With an introduction by Xiaolu Guo A classic memoir set during the Chinese revolution of the 1940s and inspired by folklore, providing a unique insight into the life of an immigrant in America. When we Chinese girls listened to the adults talking-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen. Throughout her childhood, Maxine Hong Kingston listened to her mother's mesmerizing tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upwards. Growing up in a changing America, surrounded by Chinese myth and memory, this is her story of two cultures and one trenchant, lyrical journey into womanhood. Complex and beautiful, angry and adoring, Maxine Hong Kingston's The Woman Warrior is a seminal piece of writing about emigration and identity. It won the National Book Critics Circle Award in 1976 and is widely hailed as a feminist classic.

Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.

The new memoir from prize-winning writer and filmmaker Xiaolu Guo - playful, provocative and original, it's her deeply personal take on striving for a life of her own 'When it comes to spinning light and shadow on the complexities of living, loving and language, Xiaolu Guo is one of the most valuable writers in the world' DEBORAH LEVY The world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threatens her sense of identity and throws her into a crisis - of meaning, desire, obligation and selfhood. This is a memoir about separation - by continents, by language, and from people. It's about being an outsider and the desperate longing to connect. Xiaolu uses her exploration of language (one of the meanings of the word 'radical' is the graphic component, or root, of Chinese characters), and her own life, to create this unique text. At once a memoir, a dictionary, and an ardent love letter, it is an expression of her fascination with Western culture and her nostalgia for Eastern landscapes, and an attempt to describe the space in between. An archive of an artist's search for creative freedom, it is above all else an intimate account of her efforts to carve out a life of her own. 'Radical in angle of attack, smart and brave' IAIN SINCLAIR, author of The Gold Machine

The new memoir from prize-winning writer and filmmaker Xiaolu Guo - playful, provocative and original, it's her deeply personal take on striving for a life of her own 'When it comes to spinning light and shadow on the complexities of living, loving and language, Xiaolu Guo is one of the most valuable writers in the world' DEBORAH LEVY The world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threatens her sense of identity and throws her into a crisis - of meaning, desire, obligation and selfhood. This is a memoir about separation - by continents, by language, and from people. It's about being an outsider and the desperate longing to connect. Xiaolu uses her exploration of language (one of the meanings of the word 'radical' is the graphic component, or root, of Chinese characters), and her own life, to create this unique text. At once a memoir, a dictionary, and an ardent love letter, it is an expression of her fascination with Western culture and her nostalgia for Eastern landscapes, and an attempt to describe the space in between. An archive of an artist's search for creative freedom, it is above all else an intimate account of her efforts to carve out a life of her own. 'Radical in angle of attack, smart and brave' IAIN SINCLAIR, author of The Gold Machine

The world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threatens her sense of identity and throws her into a crisis - of meaning, desire, obligation and selfhood. This is a memoir about separation - by continents, by language, and from people. It's about being an outsider and the desperate longing to connect. Xiaolu uses her exploration of language (one of the meanings of the word 'radical' is the graphic component, or root, of Chinese characters), and her own life, to create this unique text. At once a memoir, a dictionary, and an ardent love letter, it is an expression of her fascination with Western culture and her nostalgia for Eastern landscapes, and an attempt to describe the space in between. An archive of an artist's search for creative freedom, it is above all else an intimate account of her efforts to carve out a life of her own.

Have you ever tried to learn another language? When Zhuang first arrives in London from China she feels like she is among an alien species. The city is disorientating, the people unfriendly, the language a muddle of personal pronouns and moody verbs. But with increasing fluency in English surviving turns to living. And they say that the best way to learn a language is to fall in love with a native speaker... Selected from the book A Concise Chinese-English Dictionary for Lovers by Xiaolu Guo VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world's greatest writers on the experiences that make us human Also in the Vintage Minis series: Babies by Anne Enright Depression by William Styron Race by Toni Morrison Home by Salman Rushdie

*Winner of the National Book Critics Circle Award* *Shortlisted for the Costa Biography Award* *Shortlisted for the Jhalak Prize* *Shortlisted for the Rathbones Folio Prize 2018* *A Sunday Times Book of the Year* Xiaolu Guo meets her parents for the first time when she is almost seven. They are strangers to her. When she is born in 1973, her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity of modern China: censorship, underground art, Western boyfriends. In 2002 she leaves Beijing on a scholarship to study in Britain. Now, after a decade in Europe, her tale of East to West resonates with the insight that can only come from someone who is both an outsider and at home. 'This generation's Wild Swans' Daily Telegraph

Life as a film extra in Beijing might seem hard, but Fenfang won't be defeated. She has travelled 1800 miles to seek her fortune in the city, and has no desire to return to the never-ending sweet potato fields back home. Determined to live a modern life, Fenfang works as a cleaner in the Young Pioneer's movie theatre, falls in love with unsuitable men and keeps her kitchen cupboard stocked with UFO instant noodles. As Fenfang might say, Heavenly Bastard in the Sky, isn't it about time I got my lucky break? Longlisted for the Man Asian Literary Prize.

'A fragmentary meditation on the nature of love' Guardian A Chinese woman comes to post-Brexit London to start over - just as the Brexit campaign reaches a fever pitch. Isolated and lonely in a Britain increasingly hostile to foreigners, she meets a landscape architect and the two begin to build their future together. Playing with language and the cultural differences that our narrator encounters as she settles into her new life, the lovers must navigate their differences and their romance, whether on their unmoored houseboat or in a cramped apartment in east London. Suffused with a wonderful sense of humour, this intimate novel asks what it means to make a home and a family in a new land.

The latest novel from Orange Prize finalist Xiaolu Guo is the enchantingly comic story of a young Chinese woman's life as a film extra in hyper-modern, tumultuous Beijing.
Though twenty-one-year-old Fenfang Wang has traveled 1,800 miles to seek her fortune in urban Beijing, she is ill-prepared for what greets her: a Communist regime that has outworn its welcome, a city in slap-dash development, and a sexist attitude more in keeping with her peasant upbringing than the country's progressive capital. But after mastering the fever and tumult of the city, Fenfang ultimately finds her true independence in the one place she never expected.

Longlisted for the Baileys Women's Fiction Prize In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter. Two lovers, Mu and Jian, have been driven apart by forces beyond their control. As Iona unravels the story of the lovers, Jian and Mu seem to be travelling further and further away from each other. Iona, intoxicated by their romance, sets out to bring them back together, but time is running out. Xiaolu Guo was named as one of Granta's Best of Young British Novelists

'She's no good, that girl. Much too individualistic' This is the story of Fenfang who, determined to carve out a life more independent than her provincial roots, gets a job as a film extra in Beijing. But living a modern life is not as easy as it looks in this tumultuous, messy city. Grappling with the narrow world of cinema, an outworn Communist regime, and the city's far-from-progressive attitudes to women, charismatic Fenfang finds her true freedom in the one place she never expected. 20 Fragments of a Ravenous Youth is a sparkling and wry coming-of-age story about the changing identity of women in contemporary China. Meet ten of literature's most iconic heroines, jacketed in bold portraits by female photographers from around the world.

1980's was written by a teenage girl growing up in China. It shows her issues with her family, her friends, and her school. Will she belong? Will you belong? Will she cry? Will you cry? This is an illustrated book for teenagers exploring their own issues.

A charming and clever account of one woman's exploration of love, language and identity. Twenty-three-year-old Zhuang (or Z as she calls herself) arrives in London to spend a year learning English. Struggling to find her way in the city, and through the puzzles of tense, verb and adverb; she falls for an older Englishman and begins to realise that the landscape of love is an even trickier terrain... VINTAGE VOYAGES: A world of journeys, from the tallest mountains to the depths of the mind