In African American fiction, Richard Wright was one of the most significant and influential authors of the twentieth century. "Richard Wright in a Post-Racial America" analyses Wright's work in relation to contemporary racial and social issues, bringing voices of established and emergent Wright scholars into dialogue with each other. The essays in this volume show how Wright's best work asks central questions about national alienation as well as about international belonging and the trans-national gaze. Race is here assumed as a superimposed category, rather than a biological reality, in keeping with recent trends in African-American studies. Wright's fiction and almost all of his non-fiction lift beyond the mainstays of African-American culture to explore the potentialities and limits of black trans-nationalism. Wright's trans-native status, his perpetual "outsidedness" mixed with the "essential humanness" of his activist and literary efforts are at the core of the innovative approaches to his work included here.

Of Latitudes Unknown is a multi-faceted study of James Baldwin's radical imagination. It is a selective and thoughtful survey that re-investigates the grounds of Baldwin studies and provides new critical approaches, subjects, and orientations for Baldwin criticism. This volume joins recent critical collections in "un-fragmenting" Baldwin and establishing further conjunctions in his work: the essay and the novel; the polemical and the aesthetic; his use of and participation in visual forms; and his American as well as international identities. But it goes beyond other recent studies by focusing on new entities of Baldwin's radical imagination: his English and French language selves; his late encounters with Africa; his appearances on French television and interviews with French journalists; and his unrecognized literary journalism. Of Latitudes Unknown also addresses Baldwin's relations with the Arab world, his anticipation of contemporary film and media studies, and his paradoxical public intellectualism. As it reassesses Baldwin's contributions to and influences on world literary history, Of Latitudes Unknown equally explores why the critical appreciation of Baldwin's writing continues to flourish, and why it remains a vast territory whose parts lie open to much deeper exploration and elaboration.

Of Latitudes Unknown is a multi-faceted study of James Baldwin's radical imagination. It is a selective and thoughtful survey that re-investigates the grounds of Baldwin studies and provides new critical approaches, subjects, and orientations for Baldwin criticism. This volume joins recent critical collections in "un-fragmenting" Baldwin and establishing further conjunctions in his work: the essay and the novel; the polemical and the aesthetic; his use of and participation in visual forms; and his American as well as international identities. But it goes beyond other recent studies by focusing on new entities of Baldwin's radical imagination: his English and French language selves; his late encounters with Africa; his appearances on French television and interviews with French journalists; and his unrecognized literary journalism. Of Latitudes Unknown also addresses Baldwin's relations with the Arab world, his anticipation of contemporary film and media studies, and his paradoxical public intellectualism. As it reassesses Baldwin's contributions to and influences on world literary history, Of Latitudes Unknown equally explores why the critical appreciation of Baldwin's writing continues to flourish, and why it remains a vast territory whose parts lie open to much deeper exploration and elaboration.

In African American fiction, Richard Wright was one of the most significant and influential authors of the twentieth century. Richard Wright in a Post-Racial Imaginary analyses Wright's work in relation to contemporary racial and social issues, bringing voices of established and emergent Wright scholars into dialogue with each other. The essays in this volume show how Wright's best work asks central questions about national alienation as well as about international belonging and the trans-national gaze. Race is here assumed as a superimposed category, rather than a biological reality, in keeping with recent trends in African-American studies. Wright's fiction and almost all of his non-fiction lift beyond the mainstays of African-American culture to explore the potentialities and limits of black trans-nationalism. Wright's trans-native status, his perpetual "outsidedness" mixed with the "essential humanness" of his activist and literary efforts are at the core of the innovative approaches to his work included here.