We turn to Machiavelli at every tumultuous period in history - he is the one who knows how to philosophize in dark times. In fact, since his death in 1527, we have never stopped reading him, always to pull ourselves out of a torpor. But what do we really know about this man? Is there more to his work than that term for political evil, Machiavellianism? It was Machiavelli's luck to be disappointed by every statesman he encountered - that was why he had to create his paper Prince. Today, the question that remains is not why he wrote, but for whom - for princes or for those who want to resist them? What is the art of governing? Is it to take power, or to keep it? In this timely book, Patrick Boucheron undoes many of our assumptions about Machiavelli, showing how his rich, complex thought is key to understanding his time, and may be crucial to interrogating our own.

She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden or Copenhagen but where is her grave? She danced as a 'petit rat' at the Paris Opera. She was also a model, she posed for painters and sculptors - among them Edgar Degas. Taking us through the underbelly of the Belle Epoque, Laurens casts a light on those who have traditionally been overlooked in the study of art, and opens a space for essential questions. She paints a compelling portrait of Marie van Goethem and the world she inhabited, in the 1880s; a time when art unsettled the hypocrisy of society.

A luminous sequel to The Abyssinian, a headlong adventure set in the treacherous splendor of the Eastern empires.

Twenty years have passed since Jean-Baptiste Poncet's daring mission to the remote and exotic court of the King of Abyssinia. We find him now in Isfahan, capital of Persia, practicing medicine in the court of the Shah. In order to rescue his old friend Juremi, imprisoned in the Urals, Poncet travels in disguise to Russia, where he engages in a diplomatic duel of wits with Peter the Great. The friends, reunited, are captured by nomads and sold as slaves in Afghanistan. This is the beginning of Poncet's circuitous return to Isfahan, where his wife and daughter are trapped by a besieging army of the Afghan king, Mahmud.

"Jean-Christophe Rufin's engaging sequel...is a solid example of the adventure genre."—Christian Science Monitor

"BRAZIL RED tells the story of two orphaned children, Just and Colombe, who are dragged off on the French colonizing expedition--they are meant to learn the native languages and act as interpreters. Everything in this novel is outsized: the setting, a jungle still populated by cannibals; the characters, including Villegagnon, the expedition's eccentric leader, who might be a model for Cyrano or d'Artagnan; and the events, a dress rehearsal for the Wars of Religion ten years in the future. Packed with portraits, landscapes, and action, "Brazil Red is a novel about coming of age and discovering love. On a deeper level, the story follows the destinies and decisions of Just and Colombe, presenting two conflicting views of man and nature. On one hand, a conquering European civilization, offering liberation but delivering death. On the other, the Indian world, with its sensuality, its harmony, its sense of the sacred, its continual call to happiness.

Gaze toward the Nile from the desert hills of Mukattam, and the vast city of Cairo unfolds before you, with its monumental architecture, teeming populace, and thousands of years of rich history. The extraordinary tapestry of Cairo's past and present comes vividly to life in this magisterial study by Andre Raymond, arguably the premier social historian of the Arab world. The most deeply observed and historically nuanced account ever given of the greatest Arab city of northern Africa, this book shows us Cairo from the glimmer of its beginnings in the Arab conquest of Egypt in 640 through its transformation into the modern center of Middle Eastern life today. Here are the Fatimids, the Mamluks, and the Ottomans, the invasions, dynastic changes, and religious conflicts that one after another altered and shaped Cairo's destiny. And here, alongside rulers and religious leaders, are the merchants and artisans who have given Cairene life its distinctive character over time. Raymond depicts life in Cairo through the centuries, chronicling the coming of European influence, the vagaries of social evolution, and the development of economic structure and urban design. His work reflects all facets of Cairo's historical and social reality, weaving commerce, politics, religion, and culture into a finely worked portrait of the foremost Arab city on the continent of Africa.

With its splendid illustrations and maps and its meticulous attention to the topography and archaeology of the city, this book will prove as valuable to the serious traveler as to observers of Middle Eastern history and society. It stands as the definitive work on Cairo, unparalleled in scope, depth, and detail.