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Arts & Crafts > Fine Art Supplies > Acrylic Painting > Acrylic Colour
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Vermilion.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Green.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Black.
Pebeo Studio Acrylics are rich acrylic colours with high viscosity, providing excellent quality at an affordable price. Available in a range of colours, including some iridescent and fluorescent, they have a thick consistency, can retain brush or spatula marks, and dry to a satin finish.This is a 100ml tube of Pebeo Studio Acrylic in Quinacridone Scarlet.
Pigment: PR122-PW6; Binder: Acrylic; Colour Lightfastness: Very good; Transparency: Opaque Pebeo Mat Pub is a range of opaque, fluid, matt acrylics that resemble acrylic gouache. They can be used on nearly all surfaces and have been popular with illustrators, designers and street artists since 1978.
Ivory Beige is a great natural color and is easy to use - either on its own or mixed with other colors.
This Bright Orange radiates energy and is a great contemporary color. This is the perfect paint for spaces where you want to create a mood that is lively and interactive.
Cyan Blue is an eye-catching greenish-blue that will look fantastic on murals, posters and banners. Mixes well with deep reds.
Light Pink is a traditional eye-catcher that will gather attention on large murals or posters. When mixed, it can provide nuanced tones.
Fluorescent Yellow can add brightest or interest to a piece and allows for bold, eye-catching highlights.
With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power.
With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power. |
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