The images of women in chadors or burqas as contrasted with images of belly dancers which circulate today as representations of Muslim/Middle Eastern women do not fluctuate from the images propagated by Orientalist paintings and colonial photographs which also offer contrasting representations of the veiled thus secluded and the naked or semi-naked thus eroticised Muslim/Oriental woman. As well as challenging the prevailing stereotypes of the Middle Eastern and North African women, the book aims to highlight the element of diversity which characterises the lives of these women and the regions to which they belong. The sense that most of the Middle Eastern and North African countries are Muslim does confer a common identity, a distinction from others that may serve to bridge wide social, cultural, and economic differences among them. However, it is also important to stress that significant elements other than Islam contribute to the making of MENA societies and women's cultural identities. This book was published as a special issue of the British Journal of Middle Eastern Studies.

The Arab Diaspora examines the range of roles the Arab world has played to various audiences on the modern and postmodern stage and the issues which have arisen as a result. The variety of roles explored reflects the diversity of Arab culture. With particular focus placed on political, diplomatic and cultural issues, the book explores the relationship between the Arab world and the West, covering topics including: * Islam and its common ancestry and relationship with Christianity * the varying forms of Arab civilization and its inability in more modern times to fulfil the dreams of nineteenth and twentieth century reformers * continued stereotyping of the Arab world within the media. The Arab Diaspora is essential reading for those with interests in Arabic and Middle East studies, and cultural studies.

The images of women in chadors or burqas as contrasted with images of belly dancers which circulate today as representations of Muslim/Middle Eastern women do not fluctuate from the images propagated by Orientalist paintings and colonial photographs which also offer contrasting representations of the veiled thus secluded and the naked or semi-naked thus eroticised Muslim/Oriental woman.

As well as challenging the prevailing stereotypes of the Middle Eastern and North African women, the book aims to highlight the element of diversity which characterises the lives of these women and the regions to which they belong. The sense that most of the Middle Eastern and North African countries are Muslim does confer a common identity, a distinction from others that may serve to bridge wide social, cultural, and economic differences among them. However, it is also important to stress that significant elements other than Islam contribute to the making of MENA societies and women s cultural identities.

This book was published as a special issue of the British Journal of Middle Eastern Studies.

Maghrebi literature published in the first half of the twentieth century is a subject that seldom receives focused scholarly treatment. This is partly due to limited availability of the books, some of which were printed in as few as fifty copies. Zahia Smail Salhi tracked down these rare works and put them in the spotlight for the first time here. Through close textual analysis and in-depth engagement with religious and socio-political contexts, Smail Salhi determines whether these texts belong to a collective formation we may call 'Occidentalism'. In so doing, this book reintegrates the pre-1945 Maghrebi novels into the history and study of modern Arabic literature.

"The Arab Diaspora" includes chapters that range in subject matter from a meditation on trans-national literature, to an investigation of the Iraqi Jewish Diaspora in the United States of America. Uniting these chapters is the overriding leitmotiv of Diaspora with its multifarious notes of "otherness," "strangeness," "exile," "dispossession" and indeed, "yearning."
While much has been written down the ages on the Jewish Diaspora, there are far fewer studies of the Arab situation. This volume therefore aims to contribute to the study of the plethora of the Arab Diasporic expressions, which range from literary texts such as novels, short stories and poetry, to the various artistic expressions such as music, dance and painting, to testimonies voiced through various media channels such as film, documentary, and the internet.
"The Arab Diaspora" attempts to explore the fluidity, and pain, of boundaries and exile; Diaspora cannot eschew nostalgia and pain. The main scope of the book embraces the triple, sometimes interlocking-foci of the theoretical, the exilic and the literary. The Arab Diaspora is essential reading for those with interests in Arabic & Middle East studies, and cultural studies.

As a result of the uprisings that spread across the Middle East and North Africa in late 2010 and 2011, the issue of state public violence against both men and women dominated the headlines. But gender-based violence, in both its public and private forms, has for the most part remained unnoticed and is often ignored. The forms that this kind of violence can take are influenced by cultural norms and religious beliefs, as well as economic and political circumstances. In 'Gender and Violence in Islamic Societies', violence is perceived not only as physical harm, but includes various forms of violence directed at women because they are women. These include segregation in the workplace and limiting women's access to wealth, gender stereotyping in the media and education, verbal aggression and humiliation, control of women's finances and income, forced veiling, restricted access to education and health. Gender-based violence is thus analysed in its various forms and localities, encompassing both the public and private spheres: within the family, the general community,at work and in various state institutions. Here, Zahia Smail Salhi brings together a wide range of examples of gender-based violence across the Middle East and North Africa, from discrimination in the workplace in Jordan to the physical abuse of underage domestic workers in Morocco, and from psychological and verbal violence against women in Tunisia and Algeria to the practice of female genital mutilation in Egypt. The evidence demonstrates that the violence, far from being of universal character across the region, is instead diverse, in both its intensity and in the processes of addressing such violence.