Dala Acrylic Texture Paste is a thick, off-white acrylic medium used to add body to paint, as well as enhance its depth and structure. Texture paste is used to exaggerate textures and colours within artworks. Available in fine and coarse varieties

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 500ml bottle of Vallejo Pouring Medium.

A low viscosity medium used for thin fast drying layering techniques. It can also be used on its own to seal and reinforce a paint layer in preparation for scratch back, glazing or varnishing. It also returns the Atelier Interactive to a more conventional acrylic.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

A paint additive designed to slow down the drying time of acrylic paint. It may be added to other Atelier mediums to increase open time. Note: Retarder does not contain a binding agent so to avoid creating an unstable mixture, it is recommended to mix no more than 10% with acrylic paints.pdf=MSDS-Atelier-Retarder-Medium.pdf Safety Data Sheet

A very thick and textural paste made from calcite grit. It has the same flexibility as the paint and is used to create strong textural interest at any stage in a painting's process. Dries white and can be mixed with the paint to produce a coloured ground, or painted over once dry.

A thick, fast drying, waterbased acrylic gel, designed to exaggerate structure and sharpen textural edges of the paint - great for Impasto. It can be used as a very strong adhesive for bonding heavy objects. Can be mixed with the paint, overpainted once dry, or applied on top of a paint layer for a transparent textural effect. Milky in appearance but will become transparent once dry.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Heavy-Gel-Gloss.pdf Safety Data Sheet

Ateliers Universal Medium is a medium and varnish rolled into one.How To Use As a MediumThere are too many mediums on offer for use with acrylics. This medium does nearly all of the techniques that you could need if you are painting in fast quick layers. However, if you want heavy impasto you will still need to use Heavy Gel or Moulding Paste.Decant some of the concentrate into a small container that you can dip your brush into.You will like the feel of the paint when the medium is added to it and you will notice that it allows you to blend and feather edges very effectively because the medium is not sticky on the brush.Small additions to thick paint will loosen the consistency while more medium creates a very attractive glazing or layering mixture which can be over painted when touch dry.How To Use As A VarnishSolvent based varnish has a strong smell because of the turps, but usually looks better than a water based one and is easy to apply.The Atelier Interactive Universal Medium/Varnish when used as a water based varnish is comparable to solvent varnish. It is very easy to apply. It gives the colour saturation and enhancement of a good solvent based varnish. By adding water to the concentrate different levels of sheen can be created between low sheen and high gloss.Artists should experiment with color swatches to decide on the finishes that they prefer.Apply a seal coat one part varnish two parts water. This allows the varnish to penetrate and seal the paint layer so that a more concentrated varnish can be spread easily when the seal coat is dry.If you want a high gloss finish the full concentrate can be used over the seal coat and two or more coats can be used to exaggerate gloss as required.For a subtle finish you might decide that the seal coat is all that you need or you might apply another diluted coat to create a satin finish which is more attractive than a satin varnish containing a flatting agent.How To ApplyPlace your painting in a sloping position so that you can pick up the runs or dribbles. You can work back and forth while the varnish is wet because it does not catch on the brush.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Formerly known as Satin Medium & Varnish this water-based non toxic varnish, can either be used as a medium to change the sheen level - or to provide a non-tacky protective varnish coating.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Vallejo Thick Pouring Medium is a fluid, self-levelling medium that is ideal for dripping, pouring, and direct application on large surfaces. Designed for use with fluid acrylics and acrylic inks, it dries to a clear, glossy finish which is permanent, non-yellowing, and water-resistant when dry. It can also be used as a final high gloss varnish.Its new formulation makes it perfect for creating cells in paint pours without the use of Floetrol. You can also mix Pouring Medium with silicone oil for complex cell effects. It can also be mixed with acrylic and fluid colours to obtain a lacquer finish. Available in 500ml, 1000ml & 5000ml.

Vallejo Thick Pouring Medium is a fluid, self-levelling medium that is ideal for dripping, pouring, and direct application on large surfaces. Designed for use with fluid acrylics and acrylic inks, it dries to a clear, glossy finish which is permanent, non-yellowing, and water-resistant when dry. It can also be used as a final high gloss varnish.Its new formulation makes it perfect for creating cells in paint pours without the use of Floetrol. You can also mix Pouring Medium with silicone oil for complex cell effects. It can also be mixed with acrylic and fluid colours to obtain a lacquer finish. Available in 500ml, 1000ml & 5000ml.

Works in the same way as the more fluid Slow Medium (extending wet-in-wet blending time), but with its more paint like consistency it can be used for spreading and diluting paint without making it too thin or runny.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended, as this sand is quite heavy. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Lang Lang Sand is a naturally occurring mineral mined in South Gippsland in Victoria. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media or the finest grade on collograph plates. Mix with Impasto Medium, Gel Medium, Polymer Matte, Satin or Glass Varnish, and Matt Gel Medium. For best results, do not make the mix too dry - never more than 50%. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Weipa Calcined Bauxite has a particularly interesting earthy colour mix. This extremely hard mineral is mined at Weipa in Far North Queensland. Calcinated Bauxite can be used in mixed media, collography and collage as well as for adding texture to paintings. It is extremely hard. Mix with impasto medium, gel medium or mett gel medium to create texture; for the best adhesion it is important not to make the mix too dry.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Principally Silicon Dioxide, these glass beads are completely spherical and smooth. They can be used as part of paintings, collages and collographs, for effects and texture. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 5000ml bottle of Vallejo Pouring Medium.

Extra heavy acrylic gel of extremely high viscosity. Dries translucent and completely matt. Avoid freezing. Formula 100% Acrylic and U.V. resistant. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Extra_Heavy_Gel_Matt.pdf Material Safety Data Sheet

Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than adding more medium because if too much medium is added the paint will become tacky.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=AI-Slow-Medium-Nov-2013.pdf Safety Data Sheet

Increases drying time. Can be applied onto surface to be painted or mixed (maximum 10%) with acrylic colour. Will increase colour transparency if mixed with paint. Conforms to USA Standard ASTM D-4238pdf=Retarder.pdf Material Safety Data Sheet 

Shake well before use. Quick drying, flexible and UV resistant. Use to thin paint for increased gloss, flow and transparency. Do not use as a final varnish. Made from 100% acrylic resin. Conforms to USA Standard ASTM D-4238pdf=Fluid_Gloss_Medium.pdf Material Safety Data Sheet

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ferrous Powder can be used for highlighting and decorating works and making magnetic coatings. Use on paintings and mixed media. Mix with a gloss, matt or satin medium for your desired look and seal with a varnish. Avoid sprinkling as large amounts may cause the canvas to sag. Read more about this medium in this Jackson's Art blog post.

Transparent gel for use with acrylic colour to increase viscosity and transparency. Apply straight to canvas for heavy impasto. Retards the drying time of colours. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Gel_Medium.pdf Material Safety Data Sheet