"Uruk: The First City" is the first fully historical analysis of the origins of the city and of the state in southern Mesopotamia, the region providing the earliest evidence in world history related to these seminal developments. Contrasting his approach - which has been influenced by V. Gordan Childe and by Marxist theory - with the neo-evolutionist ideas of (especially) American anthropological theory, the author argues that the innovations that took place during the 'Uruk' period (most of the fourth millennium B.C.) were a 'true' revolution that fundamentally changed all aspects of society and culture. This book is unique in its historical approach, and its combination of archaeological and textual sources. It develops an argument that weaves together a vast amount of information and places it within a context of contemporary scholarly debates on such questions as the ancient economy and world systems. It explains the roots of these debates briefly without talking down to the reader. The book is accessible to a wider audience, while it also provides a cogent argument about the processes involved to the specialist in the field.

Representations of sexual difference (whether visual or textual) have become an area of much theoretical concern and investigation in recent feminist scholarship. Yet although a wide range of relevant evidence survives from the ancient Near East, it has been exceptional for those studying women in the ancient world to stray outside the traditional bounds of Greece and Rome.
Women of Babylon is a much-needed historical/art historical study that investigates the concepts of femininity which prevailed in Assyro-Babylonian society. Zainab Bahrani's detailed analysis of how the culture of ancient Mesopotamia defined sexuality and gender roles both in, and through, representation is enhanced by a rich selection of visual material extending from 6500 BC - 1891 AD. Professor Bahrani also investigates the ways in which women of the ancient Near East have been perceived in classical scholarship up to the nineteenth century.

Representations of sexual difference (whether visual or textual) have become an area of much theoretical concern and investigation in recent feminist scholarship. Yet although a wide range of relevant evidence survives from the ancient Near East, it has been exceptional for those studying women in the ancient world to stray outside the traditional bounds of Greece and Rome.
Women of Babylon is a much-needed historical/art historical study that investigates the concepts of femininity which prevailed in Assyro-Babylonian society. Zainab Bahrani's detailed analysis of how the culture of ancient Mesopotamia defined sexuality and gender roles both in, and through, representation is enhanced by a rich selection of visual material extending from 6500 BC - 1891 AD. Professor Bahrani also investigates the ways in which women of the ancient Near East have been perceived in classical scholarship up to the nineteenth century.

The Graven Image Representation in Babylonia and Assyria Zainab Bahrani "A passionate and powerful polemic."--"Antiquity" "Bahrani opens up the field of discourse for the study of ancient Near Eastern art and brings it into dialogue with current disciplinary trends. . . . The book will stimulate further discussion about the nature(s) of Babylonian and Assyrian representation across the disciplinary divides."--"Journal of the American Oriental Society" "A welcome addition to the study of the ancient Near East. It breaks away from Eurocentric approaches and tries to do justice to Mesopotamian thought, thus shedding new light on the relationship between text and representation. . . . Bahrani's book will become the center of a lively debate."--"Bryn Mawr Classical Review" Mesopotamia, the world's earliest literate culture, developed a rich philosophical conception of representation in which the world was saturated with signs. Instead of imitating the natural world, representation--both in writing and in visual images--was thought to participate in the world and to have an effect upon it in natural, magical, and supernatural ways. "The Graven Image" is the first book to explore this tradition, which developed prior to, and apart from, the Greek understanding of representation. The classical Greek system, based on the notion of mimesis, or copy, is the one with which we are most familiar today. The Assyro-Babylonian ontology presented here by Zainab Bahrani opens up fresh avenues for thinking about the concept of representation in general, and her reading of the ancient Mesopotamian textual and visual record in its own ontological context develops an entirely new approach to understanding Babylonian and Assyrian arts in particular. "The Graven Image" describes, for the first time, rituals and wars involving images; the relationship of divination, the organic body, and representation; and the use of images as a substitute for the human form, integrating this ancient material into contemporary debates in critical theory. Bahrani challenges current methodologies in the study of Near Eastern archaeology and art history, introducing a new way to appreciate the unique contributions of Assyrian and Babylonian culture and their complex relationships to the past and present. Zainab Bahrani is Edith Porada Associate Professor of Art History and Archaeology at Columbia University. Archaeology, Culture, and Society 2003 256 pages 6 x 9 28 illus. ISBN 978-0-8122-3648-4 Cloth $59.95s 39.00 World Rights Archaeology Short copy: "A welcome addition to the study of the ancient Near East. It breaks away from Eurocentric approaches and tries to do justice to Mesopotamian thought, thus shedding new light on the relationship between text and representation. . . . Bahrani's book will become the center of a lively debate."--"Bryn Mawr Classical Review"

The essays included in this volume analyze important historical texts from various regions of the Ancient Near East. The distinguished Italian historian Mario Liverani suggests that these historiographical texts were of a "true" historical nature and that their literary forms achieved their intended results. Liverani focuses on two central themes in these texts: myth and politics.There is a close connection, Liverani finds, between the writing of history and the validation of political order and political action. History defines the correct role and behavior of political leaders, especially when they do not possess the validation provided by tradition. Historical texts, he discovers, are more often the tools for supporting change than for supporting stability.Liverani demonstrates that history writing in the Ancient Near East made frequent use of mythical patterns, wisdom motifs, and literary themes in order to fulfill its audience's cultural expectations. The resulting nonhistorical literary forms can mislead interpretation, but an analysis of these forms allows the texts' sociopolitical and communicative frameworks to emerge.

The essays included in this volume analyze important historical texts from various regions of the Ancient Near East. The distinguished Italian historian Mario Liverani suggests that these historiographical texts were of a "true" historical nature and that their literary forms achieved their intended results. Liverani focuses on two central themes in these texts: myth and politics.There is a close connection, Liverani finds, between the writing of history and the validation of political order and political action. History defines the correct role and behavior of political leaders, especially when they do not possess the validation provided by tradition. Historical texts, he discovers, are more often the tools for supporting change than for supporting stability.Liverani demonstrates that history writing in the Ancient Near East made frequent use of mythical patterns, wisdom motifs, and literary themes in order to fulfill its audience's cultural expectations. The resulting nonhistorical literary forms can mislead interpretation, but an analysis of these forms allows the texts' sociopolitical and communicative frameworks to emerge.

"Uruk: the First City" is the first fully historical analysis of the origins of the city and of the state in southern Mesopotamia, the region providing the earliest evidence in world history related to these seminal developments. Contrasting his approach - which has been influenced by V. Gordan Childe and by Marxist theory - with the neo-evolutionist ideas of (especially) American anthropological theory, the author argues that the innovations that took place during the 'Uruk' period (most of the fourth millennium B.C.) were a 'true' revolution that fundamentally changed all aspects of society and culture. This book is unique in its historical approach and its combination of archaeological and textual sources. It develops an argument that weaves together a vast amount of information and places it within a context of contemporary scholarly debates on such questions as the ancient economy and world systems. It explains the roots of these debates briefly without talking down to the reader. The book is accessible to a wider audience, while it also provides a cogent argument about the processes involved to the specialist in the field.