Easy to use and quick to dry, Reeves Acrylic Paints work on most surfaces. Grab a set or simply pick your colours and enjoy.

Pebeo Studio Acrylics are rich acrylic colours with high viscosity, providing excellent quality at an affordable price. Available in a range of colours, including some iridescent and fluorescent, they have a thick consistency, can retain brush or spatula marks, and dry to a satin finish.This is a 100ml tube of Pebeo Studio Acrylic in Burnt Sienna.

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PV 23, PV 19

Colour Index: 12321, 73900

Lightfastness: ASTM 1, 2

Opacity: Opaque

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PW 6, PY 42, PBR 7

Colour Index: 77891, 77492, 77492

Lightfastness: ASTM 1, 2

Opacity: Opaque

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.

The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.

Lascaux Artist is a high-quality acrylic paint applicable in art and decoration. This thick artist’s paint is suitable for all painting techniques, and lends itself to both indoor and outdoor use. Practically every nuance of colour is able to be attained with this balanced assortment of 54 hues. The outstanding colouristic properties of Lascaux Artist meets the highest of expectations.

Properties* maximum pigmentation* lightfast, age-resistant and non-yellowing* optimally weather-resistant* water-resistant when dry* very good film flexibility* minimal colour difference between wet and dry* semi-matt finish * consistency: smooth and thick * Opacity: ranges from transparent to opaque, depending upon colour tone (pigmentation)* painting properties: smooth buttery and soft* precision application with brush and palette-knife* adhesion: optimal on practically any fat-free surface* usage: highly concentrated and economicalApplication * for art and decoration* for all painting techniques* for indoor and outdoor use UsageLascaux Artist can be applied with any painting tool, either directly from the container or diluted with water. The result is a hard elastic colour film that can be painted over as desired – from delicate glazes to heavy impastos. Priming:We offer products for both rigid and flexible base coats (Lascaux Primers and Modelling Pastes) dependant upon the desired absorption level and texture.Mixing:With the use of the versatile Lascaux Acrylic painting agents, the properties of the paints can be adapted to all techniques, i.e., modifying gloss level, viscosity and structure. Transparency can be increased by mixing with impasto gels, whilst maintaining the thickness of the paint.Varnishing:All acrylic works can be permanently protected and rendered easy to clean with Lascaux Transparent Varnishes. A special transparent varnish with an UV-absorber is available for outdoor applications. Composition:Lascaux Artist consists of lightfast pigments and selected pure acrylics.

Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.

Pebeo Studio Acrylics are rich acrylic colours with high viscosity, providing excellent quality at an affordable price. Available in a range of colours, including some iridescent and fluorescent, they have a thick consistency, can retain brush or spatula marks, and dry to a satin finish.This is a 100ml tube of Pebeo Studio Acrylic in Neutral Grey.

Golden Fluid Acrylics are highly pigmented acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics.

Unlike mixtures of heavy-bodied paints and water which can produce weak colour and films by dilution, Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. Fluid Acrylics are ideal for spraying, brushing, pour painting techniques, and staining, and can be mixed with other Golden products. Blend with Golden Airbrush Medium for spray applications. Excellent for applying on fabrics.

Golden Fluid Acrylics are highly pigmented acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics.

Unlike mixtures of heavy-bodied paints and water which can produce weak colour and films by dilution, Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. Fluid Acrylics are ideal for spraying, brushing, pour painting techniques, and staining, and can be mixed with other Golden products. Blend with Golden Airbrush Medium for spray applications. Excellent for applying on fabrics.

Golden Heavy Body Acrylic Paint is the original line of Golden Artist Acrylic Colour and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist.

Golden Heavy Body Acrylics offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each colour is formulated differently depending on the nature of the pigment.

Please note: Golden place a high priority on the health and safety of the artist's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.

Golden Heavy Body Acrylic Paint is the original line of Golden Artist Acrylic Colour and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist.

Golden Heavy Body Acrylics offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each colour is formulated differently depending on the nature of the pigment.

Please note: Golden place a high priority on the health and safety of the artist's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.

Golden Heavy Body Acrylic Paint is the original line of Golden Artist Acrylic Colour and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist.

Golden Heavy Body Acrylics offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each colour is formulated differently depending on the nature of the pigment.

Please note: Golden place a high priority on the health and safety of the artist's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.

Golden Heavy Body Acrylic Paint is the original line of Golden Artist Acrylic Colour and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist.

Golden Heavy Body Acrylics offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each colour is formulated differently depending on the nature of the pigment.

Please note: Golden place a high priority on the health and safety of the artist's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.

Golden Heavy Body Acrylic Paint is the original line of Golden Artist Acrylic Colour and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist.

Golden Heavy Body Acrylics offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each colour is formulated differently depending on the nature of the pigment.

Please note: Golden place a high priority on the health and safety of the artist's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Iron Oxide Coated Mica Particles Opacity/Transparency: 3 Lightfastness Rating: N/A Permanency: Exc Colour index name: N/A Colour index number: Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 750-1000 CPS Gloss Average: 41.82 CIE L*a*b* Values: L*N/A a*N/A b*N/A Tint Strength: N/A

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Mixture Chemical Description:

Titanium Dioxide Coated Mica Particles Nickel Complex Azo Quinacridone

Opacity/Transparency: 6 Lightfastness Rating: N/A Permanency: Exc Colour index name: N/A / PY 150 / PR 206 Colour index number: / 12764 / 73903 Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 750-1000 CPS Gloss Average: 42.8 CIE L*a*b* Values: L*N/A a*N/A b*N/A Tint Strength: N/A

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: N/A Chemical Description: Titanium Dioxide coated Mica particles Opacity/Transparency:8 Lightfastness Rating: N/A Permanency: Excellent Colour index name: N/A Colour index number: N/A Munsell Notation Listing: Hue: N/A Value: N/A Chroma: N/A Spectrophotometer Readings: N/A Viscosity Range: 5000-6000 CPS PH Range: 8.7-9.0 Gloss Average: 32.5 CIE L*a*b* Values: N/A Tint Strength: N/A

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: N/A Chemical Description: Titanium Dioxide coated Mica particles Opacity/Transparency: 8 Lightfastness Rating: N/A Permanency: Excellent Colour index name: N/A Colour index number: N/A Munsell Notation Listing: Hue: N/A Value: N/A Chroma: N/A Spectrophotometer Readings: N/A Viscosity Range: 5000-6000 CPS PH Range: 8.7-9.0 Gloss Average: 30.86 CIE L*a*b* Values: N/A Tint Strength: N/A

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: N/A Chemical Description: Titanium Dioxide coated Mica particles Opacity/Transparency: 8 Lightfastness Rating: N/A Permanency: Excellent Colour index name: N/A Colour index number: N/A Munsell Notation Listing: Hue: N/A Value: N/A Chroma: N/A Spectrophotometer Readings: N/A Viscosity Range: 5000-6000 CPS PH Range: 8.7-9.0 Gloss Average: 35.61 CIE L*a*b* Values: N/A Tint Strength: N/A

119ml ThinnerGOLDEN OPEN Thinner is a water-based additive designed to thin the consistency of OPEN Acrylics without altering drying time, as well as maintaining and adjusting the workability of colours on the palette. OPEN Thinner can also function as a thin-bodied retarder when used with GOLDEN Heavy Body or Fluid Acrylics. OPEN Thinner contains no binders, does not form a film, and should never be used alone.PRODUCT APPLICATIONAdd sparingly to acrylic paints, starting at approximately 10 parts paint to 1 part OPEN Thinner.  Maximum addition is 3 parts paint to 1 part Thinner.OPEN Thinner should not be used in thick applications. Applications of more than 1/16” may result in:Excessively long drying periodsPersistently soft, higher tack feelTranslucent layers that remain cloudyUse with GOLDEN OPEN AcrylicsMaintaining Working PropertiesAs OPEN Acrylics dry, water and other volatile additives evaporate causing the paints to become stiffer with increased brush drag.  Adding small amounts of OPEN Thinner replenishes the volatile components, allowing the artist to maintain a long working time and to slow the paint from drying on the palette. It can be difficult to accurately gauge the evaporation rate of volatile ingredients during painting, so add sparingly. OPEN Thinner can be used to lower the viscosity of OPEN Acrylics while preserving maximum working timeUse with moderation. Over-additions of water or OPEN Thinner can result in a weak, underbound film.  PALETTE MANAGEMENTNon-Absorbent Palette During Working SessionsOPEN Acrylics will stay usable on a non-absorbent palette, such as glass or enamel butcher trays, for extended periods of hours and even days without using additional retarders or moisture-retaining inserts by simply covering the palette when not in use. However, depending on the environmental conditions, some thickening of OPEN Acrylics can occur in the course of painting.  Some artists have used this natural thickening of the paints as a method of creating a different working consistency without adding a medium.  When using non-absorbent palettes, the following guidelines will help maintain the working time and blendability of OPEN Acrylics:Mist with OPEN Thinner every 1-4 hours to avoid skinning of paint films.  Alternatively, mist with water every 15-30 minutes.Thin paint mixtures can also be reopened for 8-12 hrs. by applying any of the OPEN products and brushing back and forth until reactivated.Rewetting of OPEN Acrylic ColorsOPEN Acrylics can be reactivated for many hours after initial application, allowing for extended periods when multiple layers can be worked and blended into each other. To reopen films before they have fully locked down, apply OPEN Thinner directly to the paint film, brushing back and forth until the paint has been reconstituted. Even after OPEN paint films have initially set up and become tacky, they can still be reactivated, although more extended or vigorous brushing might be required.Left unattended, and under typical ambient conditions, a dollop of paint roughly the size of a small marble could exhibit noticeable surface thickening within 2-4 hrs.  However, if misting with OPEN Thinner, similarly sized dollops were still usable after 24 hrs., with only slight skinning due to a 12 hour period of drying overnight.Non-Absorbent Palettes Stored While Covered By simply covering a non-absorbent palette, such as an enameled butcher tray, or placing your palette in an enclosed storage container, even wet mixtures of OPEN Acrylics will stay soft and useable for many days if not weeks. If areas feel tacked up, small additions of OPEN Thinner should easily revive them.Misting the palette beforehand with either water or OPEN Thinner will further extend these periods as well as help mixtures of OPEN Acrylics with faster drying GOLDEN Acrylics stay useable. Although both OPEN Thinner and water alone are helpful, OPEN Thinner is generally more effective and is our recommendation.The ability of mixtures of regular GOLDEN and OPEN Acrylic Colors or Mediums to remain useable will be very dependent on the ratios of the mixtures and whether they have been misted with OPEN Thinner or covered with a layer of OPEN Medium. In most cases these should do quite well for a period of days. However, dollops of pure Fluid and Heavy Body Acrylics might become heavily skinned over or not usable during the same period.CLEANINGClean tools with soap and water. Keep tools wet while working.

Golden Phosphorescent Green is a water-based acrylic "glow in the dark" colour that can be applied to various surfaces. The unique pigment used in its formulation is characterised by its ability to absorb and store natural and artificial light. When the light source is removed (i.e.: when the lights are turned off or the painted object is taken into a dark area), a bright, greenish glow is emitted for up to 15 minutes. The glow steadily diminishes as the stored light energy is released. Can be brush-applied in the same manner as other acrylic paints. However, there are certain guidelines the artist must follow to maximise the intensity and duration of the glow. The glow time is directly related to the thickness of the applied medium, as well as the intensity, quality and time of exposure to the light source. Natural and artificial light sources can be used to "charge" the paint. Light sources rich in Ultraviolet (UV) are most effective. Mixing with acrylic paints will substantially diminish the glowing capability of the product. If colour is absolutely essential, the Fluorescent Paints diminish the glow the least. They must still be added very sparingly. Any paints applied over the top will also inhibit the glow. Even a transparent glaze will interrupt the charging capability. Can be blended with any of the Golden Gloss Gels or Mediums. Experimenting with different ratios of gel and Phosphorescent Green will produce different appearances. Blending the medium with Golden Gels that are thick, such as Heavy Gel or High Solid Gel, will allow a much thicker, one-coat application.

Golden Open Acrylic Colour has an extended drying time, allowing you to work with your paint for longer. These colours are very versatile: they can be used directly from the tube for traditional styles and plein air painting, or for monoprinting and screen printing.

Open colours are workable for a similar length of time as professional oil colours (up to 100 times the drying time of regular acrylic paint). Unlike oils, you can use them without any strong solvents. You can blend, soften, shade, glaze, and use fine detail, and the paint will remain workable and wet. The range has a slightly softer consistency than Golden Heavy Body paints.

Golden Open Acrylic Colour has an extended drying time, allowing you to work with your paint for longer. These colours are very versatile: they can be used directly from the tube for traditional styles and plein air painting, or for monoprinting and screen printing.

Open colours are workable for a similar length of time as professional oil colours (up to 100 times the drying time of regular acrylic paint). Unlike oils, you can use them without any strong solvents. You can blend, soften, shade, glaze, and use fine detail, and the paint will remain workable and wet. The range has a slightly softer consistency than Golden Heavy Body paints.

Golden Open Acrylic Colour has an extended drying time, allowing you to work with your paint for longer. These colours are very versatile: they can be used directly from the tube for traditional styles and plein air painting, or for monoprinting and screen printing.

Open colours are workable for a similar length of time as professional oil colours (up to 100 times the drying time of regular acrylic paint). Unlike oils, you can use them without any strong solvents. You can blend, soften, shade, glaze, and use fine detail, and the paint will remain workable and wet. The range has a slightly softer consistency than Golden Heavy Body paints.