Part of the earth tone family, Yellow Oxide's is slightly more opaque than its neighbors (Yellow Ochre) and less red, but with similar lightfastness and durability.

Golden High Flow Acrylic Paint is an ultra-thin acrylic paint that can go directly from bottle to airbrush, refillable marker, dip pen and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including drawing, staining, dripping, pouring, calligraphy and colour washes.

High Flow Acrylic offers a palette that includes many single pigment colours, as well as Fluorescent and Iridescent colours. This range is compatible with other Golden acrylic colours and mediums.

Golden High Flow Acrylic Paint is an ultra-thin acrylic paint that can go directly from bottle to airbrush, refillable marker, dip pen and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including drawing, staining, dripping, pouring, calligraphy and colour washes.High Flow Acrylic offers a palette that includes many single pigment colours, as well as Fluorescent and Iridescent colours. This range is compatible with other Golden acrylic colours and mediums.

The greenish variation of this very powerful tinting versatile blue. Extends beautifully for glazes.

Golden High Flow Acrylic Paint is an ultra-thin acrylic paint that can go directly from bottle to airbrush, refillable marker, dip pen and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including drawing, staining, dripping, pouring, calligraphy and colour washes.

High Flow Acrylic offers a palette that includes many single pigment colours, as well as Fluorescent and Iridescent colours. This range is compatible with other Golden acrylic colours and mediums.

A mixture of Violet Oxide and Carbon black, this transparent colour has a very dark masstone that tints and glazes to a rich gold-brown.

Golden High Flow Acrylic Paint is an ultra-thin acrylic paint that can go directly from bottle to airbrush, refillable marker, dip pen and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including drawing, staining, dripping, pouring, calligraphy and colour washes.

High Flow Acrylic offers a palette that includes many single pigment colours, as well as Fluorescent and Iridescent colours. This range is compatible with other Golden acrylic colours and mediums.

One of our most popular glazing colours, the brown masstone belies the rich amber-red colours that come through in tints and glazes.

Golden High Flow Acrylic Paint is an ultra-thin acrylic paint that can go directly from bottle to airbrush, refillable marker, dip pen and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including drawing, staining, dripping, pouring, calligraphy and colour washes.

High Flow Acrylic offers a palette that includes many single pigment colours, as well as Fluorescent and Iridescent colours. This range is compatible with other Golden acrylic colours and mediums.

Fluorescent Colours are intense and brilliant, produced from dyes surrounded by a polymer coating. Greater intensity can be achieved by working over a bright white surface.

Golden High Flow Acrylic Paint is an ultra-thin acrylic paint that can go directly from bottle to airbrush, refillable marker, dip pen and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including drawing, staining, dripping, pouring, calligraphy and colour washes.

High Flow Acrylic offers a palette that includes many single pigment colours, as well as Fluorescent and Iridescent colours. This range is compatible with other Golden acrylic colours and mediums.

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6

Colour Index: 77891

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 4

Colour Index: 77947

Lightfastness: ASTM 1, 2

Opacity: Semi-opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6

Colour Index: 77891

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6, PY 184

Colour Index: 77891, N/A

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: Special blend of quinacridone and DPP

Colour Index: N/A

Lightfastness: ASTM 1, 2

Opacity: Transparent

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6, PR 112, PR 122

Colour Index: 77891, 12370, 73915

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PR 259, PBR 7, PB 15

Colour Index: N/A, 77492, 74160

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PB 29

Colour Index: 77007

Lightfastness: ASTM 1, 2

Opacity: Semi transparent

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PB 15:2, PR 177, PBK 7

Colour Index: 74160, 65300, 77266

Lightfastness: ASTM 1, 2

Opacity: Semi opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PB 35

Colour Index: 77368

Lightfastness: ASTM 1, 2

Opacity: Semi opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6, PB 29, PBK 7

Colour Index: 77891, 77007. 77266

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PB 16

Colour Index: 74100

Lightfastness: ASTM 1, 2

Opacity: Semi opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PY 128, PG 7, PY 42

Colour Index: 20037, 74260, 77492

Lightfastness: ASTM 1, 2

Opacity: Semi-transparent

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PG 23

Colour Index: 77009

Lightfastness: ASTM 1, 2

Opacity: Transparent

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PBR 7, PG 7

Colour Index: 77492, 74260

Lightfastness: ASTM 1, 2

Opacity: Semi-opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6, PY 42

Colour Index: 77891, 77492

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PY 43

Colour Index: 77492

Lightfastness: ASTM 1, 2

Opacity: Semi-opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PBR 7

Colour Index: 77492

Lightfastness: ASTM 1, 2

Opacity: Semi-opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PY 42, PR 112

Colour Index: 77492, 12370

Lightfastness: ASTM 1, 2

Opacity: Opaque