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Arts & Crafts > Fine Art Supplies > Acrylic Painting > Acrylic Colour
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Fluorescent Acrylics Colours are intense, brilliant colours, produced from dyes surrounded by a polymer coating. Because fluorescent colours are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colours are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Light Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light.
Golden Phosphorescent Green is a water-based acrylic "glow in the dark" colour that can be applied to various surfaces. The unique pigment used in its formulation is characterised by its ability to absorb and store natural and artificial light. When the light source is removed (i.e.: when the lights are turned off or the painted object is taken into a dark area), a bright, greenish glow is emitted for up to 15 minutes. The glow steadily diminishes as the stored light energy is released. Can be brush-applied in the same manner as other acrylic paints. However, there are certain guidelines the artist must follow to maximise the intensity and duration of the glow. The glow time is directly related to the thickness of the applied medium, as well as the intensity, quality and time of exposure to the light source. Natural and artificial light sources can be used to "charge" the paint. Light sources rich in Ultraviolet (UV) are most effective. Mixing with acrylic paints will substantially diminish the glowing capability of the product. If colour is absolutely essential, the Fluorescent Paints diminish the glow the least. They must still be added very sparingly. Any paints applied over the top will also inhibit the glow. Even a transparent glaze will interrupt the charging capability. Can be blended with any of the Golden Gloss Gels or Mediums. Experimenting with different ratios of gel and Phosphorescent Green will produce different appearances. Blending the medium with Golden Gels that are thick, such as Heavy Gel or High Solid Gel, will allow a much thicker, one-coat application.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
Golden Heavy Body Acrylic colours is the original line of Golden Artist Acrylic Colour, and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100 per cent acrylic emulsion vehicle available to the professional artist. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners or dyes added. Each Heavy Body colour is formulated differently depending on the nature of the pigment.Please note - Golden place a high priority on the health and safety of the artists's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.This is a 60ml tube of Golden : Heavy Body Acrylic Paint in Benzimidazolone Yellow Medium III.
Golden Heavy Body Acrylic colours is the original line of Golden Artist Acrylic Colour, and is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100 per cent acrylic emulsion vehicle available to the professional artist. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners or dyes added. Each Heavy Body colour is formulated differently depending on the nature of the pigment.Please note - Golden place a high priority on the health and safety of the artists's studio and materials. They feel the artists should be aware of any potential hazards so Golden far surpass the required quantity of health and safety advice on their labels. Their products are not more dangerous, just more accurately labelled.This is a 60ml tube of Golden : Heavy Body Acrylic Paint in Benzimidazolone Yellow Light III.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.
These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency. |
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