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The Graven Image - Representation in Babylonia and Assyria (Hardcover, New)
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The Graven Image - Representation in Babylonia and Assyria (Hardcover, New)
Series: Archaeology, Culture, and Society
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The Graven Image Representation in Babylonia and Assyria Zainab
Bahrani "A passionate and powerful polemic."--"Antiquity" "Bahrani
opens up the field of discourse for the study of ancient Near
Eastern art and brings it into dialogue with current disciplinary
trends. . . . The book will stimulate further discussion about the
nature(s) of Babylonian and Assyrian representation across the
disciplinary divides."--"Journal of the American Oriental Society"
"A welcome addition to the study of the ancient Near East. It
breaks away from Eurocentric approaches and tries to do justice to
Mesopotamian thought, thus shedding new light on the relationship
between text and representation. . . . Bahrani's book will become
the center of a lively debate."--"Bryn Mawr Classical Review"
Mesopotamia, the world's earliest literate culture, developed a
rich philosophical conception of representation in which the world
was saturated with signs. Instead of imitating the natural world,
representation--both in writing and in visual images--was thought
to participate in the world and to have an effect upon it in
natural, magical, and supernatural ways. "The Graven Image" is the
first book to explore this tradition, which developed prior to, and
apart from, the Greek understanding of representation. The
classical Greek system, based on the notion of mimesis, or copy, is
the one with which we are most familiar today. The
Assyro-Babylonian ontology presented here by Zainab Bahrani opens
up fresh avenues for thinking about the concept of representation
in general, and her reading of the ancient Mesopotamian textual and
visual record in its own ontological context develops an entirely
new approach to understanding Babylonian and Assyrian arts in
particular. "The Graven Image" describes, for the first time,
rituals and wars involving images; the relationship of divination,
the organic body, and representation; and the use of images as a
substitute for the human form, integrating this ancient material
into contemporary debates in critical theory. Bahrani challenges
current methodologies in the study of Near Eastern archaeology and
art history, introducing a new way to appreciate the unique
contributions of Assyrian and Babylonian culture and their complex
relationships to the past and present. Zainab Bahrani is Edith
Porada Associate Professor of Art History and Archaeology at
Columbia University. Archaeology, Culture, and Society 2003 256
pages 6 x 9 28 illus. ISBN 978-0-8122-3648-4 Cloth $59.95s 39.00
World Rights Archaeology Short copy: "A welcome addition to the
study of the ancient Near East. It breaks away from Eurocentric
approaches and tries to do justice to Mesopotamian thought, thus
shedding new light on the relationship between text and
representation. . . . Bahrani's book will become the center of a
lively debate."--"Bryn Mawr Classical Review"
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