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The Medieval Crusade (Hardcover, New)
Susan Ridyard; Contributions by Alfred Andrea, Christopher MacEvitt, Jay C. Rubenstein, Jonathan Phillips, …
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R2,554
Discovery Miles 25 540
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Ships in 12 - 17 working days
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Papers on major themes in current scholarly work on the medieval
crusade, including the Templars and Jewish-Christian polemics.
These papers explore major themes in recent scholarship on the
medieval crusade and its religious, political and cultural context,
re-evaluating the issue of "were the Templars guilty?" and
suggesting their problem was one of organisation; one study looks
at the impact and effect of the crusade on Jewish-Christian
relations, another at crusaders and their interaction with
indigenous Christians in the county of Edessa as a case study of
developments in other crusader states; and there are papers on
Peter the Hermit, on the political and religious context and impact
of the Fourth Crusade, on the influence of the crusade on Piers
Plowman, and on the political context for the failure of crusading
ideals in fifteenth-century Burgundy. Contributors ALFRED ANDREA,
ROBERT CHAZAN, KELLY DEVRIES, CHRISTOPHER McEVITT, THOMAS MADDEN,
JONATHAN RILEY-SMITH, WILLIAM E. ROGERS, JAY RUBINSTEIN SUSAN J.
RIDYARD is Professor of History, University of the South.
A wide range of new scholarship on Chaucer's poetry. This
collection of essays makes available a wide range of new
scholarship on Chaucer's poetry. Opening essays address the issues
of "Chaucerian representation" and "Chaucerian poetics", arguing
for the multiplicity and complexityof what Chaucer "represents" and
for the importance of his dual Anglo-French background in enabling
him to articulate that complexity. Chaucer's use of Ovidian and
Ciceronian sources and ideas is examined, and his pursuit of
simplicity and suspicion of "delicacy"; the potent issues of
sexuality and spirituality, and money and death (with Chaucer's own
ending and his thoughts on last things) complete the collection.
Contributors: DEREK BREWER, HELEN COOPER, PAUL DOWER, JOHN V.
FLEMING, JOHN HILL, TRAUGOTT LAWLER, CELIA LEWIS, R. BARTON PALMER,
WILLIAM PROVOST, JOHN PLUMMER, WILLIAM ROGERS.
In Interpreting Interpretation, William E. Rogers searches for a
model for literary education. This model should avoid both of two
undesirable alternatives. First, it should not destroy any notion
of discipline in the traditional sense, terminating in the stance
of Rorty's "liberal ironist." Second, it should not regard literary
education as an attempt to cause students to ingest a
pre-determined mix of facts and cultural values, terminating in the
stance of E. D. Hirsch's "cultural literate." From the semiotics of
C. S. Peirce, Rogers develops the notion of interpretive system.
The interpretive system called textual hermeneutics is used to
interpret interpretation. From that perspective, the world looks
like a text. Applying the principle rigorously allows an
articulation of the problematic relations among interpretation,
philosophy, and language itself.
Interpreting Interpretation clarifies the conception of textual
hermeneutics as an ascetic discipline by showing the consequences
of this conception for interpreting canonical texts and for
humanities education in general. Discussions of poetry by Robert
Frost and by John Ashbery illustrate how this conception applies to
an analysis of literary texts. Ultimately, the book offers a
Peircean alternative to the educational theories implied in the
pragmatism of John Dewey and of Richard Rorty. Rogers provides a
new vocabulary for talking about what people are doing when they
read, write, speak, and hear interpretive statements about texts.
The new vocabulary acknowledges the great difficulty of "teaching
texts" in the face of postmodern anxieties about pluralism,
relativism, or nihilism. What emerges is not curriculum but
method--an argument that the humanities teach not texts but
interpretive systems.
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