Rooted in the places, cultures, histories and wisdoms of the diverse Asia-Pacific region, this book gathers heterogeneous practices of designing social innovation that address various social, political and environmental challenges. In contrast to dominant notions of design from the Global North that evolved through industrialisation and modernist thinking, the examples in this book speak to designing that is embodied, relational, temporal, ontological and entangled deeply with ecologies. This edited volume shares rich and detailed stories from Australia, Aotearoa New Zealand, Cambodia, Indonesia, Japan, Malaysia, Myanmar, the Philippines, Samoa, Thailand and Vanuatu that offer honest and critical reflections from practitioners and scholars on designing social innovation. Contributors explore issues of ethics, politics and positionality in their work. The book highlights the importance of respecting multiple knowledge streams, worldviews and practices situated in a place. This then supports a plurality of designing social innovation. In all, this book offers ways to sharpen focus on entangled pluralities as a central condition for designing. It is a contribution of hope and inspiration that are becoming more urgently needed in the volatile uncertainties of this world. The book will be of interest to scholars working in social innovation, service design, social design, participatory design, design anthropology and Asian studies.

De-Signing Design: Cartographies of Theory and Practice throws new light on the terrain between theory and practice in transdisciplinary discourses of design and art. The editors, Elizabeth Grierson, Harriet Edquist, and Helene Frichot, bring together diverse approaches to design theory, practice, and philosophy from leading scholars in Australia, New Zealand, Japan, and the United Kingdom. Themes include spatiality, difference, cultural aesthetics, and identity in the expanded field of place-making and being. The concept that design can be de-signed is presented as a way of exploring different approaches to an experimental and experiential thinking-doing that promises to further open up research possibilities in the fields of design and art thinking and practice. The book enacts a series of cartographic devices to articulate the spaces between theory and practice.

Uncertainty and possibility are emerging as both theoretical concepts and fields of empirical investigation, as scholars and practitioners seek new creative, hopeful and speculative modes of understanding and intervening in a world of crisis.This book offers new perspectives on the central issues of uncertainty and possibility, and identifies new research methods which take advantage of disruptive and experimental techniques. Advancing a practical agenda for future making, it reveals how uncertainty can be engaged as a generative 'technology' for understanding, researching and intervening in the world. Drawing on key themes in creative methodologies, such as making, essaying, inhabiting and attuning, chapters explore contemporary sites of practice. The book looks at maker spaces and technology design, the imaginaries of architectural design, the temporalities of built cultural heritage, and interdisciplinary making and performing. Based on the authors' own academic work and their applied research with a range of different organizations, Uncertainty and Possibility outlines new opportunities for research and intervention. It is essential reading for students, scholars and practitioners in design anthropology and human-centred design.

Uncertainty and possibility are emerging as both theoretical concepts and fields of empirical investigation, as scholars and practitioners seek new creative, hopeful and speculative modes of understanding and intervening in a world of crisis.This book offers new perspectives on the central issues of uncertainty and possibility, and identifies new research methods which take advantage of disruptive and experimental techniques. Advancing a practical agenda for future making, it reveals how uncertainty can be engaged as a generative 'technology' for understanding, researching and intervening in the world. Drawing on key themes in creative methodologies, such as making, essaying, inhabiting and attuning, chapters explore contemporary sites of practice. The book looks at maker spaces and technology design, the imaginaries of architectural design, the temporalities of built cultural heritage, and interdisciplinary making and performing. Based on the authors' own academic work and their applied research with a range of different organizations, Uncertainty and Possibility outlines new opportunities for research and intervention. It is essential reading for students, scholars and practitioners in design anthropology and human-centred design.

Uncertainty is a prevalent characteristic of contemporary life and a central challenge of HCI. As humans, researchers, and designers we encounter uncertainty in a multitude of forms and a variety of settings. The growing attention to uncertainty in HCI is due to the ever increasing expansion of the field and questions and contexts to which we seek to apply HCI research and practice. It is also due to events in the world that force us to engage more directly with questions related to uncertainty. Consequently, society is turning more than ever to data as a means to enable or mediate our understanding of phenomena such as climate change, political turmoil, increased economic upheaval, and a global pandemic. This monograph examines how HCI conceptualizes, situates, and responds to uncertainty - particularly arguing that our ability to respond to such uncertainties is governed to a great extent by the concepts we use to enframe a single, encompassing, overburdened and slippery idea. The authors propose four distinct "modes of uncertainty" to begin to draw together the varied strands of work in HCI that address uncertainty in its many forms. Rather than focusing on uncertainty as a discrete phenomenon in the world to be studied, they look to how research goals, methods, and theoretical frames used in HCI research influence the various ways in which we encounter it. By switching from uncertainty (a noun) to modes of engaging uncertainty (a verb), they foreground uncertainty as a relational concept and show that it is an active and ongoing condition that designers and researchers make present in different fashions depending upon their priorities and the context in which they are working. The authors show that adding modes of uncertainty to our conceptual toolbox facilitates conversation between domains and lets us draw new connections between disparate areas of research including visualization studies, critical design, feminist epistemologies, and sustainability.