Learn how to program JavaScript while creating interactive audio applications with JavaScript for Sound Artists: Learn to Code With the Web Audio API! William Turner and Steve Leonard showcase the basics of JavaScript language programing so that readers can learn how to build browser based audio applications, such as music synthesizers and drum machines. The companion website offers further opportunity for growth. Web Audio API instruction includes oscillators, audio file loading and playback, basic audio manipulation, panning and time. This book encompasses all of the basic features of JavaScript with aspects of the Web Audio API to heighten the capability of any browser. Key Features Uses the readers existing knowledge of audio technology to facilitate learning how to program using JavaScript. The teaching will be done through a series of annotated examples and explanations. Downloadable code examples and links to additional reference material included on the books companion website. This book makes learning programming more approachable to nonprofessional programmers The context of teaching JavaScript for the creative audio community in this manner does not exist anywhere else in the market and uses example-based teaching

Learn how to program JavaScript while creating interactive audio applications with JavaScript for Sound Artists: Learn to Code With the Web Audio API! William Turner and Steve Leonard showcase the basics of JavaScript language programing so that readers can learn how to build browser based audio applications, such as music synthesizers and drum machines. The companion website offers further opportunity for growth. Web Audio API instruction includes oscillators, audio file loading and playback, basic audio manipulation, panning and time. This book encompasses all of the basic features of JavaScript with aspects of the Web Audio API to heighten the capability of any browser. Key Features Uses the readers existing knowledge of audio technology to facilitate learning how to program using JavaScript. The teaching will be done through a series of annotated examples and explanations. Downloadable code examples and links to additional reference material included on the books companion website. This book makes learning programming more approachable to nonprofessional programmers The context of teaching JavaScript for the creative audio community in this manner does not exist anywhere else in the market and uses example-based teaching

Learn how to program JavaScript while creating interactive audio applications with JavaScript for Sound Artists: Learn to Code With the Web Audio API! William Turner and Steve Leonard showcase the basics of JavaScript language programing so that readers can learn how to build browser based audio applications, such as music synthesizers and drum machines. The companion website offers further opportunity for growth. Web Audio API instruction includes oscillators, audio file loading and playback, basic audio manipulation, panning and time. This book encompasses all of the basic features of JavaScript with aspects of the Web Audio API to heighten the capability of any browser. Key Features Uses the readers existing knowledge of audio technology to facilitate learning how to program using JavaScript. The teaching will be done through a series of annotated examples and explanations. Downloadable code examples and links to additional reference material included on the books companion website. This book makes learning programming more approachable to nonprofessional programmers The context of teaching JavaScript for the creative audio community in this manner does not exist anywhere else in the market and uses example-based teaching

Learn how to program JavaScript while creating interactive audio applications with JavaScript for Sound Artists: Learn to Code With the Web Audio API! William Turner and Steve Leonard showcase the basics of JavaScript language programing so that readers can learn how to build browser based audio applications, such as music synthesizers and drum machines. The companion website offers further opportunity for growth. Web Audio API instruction includes oscillators, audio file loading and playback, basic audio manipulation, panning and time. This book encompasses all of the basic features of JavaScript with aspects of the Web Audio API to heighten the capability of any browser. Key Features Uses the readers existing knowledge of audio technology to facilitate learning how to program using JavaScript. The teaching will be done through a series of annotated examples and explanations. Downloadable code examples and links to additional reference material included on the books companion website. This book makes learning programming more approachable to nonprofessional programmers The context of teaching JavaScript for the creative audio community in this manner does not exist anywhere else in the market and uses example-based teaching

A curated selection of J.M.W. Turner's striking and colourful seascape paintings is reproduced here for our Venice by Turner FlipTop Notecard museum quality notecard collection. Our new FlipTop Notecard box notecards are full colour and large enough to convey personal greetings, thank-yous and invitations. 20 notecards 4 each of 5 images 20 envelopes Magnetic closure Sturdy, reuseable box, ideal for keepsakes Box measures 188 x 137 x 38 mm. Look out for our other museum quality notecards, notebooks and more with master artwork reproductions by Cezanne, J.M.W. Turner, Frida Kahlo, Berthe Morisot, Vincent van Gogh, Claude Monet and many others in our stationery collections.

Aunt Jemima's familiar beaming, warm smile and laughing eyes have been associated with breakfast pancakes for generations of Americans. "Invented" in 1888 to help market a new type of pancake flour, Aunt Jemima has been represented by a good number of real women and a tremendous number of collectible products. This book displays hundred of the item available from Aunt Jemima's long history, and provides fascinating or funny glimpses into over a century of our nation's cultural history. Collectors interested in kitchen memorabilia and/or African-American history will find this book wonderfully eye-opening! Promotional items and advertisements are presented, including doll families, recipe books, kitchen utensils, menus, coloring books, and cooking set for children. The complete story of Aunt Jemima's Pancake Mix, the myth of Aunt Jemima herself, and the stories of the real women who portrayed her are all told in this delightful book. A price guide is included.

This book is the first to directly address the question of how to bridge what has been termed the "great divide" between the approaches of systems developers and those of social scientists to computer supported cooperative work--a question that has been vigorously debated in the systems development literature. Traditionally, developers have been trained in formal methods and oriented to engineering and formal theoretical problems; many social scientists in the CSCW field come from humanistic traditions in which results are reported in a narrative mode. In spite of their differences in style, the two groups have been cooperating more and more in the last decade, as the "people problems" associated with computing become increasingly evident to everyone.
The authors have been encouraged to examine, rigorously and in depth, the theoretical basis of CSCW. With contributions from field leaders in the United Kingdom, France, Scandinavia, Mexico, and the United States, this volume offers an exciting overview of the cutting edge of research and theory. It constitutes a solid foundation for the rapidly coalescing field of social informatics.
Divided into three parts, this volume covers social theory, design theory, and the sociotechnical system with respect to CSCW. The first set of chapters looks at ways of rethinking basic social categories with the development of distributed collaborative computing technology--concepts of the group, technology, information, user, and text. The next section concentrates more on the lessons that can be learned at the design stage given that one wants to build a CSCW system incorporating these insights--what kind of work does one need to do and how is understanding of design affected? The final part looks at the integration of social and technical in the operation of working sociotechnical systems. Collectively the contributors make the argument that the social and technical are irremediably linked in practice and so the "great divide" not only should be a thing of the past, it should never have existed in the first place.

This book is the first to directly address the question of how to bridge what has been termed the "great divide" between the approaches of systems developers and those of social scientists to computer supported cooperative work--a question that has been vigorously debated in the systems development literature. Traditionally, developers have been trained in formal methods and oriented to engineering and formal theoretical problems; many social scientists in the CSCW field come from humanistic traditions in which results are reported in a narrative mode. In spite of their differences in style, the two groups have been cooperating more and more in the last decade, as the "people problems" associated with computing become increasingly evident to everyone. The authors have been encouraged to examine, rigorously and in depth, the theoretical basis of CSCW. With contributions from field leaders in the United Kingdom, France, Scandinavia, Mexico, and the United States, this volume offers an exciting overview of the cutting edge of research and theory. It constitutes a solid foundation for the rapidly coalescing field of social informatics. Divided into three parts, this volume covers social theory, design theory, and the sociotechnical system with respect to CSCW. The first set of chapters looks at ways of rethinking basic social categories with the development of distributed collaborative computing technology--concepts of the group, technology, information, user, and text. The next section concentrates more on the lessons that can be learned at the design stage given that one wants to build a CSCW system incorporating these insights--what kind of work does one need to do and how is understanding of design affected? The final part looks at the integration of social and technical in the operation of working sociotechnical systems. Collectively the contributors make the argument that the social and technical are irremediably linked in practice and so the "great divide" not only should be a thing of the past, it should never have existed in the first place.

2011 Reprint of 1950 Translation by William Turner. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Recommended, both as a fascinating and little-known document in the history of psychology and as a provocative reading of the history of psychology. (Religious Studies Review). Will interest many students of the history of psychoanalysis... Rank's conclusions contribute to present-day controversies about the status of psychoanalysis as a science. (Psychiatric Times ) The first complete English translation of a work that Rank published in 1930. It draws on anthropology, sociology, mythology, religion, philosophy, history, and literature to chart the development of the human psyche... The book's antimaterialistic passion makes it a compelling counterpoint to the stern biology of our own age, and the bounds it sets to what psychoanalysis can claim are justly drawn. (Wilson Quarterly ) Unquestionably Rank's most important work... This new translation is an effort to create a Rank for our millennium... and it] reads elegantly and comfortably in English... The argument is complex and intricate, consisting of a long historical/ethnographic sweep that takes us from a 'primitive' state, via animism through the Christian or sexual era to the scientific era and modern development of psychology... Along the way we find traces of many of Rank's other brilliant psychological surveys -- the double, Don Juan, heroes' birth myths, the theme of incest -- woven into this massive canvas and viewed on the largest scale... Throughout this book, the grand tapestry is set with some remarkable gems of observation. (Naomi Segal Psychoanalysis and History ) This is the first complete translation of Otto Rank's fascinating text on the nature and history of the concept of the Soul and Will in the psychological history of humankind... a tour de force in vigour, scope and application to many contemporary issues such as sexual behaviors, the nature of dreaming, incest prohibitions and narcissism, to name but a few. (L.R. Edgar Journal of the Royal Anthropological Society ) In his last years, Otto Rank turned his lifetime of thought and learning toward two of the most difficult topics in human history: religion and the soul. The result was this now-classic work, available in this new, very accessible English translation. Unlike many other intellectuals of the twentieth century, Rank maintains a place for the soul rather than dismissing it as a fantasy. The soul and the beliefs about it, he argues, set forth the foundation for psychology, with its complex analyses of consciousness, self-consciousness, and personality. Rank's commentary is not limited to beliefs about individual souls but includes ideas about group souls, sometimes encompassing nations or generations. Rank suggests that it is in expression of group beliefs that the idea of the soul attains its greatest power. What is the soul? Otto Rank treats it as a universal and essential belief for individuals and their societies, constant in function but evolving in form through millennia. To borrow a post-Rankian metaphor, the soul was created in the big bang of irresistible psychological force colliding with immutable biological fact-our will to live forever against death. The collision creates a spark in our individual and social consciousness which through history has become both consolation and inspiration: the immortal soul. All ideologies reflect this phenomenon and modify its expression to suit the era. Otto Rank wrote before the atom bomb or television, both of which alter our perception of death without changing the fact. Rank's introduction of the soul as an essential part of contemporary psychology helps explain a number of perplexing, irrational phenomena in contemporary life.