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Arts & Crafts > Fine Art Supplies > Acrylic Painting > Acrylic Colour
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Purple.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Violet.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Metal Bronze.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Pewter.
Old Holland have developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours that are free from any kind of additives and filler. They have the maximum possible pigment content and a minimum colour shift between wet and dry. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment.As the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.This is a 60ml tube of Old Holland New Masters Acrylic in Iridescent Bright Gold.
PY42/PR101/PBk11, Series 1, Opaque, Excellent LightfastnessProfessional quality colour with great value for money for beginners and users of large quantitiesWide colour range of 62 shadesUse of high-quality artists' pigmentsHigh colour intensity, brilliance and light-fastnessHigh elasticity, tensile strength adhesion by using high quality acrylateMedium consistency for a wide range of applicationsQuick drying, water dilutable
Professional quality colour with great value for money for beginners and users of large quantitiesWide colour range of 62 shadesUse of high-qulaity artists' pigmentsHigh colour intensity, brilliance and light-fastnessHigh elasticity, tensile strength adhesion by using high quality acrylateMedium consistency for a wide range of applicationsQuick drying, water dilutable
PB15:1, Series 1, Semi-opaque, Excellent LightfastnessProfessional quality colour with great value for money for beginners and users of large quantitiesWide colour range of 62 shadesUse of high-quality artists' pigmentsHigh colour intensity, brilliance and light-fastnessHigh elasticity, tensile strength adhesion by using high quality acrylateMedium consistency for a wide range of applicationsQuick drying, water dilutable
PY83/PG7/PBk11, Series 1, Semi-opaque, Good LightfastnessProfessional quality colour with great value for money for beginners and users of large quantitiesWide colour range of 62 shadesUse of high-quality artists' pigmentsHigh colour intensity, brilliance and light-fastnessHigh elasticity, tensile strength adhesion by using high quality acrylateMedium consistency for a wide range of applicationsQuick drying, water dilutable
PR146/PG7/PBk11, Series 1, Opaque, Good LightfastnessProfessional quality colour with great value for money for beginners and users of large quantitiesWide colour range of 62 shadesUse of high-quality artists' pigmentsHigh colour intensity, brilliance and light-fastnessHigh elasticity, tensile strength adhesion by using high quality acrylateMedium consistency for a wide range of applicationsQuick drying, water dilutable
This light green is great for producing natural tones and blending with other colors. This is the perfect paint for spaces where you want to create a mood that is light and atmospheric.
With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power. All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss. All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable. |
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