The importance of the global rural-urban matrix is often overlooked due to urban-normativity. But sometimes agrarian populism and a pastoral rural imaginary result in the equally fallacy of a rural-normativity, as in Jeffersonian nostalgia for a lost way of life that never existed. The nature of rurality in North America is important to study, but as Alessandro Bonanno makes clear, we cannot limit ourselves to the study of one or two nation-states. We must take a global perspective when it comes to the bio-physical environment and the nature of the world capitalist system. This collection takes such a perspective. The editor frames the contributions with a Meta-Paradigm called the New Political Economy Perspective (NPEP) and explains the roots of that approach in Classical Political Economy and the Canadian Political Economy Tradition of Harold Adams Innis. There are chapters by an anthropologist, a geographer, two generalist sociologists and a group of rural sociologists. There is also a chapter on psychiatry and mental health; and, another chapter which discusses pedagogy. The use of an inter-disciplinary framework to study global issues makes this a stimulating book which provides a window on issues that are often overlooked.

The popularity of cable news, satire, documentaries, and political blogs suggest that people are often absorbing and dissecting direct political messages from informational media. But entertainment media also discusses the important political issues of our time, though not as overtly. Nonetheless, consumers still learn, debate, and form opinions on important political issues through their relationship with entertainment media. While many scholarly books examine these political messages found in popular culture, very few examine how actual audiences read these messages. Parasocial Politics explores how consumers form complex relationships with media texts and characters, and how these readings exist in the nexus between real and fictional worlds. This collection of empirical studies uses various methodologies, including surveys, experiments, focus groups, and mixed methods, to analyze how actual consumers interpret the texts and the overt and covert political messages encoded in popular culture.

Musical genius, polemicist, explosive personality--that was the nineteenth-century German composer Richard Wagner, who paid as much attention to his reputation as to his genius. Often maddening, and sometimes called mad, Wagner wrote with the same intensity that characterized his music. The letters and essays collected in "Judaism in Music and Other Essays" were published during the 1850s and 1860s, the period when he was chiefly occupied with the creation of The Ring of the Nibelung. Highlighting this collection is the notorious 1850 article "Judaism in Music," which caused such a firestorm that nearly twenty years later Wagner published an unapologetic appendix. Other prose pieces include "On the Performing of Tannhauser," written while he was in political exile; "On Musical Criticism," an appeal for a more vital approach to art undivorced from life; and "Music of the Future." This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and suggestions for the reform of opera houses in Vienna, Paris, and Zurich. The Bison Book edition includes the full text of volume 3 of William Ashton Ellis's 1894 translation commissioned by the London Wagner Society.