'The father of contemporary European detective fiction' Ann Cleeves 'You see, I mainly work at night. I've ended up getting to know everybody. They're used to me in Pigalle, I exchange a few words with this person or that person. I go into the bars and cabarets where they give me a quarter bottle of Vichy without waiting for me to order anything.' An anonymous tip-off regarding the death of a restaurant owner sends Maigret into the world of Parisian nightlife, a notorious criminal gang and a man known as 'the Flea'. This novel has been pubished in a previous translation as Maigret and the Flea. 'One of the greatest writers of the twentieth century' Guardian

'Compelling, remorseless, brilliant' John Gray Maigret is called to the home of professional gambler, Felix Nahour, who has been found shot dead by his chambermaid. Maigret is shocked to recognise a photo of the man's wife who becomes the main suspect. All signs point to her guilt but Maigret suspects there might be more to this complicated affair. This novel has been published in a previous translation as Maigret on the Defensive. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'Compelling, remorseless, brilliant' John Gray In everyone's eyes, even the old ladies hiding behind their quivering curtains, even the kids just now who had turned to stare after they had passed him, he was the intruder, the undesirable. No, worse, he was fundamentally untrustworthy, some stranger who had just turned up from who knew where to do who knew what. Maigret's old colleague becomes an unexpected rival in book twenty-four of the new Penguin Maigret series. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret's Rival. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'His artistry is supreme' John Banville It was as if suddenly, long ago, life had stopped here, not the life of the man lying on the bed but the life of the house, the life of its world, and even the factory chimney that could be seen through the curtains looked obsolete and absurd. A once-wealthy family closes ranks when one of their own is shot, leaving Maigret - along with a troublesome new magistrate - to pick his way through their secrets. 'One of the greatest writers of our time' Sunday Times

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'Compelling, remorseless, brilliant' John Gray 'He opened the door for her and watched her walk away down the huge corridor, then hesitate at the top of the stairs. Heads turned as she passed. You sensed she came from a different world, the world of the night, and there was something almost indecent about her in the harsh light of a winter's day' A young cabaret dancer in a black silk dress leads Maigret into a seamy world of nightclubs, drug addiction and exploitation on the streets of Montmartre. This novel has been published in previous translations as Maigret and the Strangled Stripper and Maigret in Montmartre. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'Compelling, remorseless, brilliant' John Gray During a quiet spell in June Maigret is called to investigate the disappearance of a reputable businessman. When a body is discovered near the famous Pere Lachaise cemetery Maigret struggles to find any clues to the perpetrator and loses his temper when his own reputation is threatened by the case. This novel has been published in a previous translation as Maigret Loses His Temper. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'His artistry is supreme' John Banville Conflict rather than harmony probably reigned in eight out of ten of the still magnificent houses that surrounded the park. But he had rarely had the opportunity to breath such a strained atmosphere as the one between these walls. Everything seemed fake, grating, starting with the lodge of the concierge-cum-manservant, who was neither a concierge nor a manservant, despite his striped waistcoat, but a former poacher, a murderer turned guard dog. When a self-made man appeals to Maigret for protection at his lavish home, a years-old grudge from the past resurfaces and the inspector finds himself questioning his own motives. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'His artistry is supreme' John Banville 'You're a good soul, inspector, and when you're up against the second-rate criminals you get here in Paris, you're a crack policeman. But this business isn't for you. These guys play rough and they may hurt you. Just drop it! What concern is it of yours, anyway?' When Maigret learns that his hapless colleague Inspector Lognon is being menaced by some notorious American mobsters, he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This novel has been published in a previous translation as Inspector Maigret and the Killers. 'A supreme writer . . . unforgettable vividness' Independent