The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean. Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen

The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean. Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen

Caribbean Popular Culture: Power, Politics and Performance is an anthology of previously published works, newly commissioned pieces and substantially revised or updated articles which examine the Caribbean popular - an idea that has been an important and contested terrain for exploring the dynamic and oftentimes subversive cultural expressions of the region. The Caribbean popular arts, whether embodied in the hybrid musical genres or vernacular performance and festival traditions, have historically provided a space for social and political critique, the performance of visibility and also articulations of a temporal emancipatory ethos with its attendant acquisition of power and status. Beyond the spaces of their local/regional enactments and the social realities out of which they emerged and continue to circulate, Caribbean popular culture has over time contributed to contemporary understandings of global and diasporic cultures and, at the same time, the dynamics of inter-cultural encounters. In this collection, key writings on the Caribbean expressive terrain and popular cultural production are also supplemented by an extensive further reading list and arresting colour plates.

Caribbean Cultural Thought: From Plantation to Diaspora presents a critical appraisal of the range of issues and themes that have been pivotal in the study of Caribbean societies. Written from the perspective of primarily Caribbean authors and renowned scholars of the region, it excavates classic texts in Caribbean Cultural Thought and places them in dialogue with contemporary interrogations and explorations of regional cultural politics and debates concerning identity and social change; colonialism; diaspora; aesthetics; religion and spirituality; gender and sexuality and nationalisms. The result is a reader that presents a distinctive Caribbean voice that emphasizes the long history of critical writings on culture and its intersection with political work in the Caribbean intellectual tradition from within the academy and beyond. Includes contributions from: Antenor Firmin Jose Marti Jean Price-Mars Aime Cesaire Suzanne Cesaire Frantz Fanon Leon Damas Martin Carter Marcus Garvey Percy Hintzen Roberto Fernandez Retamar M. Jacqui Alexander Nicholas Guillen George Beckford George Lamming Richard Price Lucille Mathurin-Mair Sidney Mintz Michel-Rolph Trouillot Fernando Ortiz Elsa Goveia Kamau Brathwaite Patricia Mohammed Peter Wilson David Scott Antonio Benitez-Rojo Lloyd Best Rex Nettleford Jacques Stephen Alexis C.L.R. James Wilson Harris Gordon Rohlehr Sylvia Wynter Gloria Wekker Audre Lorde Kamala Kempadoo Jamaica Kincaid Margarite Fernandez Olmos and Lizabeth Paravisini-Gebert Patrick Bellegarde-Smith Barry Chevannes Aisha Khan Dianne M. Stewart Stuart Hall Sean Lokaisingh-Meighoo Erna Brodber Shani Mootoo Louise Bennett Linton Kwesi Johnson Derek Walcott