa Muir enthusiasts have read it, among them Jim Potts, who brought it to the attention of Colenso Books and who has provided the Introduction. The non-publication of the The Usurpers in the 1950s may have been partly due to political pressure, at a time when the UK government’s grant-in-aid to the British Council was being called in question.

Introduction by George Steiner; Translation by Willa and Edwin Muir

Introduction by Irving Howe; Translation by Willa and Edwin Muir

'One of the few great and perfect works of poetic imagination written during this century' Elias Canetti WITH AN INTRODUCTION BY ADAM THIRWELL One morning, Gregor Samsa wakes up to find himself transformed into a giant insect. His family is understandably perturbed and he finds himself an outsider in his own home. In 'Metamorphosis' and the other famous stories included here, Kafka explores the confusing nature of human experience with sly wit and compelling originality.

The best-known novellas and stories of one of the seminal writers of the twentieth century. Included are "The Judgment, " "A Country Doctor, " and "A Hunger Artist." New Foreword by Anne Rice.

Introduction by Gabriel Josipovici, Translation by Willa and Edwin Muir

'It is not necessary to accept everything as true, one must only accept it as necessary' Rediscover Kafka's classic work of psychological horror. The Trial is the terrifying tale of Joseph K, a respectable functionary in a bank, who is suddenly arrested and must defend his innocence against a charge about which he can get no information. A nightmare vision of the excesses of modern bureaucracy wedded to the insanity of twentieth-century totalitarianism has resonated with readers for generations. WITH AN INTRODUCTION BY PHILLIPE SANDS

This is a new release of the original 1940 edition.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

"But any story about human beings is bound to have an end, like this story about us, a pair of ingenuous people who fell in love and went journeying together through life, blundering by good luck in the right directions so that we came to a lasting wholeness and joy in each other. It has happened before; it will happen again; it happened to us. We belonged together." Belonging: A Memoir by Willa Muir, first published in 1968, is a moving and unashamed account of her long and deep relationship with her literary husband Edwin Muir. Beginning with their first meeting in Glasgow in 1918, Willa Muir then charts the many travels, homes, projects, decisions, joys and hardships of their forty-one years together. Often viewed as being overshadowed by her more acclaimed partner, Belonging asserts the decision of an intellectual and passionate woman to believe that the concept of 'True Love' is the only sustaining philosophy and basis for happiness. Willa Muir's account is however no delusional romantic tale, and her detailed narration of her life with Edwin Muir is balanced and grounded by her perceptive comments of the patriarchal world she existed in and her recognition that her own attempts at literary greatness were constantly shaped by domestic concerns. Belonging serves therefore as a nuanced contribution to the genre of female authored life-writing as constructed by one of Scotland's foremost literary women. Aileen Christianson is a Senior Lecturer in Scottish Literature at the University of Edinburgh. Her interest in letters and journals' relationship to published writings, as well as critical analyses of a neglected Scottish modernist writer, has been explored in her monograph, Moving in Circles: Willa Muir's Writings. She has also worked in the area of gender and nation mainly in relation to twentieth century Scottish women writers

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The complete novels of one of the greatest German writers of all time, collected together in one literary masterpiece. Kafka's characters are victims of forces beyond their control, estranged and rootless citizens deceived by authoritarian power. Filled with claustrophobic description and existential profundity, Kafka has been compared to a literary Woody Allen. In The Trial Joseph K is relentlessly hunted for a crime that remains nameless. The Castle follows K in his ceaseless attempts to enter the castle and to belong somewhere. In Amerika Karl Rossmann also finds himself isolated and confused when he is 'packed off to America by his parents'. Here, ordinary immigrants are also strange, and 'America' is never quite as real as it seems. THE CLASSIC TRANSLATION BY WILLA AND EDWIN MUIR

'He is the greatest German writer of our time. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him' Vladimir Nabokov The story of K. and his arrival in a village where he is never accepted, and his relentless, unavailing struggle with authority in order to gain entrance to the castle that seems to rule it. K.'s isolation and perplexity, his begging for the approval of elusive and anonymous powers, epitomises Kafka's vision of twentieth-century alienation and anxiety.