The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond. Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers. With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking. Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein's work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

First published in 2011. Routledge is an imprint of Taylor and Francis, an informa company.

Researchers have become increasingly aware of how theories and findings regarding self- and identity-regulation have important implications for understanding health outcomes. Self- and identity concerns can prompt increases in precautionary actions and healthy behavior, but also increases in risky actions and unhealthy behavior as well as the detection, diagnosis, progression, management and treatment of a disease. At the same time, health outcomes and concerns can influence self- and identity-regulation. This special issue showcases the connections between health and recent theorizing and research in self- and identity-regulation and brings together cutting edge findings that fall at the intersection of self- and identity-regulation and health.

From the perspective of his 90 years of age, from the height of being a legend in photography, William Klein looks back and selects his favourite works, those that he considers to be the best in his whole career, in order to pay homage to photography itself. This book, not by chance titled Celebration, is a tour to his most emblematic works: unique instants captured in New York, Rome, Moscow and Paris, in powerful black and white or striking colour. A true celebration of photography. This volume also includes a text by the author in which he reflects upon photographic art and explains what prompted him to make this sort of director's cut, this exceptionally personal selection, which brings together the works that, in his view, have made a contribution to the world of photography. A small-format but high-voltage volume that, page after page, makes it clear why Klein is one of the summits of contemporary photography.

Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly coloured grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic colour frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo."

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