"Uruk: The First City" is the first fully historical analysis of the origins of the city and of the state in southern Mesopotamia, the region providing the earliest evidence in world history related to these seminal developments. Contrasting his approach - which has been influenced by V. Gordan Childe and by Marxist theory - with the neo-evolutionist ideas of (especially) American anthropological theory, the author argues that the innovations that took place during the 'Uruk' period (most of the fourth millennium B.C.) were a 'true' revolution that fundamentally changed all aspects of society and culture. This book is unique in its historical approach, and its combination of archaeological and textual sources. It develops an argument that weaves together a vast amount of information and places it within a context of contemporary scholarly debates on such questions as the ancient economy and world systems. It explains the roots of these debates briefly without talking down to the reader. The book is accessible to a wider audience, while it also provides a cogent argument about the processes involved to the specialist in the field.

Representations of sexual difference (whether visual or textual) have become an area of much theoretical concern and investigation in recent feminist scholarship. Yet although a wide range of relevant evidence survives from the ancient Near East, it has been exceptional for those studying women in the ancient world to stray outside the traditional bounds of Greece and Rome.
Women of Babylon is a much-needed historical/art historical study that investigates the concepts of femininity which prevailed in Assyro-Babylonian society. Zainab Bahrani's detailed analysis of how the culture of ancient Mesopotamia defined sexuality and gender roles both in, and through, representation is enhanced by a rich selection of visual material extending from 6500 BC - 1891 AD. Professor Bahrani also investigates the ways in which women of the ancient Near East have been perceived in classical scholarship up to the nineteenth century.

This book is the first in ten years to present a comprehensive survey of art and architecture in Mesopotamia (modern Iraq, northeast Syria and southeast Turkey), from 8000 BCE to the arrival of Islam in 636 CE. The book is richly illustrated with c. 400 full-colour photographs, and maps and time charts that guide readers through the chronology and geography of this part of the ancient Near East. The book addresses such essential art historical themes as the origins of narrative representation, the first emergence of historical public monuments and the earliest aesthetic commentaries. It explains how images and monuments were made and how they were viewed. It also traces the ancient practices of collecting and conservation and rituals of animating statues and of architectural construction. Accessible to students and non-specialists, the book expands the scope of standard surveys to cover art and architecture from the prehistoric to the Roman era, including the legendary cities of Ur, Babylon, Nineveh, Hatra and Seleucia on the Tigris.

Representations of sexual difference (whether visual or textual) have become an area of much theoretical concern and investigation in recent feminist scholarship. Yet although a wide range of relevant evidence survives from the ancient Near East, it has been exceptional for those studying women in the ancient world to stray outside the traditional bounds of Greece and Rome.
Women of Babylon is a much-needed historical/art historical study that investigates the concepts of femininity which prevailed in Assyro-Babylonian society. Zainab Bahrani's detailed analysis of how the culture of ancient Mesopotamia defined sexuality and gender roles both in, and through, representation is enhanced by a rich selection of visual material extending from 6500 BC - 1891 AD. Professor Bahrani also investigates the ways in which women of the ancient Near East have been perceived in classical scholarship up to the nineteenth century.

'Mario Liverani's work is among the most original and penetrating in the discipline of ancient Near Eastern studies. I recommend this brilliant and fascinating book with high enthusiasm.' Benjamin R. Foster, Laffan Professor of Assyriology and Babylonian Literature and Curator of the Yale Babylonian Collection, Yale University 'This collection of his classic essays, selected by Liverani himself, and presented in English for the first time, displays Liverani's brilliance in dissecting a variety of myths, treaties, royal inscriptions, letters and Biblical narratives. Liverani's influence on the interpretation of history is generously acknowledged by professional historians of the Ancient Near East and by the Italian reading public. This collection will bring his substantive contributions and his method to a wider audience of historians, anthropologists, and literary critics. The editors have done a splendid job introducing the essays, revising Liverani's own translations and providing handy references to studies that have appeared since Liverani's original work.' Norman Yoffee, Professor of Near Eastern Studies, University of Michigan The essays collected in this volume represent a selection of studies, previously published mainly in Italian, that make explicit use of anthropological and semiological tools in order to analyze important texts of historical nature from various regions of the Ancient Near East. They suggest that these historiographical texts were of a 'true' historical nature, and that the literary forms and mental models employed were very apt at accomplishing the intended results. Two different aspects are especially emphasized: myth and politics.

The Graven Image Representation in Babylonia and Assyria Zainab Bahrani "A passionate and powerful polemic."--"Antiquity" "Bahrani opens up the field of discourse for the study of ancient Near Eastern art and brings it into dialogue with current disciplinary trends. . . . The book will stimulate further discussion about the nature(s) of Babylonian and Assyrian representation across the disciplinary divides."--"Journal of the American Oriental Society" "A welcome addition to the study of the ancient Near East. It breaks away from Eurocentric approaches and tries to do justice to Mesopotamian thought, thus shedding new light on the relationship between text and representation. . . . Bahrani's book will become the center of a lively debate."--"Bryn Mawr Classical Review" Mesopotamia, the world's earliest literate culture, developed a rich philosophical conception of representation in which the world was saturated with signs. Instead of imitating the natural world, representation--both in writing and in visual images--was thought to participate in the world and to have an effect upon it in natural, magical, and supernatural ways. "The Graven Image" is the first book to explore this tradition, which developed prior to, and apart from, the Greek understanding of representation. The classical Greek system, based on the notion of mimesis, or copy, is the one with which we are most familiar today. The Assyro-Babylonian ontology presented here by Zainab Bahrani opens up fresh avenues for thinking about the concept of representation in general, and her reading of the ancient Mesopotamian textual and visual record in its own ontological context develops an entirely new approach to understanding Babylonian and Assyrian arts in particular. "The Graven Image" describes, for the first time, rituals and wars involving images; the relationship of divination, the organic body, and representation; and the use of images as a substitute for the human form, integrating this ancient material into contemporary debates in critical theory. Bahrani challenges current methodologies in the study of Near Eastern archaeology and art history, introducing a new way to appreciate the unique contributions of Assyrian and Babylonian culture and their complex relationships to the past and present. Zainab Bahrani is Edith Porada Associate Professor of Art History and Archaeology at Columbia University. Archaeology, Culture, and Society 2003 256 pages 6 x 9 28 illus. ISBN 978-0-8122-3648-4 Cloth $59.95s 39.00 World Rights Archaeology Short copy: "A welcome addition to the study of the ancient Near East. It breaks away from Eurocentric approaches and tries to do justice to Mesopotamian thought, thus shedding new light on the relationship between text and representation. . . . Bahrani's book will become the center of a lively debate."--"Bryn Mawr Classical Review"

Rituals of War is an investigation into the earliest historical records of violence and biopolitics. In Mesopotamia, ancient (ca. 3000-500 BCE) Iraqi rituals of war and images of violence constituted part of the magical technologies of warfare that formed the underlying irrational processes of war. In Rituals of War, Zainab Bahrani weaves together three lines of inquiry into one historical domain of violence: war, the body, and representation. Building on Foucault's argument in Discipline and Punish that the art of punishing must rest on a whole technology of representation, Bahrani investigates the ancient Mesopotamian record to reveal how that culture relied on the portrayal of violence and control as part of the mechanics of warfare. Moreover, she takes up the more recent arguments of Giorgio Agamben on sovereign power and biopolitics to focus on the relationship of power, the body, and violence in Assyro-Babylonian texts and monuments of war. Bahrani analyzes facets of war and sovereign power that fall under the categories of representation and display, the aesthetic, the ritualistic, and the supernatural. Besides the invention of the public monument of war and the rituals of iconoclasm, destruction, and relocation of monuments in war, she investigates formulations of power through the body, narrative displays in battle, the reading of omens before the battle, and historical divination through the body and body parts. Bahrani describes these as the magical technologies of war, the realm of the irrational that enables the ideologies of just war in the distant past as today.Zainab Bahrani is Edith Porada Professor of Ancient Near Eastern Art History and Archaeology at Columbia University. She is the author of The Graven Image: Representation in Babylonia and Assyria and Women of Babylon: Gender and Representation in Mesopotamia.

The essays included in this volume analyze important historical texts from various regions of the Ancient Near East. The distinguished Italian historian Mario Liverani suggests that these historiographical texts were of a "true" historical nature and that their literary forms achieved their intended results. Liverani focuses on two central themes in these texts: myth and politics.There is a close connection, Liverani finds, between the writing of history and the validation of political order and political action. History defines the correct role and behavior of political leaders, especially when they do not possess the validation provided by tradition. Historical texts, he discovers, are more often the tools for supporting change than for supporting stability.Liverani demonstrates that history writing in the Ancient Near East made frequent use of mythical patterns, wisdom motifs, and literary themes in order to fulfill its audience's cultural expectations. The resulting nonhistorical literary forms can mislead interpretation, but an analysis of these forms allows the texts' sociopolitical and communicative frameworks to emerge.

"Uruk: the First City" is the first fully historical analysis of the origins of the city and of the state in southern Mesopotamia, the region providing the earliest evidence in world history related to these seminal developments. Contrasting his approach - which has been influenced by V. Gordan Childe and by Marxist theory - with the neo-evolutionist ideas of (especially) American anthropological theory, the author argues that the innovations that took place during the 'Uruk' period (most of the fourth millennium B.C.) were a 'true' revolution that fundamentally changed all aspects of society and culture. This book is unique in its historical approach and its combination of archaeological and textual sources. It develops an argument that weaves together a vast amount of information and places it within a context of contemporary scholarly debates on such questions as the ancient economy and world systems. It explains the roots of these debates briefly without talking down to the reader. The book is accessible to a wider audience, while it also provides a cogent argument about the processes involved to the specialist in the field.

The essays included in this volume analyze important historical texts from various regions of the Ancient Near East. The distinguished Italian historian Mario Liverani suggests that these historiographical texts were of a "true" historical nature and that their literary forms achieved their intended results. Liverani focuses on two central themes in these texts: myth and politics.There is a close connection, Liverani finds, between the writing of history and the validation of political order and political action. History defines the correct role and behavior of political leaders, especially when they do not possess the validation provided by tradition. Historical texts, he discovers, are more often the tools for supporting change than for supporting stability.Liverani demonstrates that history writing in the Ancient Near East made frequent use of mythical patterns, wisdom motifs, and literary themes in order to fulfill its audience's cultural expectations. The resulting nonhistorical literary forms can mislead interpretation, but an analysis of these forms allows the texts' sociopolitical and communicative frameworks to emerge.