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Arts & Crafts > Fine Art Supplies > Acrylic Painting > Acrylic Colour
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.
By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing. |
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