At a time when most serious drama being written and produced for the American stage aspires only to mainstream acceptance and high-toned mediocrity, an innovative new generation of playwrights based in New York City has emerged, crafting works that challenge and undermine the conventional structure, language, and characterization of commercial theater while rejecting outdated notions of the avant-garde. New Downtown Now brings together ten new works that exemplify the playfulness, excitement, and possibilities of the theater. Characterized by fragmenting structure, hypnotic rhythms, kaleido-scopic imagery, unpredictable characters, and lyrical language, these plays resemble puzzles from which the writers are teasing revelations. Though disparate in subject matter and style, with characters ranging from a sushi chef to a soldier and settings from a taxicab to a live television broadcast, these highly original plays share a commitment to formal experimentation that places them beyond the psychological cliches of the majority and the cold condescension of postmodernism. The anthology includes Interim by Barbara Cassidy; Tragedy: a tragedy by Will Eno; Nine Come by Elana Greenfield; Shufu-Sachiko and Enoshima Island by Madelyn Kent; The Appeal by Young Jean Lee; The Vomit Talk of Ghosts by Kevin Oakes; Ajax (por nobody) by Alice Tuan; Apparition, an uneasy play of the underknown by Anne Washburn; Demon Baby by Erin Courtney. Mac Wellman is the author of numerous plays and the recipient of three Obie awards, most recently in 2003 for lifetime achievement. He is professor of playwriting at Brooklyn College. Young Jean Lee is a playwright and director, and member of the Obie award-winning company 13P. Jeffrey M. Jones is a playwright and curator of the Obie award-winning Little Theater at Tonic in New York.

Two compassionately subversive plays about identity, by Young Jean Lee, a Korean American playwright whose work is groundbreaking, humorous and often thrillingly transgressive. In Straight White Men, it's Christmas Eve, and Ed has gathered his three adult sons to celebrate with matching pyjamas, trash-talking, and Chinese takeaway. But when a question they can't answer interrupts their seasonal cheer, they are forced to confront their own identities. Raucous, surprising and fearless, Straight White Men takes an outside look at the traditional father/son narrative, shedding new light on a story we think we know all too well. It had its UK premiere at Southwark Playhouse, London, in 2021, following US productions including a Broadway run that made Lee the first Asian-American woman to have a play produced on Broadway. In Untitled Feminist Show, six charismatic stars of the theatre, dance, cabaret and burlesque worlds come together in an exhilaratingly irreverent, nearly wordless celebration of a fluid and limitless sense of identity. Untitled Feminist Show isn't a show about feminism - it is a feminist show. It premiered at the Walker Art Center, Minneapolis, in 2012 before transferring to the Baryshnikov Arts Center in New York City. 'Young Jean Lee is, hands down, the most adventurous downtown playwright of her generation' New York Times

"The Methuen Drama Book of New American Plays" is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's "Stunning," is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic "The Road Weeps, The Well Runs Dry" deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's "Pullman, WA" deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's "Hurt Village "uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's "Dying City" melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's "The Big Meal," an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.