Artecho Acrylic Flow Medium Excellent Quality. About this item: A quality Artecho premium acrylic flow medium 64oz / 1890ml, translucent liquid, visual bottle, easy to see how much you’re using. Mix this medium with acrylic paint to reduce the viscosity and brush stroke, create great glazes, and increase the flowability, smoothness, transparency, and brightness of the paint. Adding enough of this medium to acrylic paint makes acrylic pouring paint easy, and pouring the paint on canvas, board, stone, etc is a breeze. Go and create your art! Once your painting or artwork is finished and dried, you can use this medium on the surface for keeping your artwork glossy, crisp colours and longer lasting. Contains small parts, not suitable for children under 3 years old. Conforms to ASTM D-4236 and EN 71-3.

Extra heavy acrylic gel of extremely high viscosity. Dries translucent and glossy. Avoid freezing. Formula 100% Acrylic and U.V. resistant. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Extra_Heavy_Gel_Gloss.pdf Material Safety Data Sheet

Artecho Acrylic Flow Medium - Premium Quality. Introducing Artecho's premium acrylic flow medium, available in an 8oz / 236ml translucent bottle for easy monitoring of usage. This versatile medium is designed to be mixed with acrylic paint, effectively reducing viscosity and brush strokes while enhancing glazes and flowability. Achieve smoother, more transparent, and brighter paint finishes effortlessly. By incorporating this medium into your acrylic paint, you can easily create stunning poured paintings on various surfaces such as canvas, board, or stone. Unleash your creativity and bring your artwork to life. After your masterpiece has dried, utilize this medium to maintain its glossy finish and ensure longevity. Safety is a priority; please note that this product is not suitable for children under 3 years old. It conforms to ASTM D-4236 and EN 71-3 safety standards. The perfect gift for painting enthusiasts, whether beginners or professionals, Artecho acrylic paints are ideal for a wide range of applications, including Christmas decorations, outdoor and indoor décor. Give the gift of artistic expression for birthdays, Christmas, Thanksgiving, and more.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Increases the viscosity and transparency of your paint, while reducing the gloss. Providing more texture and dimension to your work

A colourless liquid that is added to acrylic colour to reduce its viscosity and enhance its flow. Flow Enhancer is best added directly to colour in small quantities until the desired flow characteristics are achieved.

The Daler-Rowney Simply Mediums are the perfect complement to the Simply range of acrylic, oil and watercolour colours and is designed to answer all your needs, in the simplest way!
This Mother of Pearl Medium is a milky white acrylic gel that dries silvery-white and slightly transparent with an intense mother-of-pearl shimmer.

A very thick and textural paste made from calcite grit. It has the same flexibility as the paint and is used to create strong textural interest at any stage in a painting's process. Dries white and can be mixed with the paint to produce a coloured ground, or painted over once dry.

The Daler-Rowney Simply Mediums are the perfect complement to the Simply range of acrylic, oil and watercolour colours and is designed to answer all your needs, in the simplest way!
The Textured Medium is a thick paste which is used to build up heavy layers of texture. It dries to a matt white finish which is ideal for over painting with acrylic colour.

Daler Rowney : Acrylic Medium : Texture Paste : 250ml

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Principally Silicon Dioxide, these glass beads are completely spherical and smooth. They can be used as part of paintings, collages and collographs, for effects and texture. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

A general purpose mid viscosity medium that adds translucency and increases gloss to your acrylic paints. It will extend your colours making them flow much easier which is ideal for glazing techniques. It can be mixed with the paint as a medium or used to seal a paint layer before overpainting.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Gloss-Medium.pdf Safety Data Sheet

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. This deep red transparent gemstone has an attractive glowing rich red colour. Glaze or varnish to achieve even deeper colour. Crushed garnet is an especially hard stone. It is suitable for texture for paintings, collage or collography. Read more about this medium in this Jackson's Art blog post.

A superior quality UV resistant artists; satin varnish removable with Artists; White Spirit or Distilled Turpentine. Quick drying. Non-yellowing. Does not bloom or crack. Do not use until painting is completely dry (6-12 months). Shake well before use. Do not use as a medium.

Ensures no colour shift from wet to dry when used with Winsor & Newton Professional Acrylic; Increases flow, maintains stability; Slows drying; Increases levelling; Pre-mix with water up to 10%, then mix with colour.

Pumice is vesiculated volcanic glass. Its rough texture and weightlessness lends itself to creating texture on paintings, particularly on large canvases. Can be mixed with the following Derivan Matisse mediums up to 30%: Impasto Medium, Gel Medium, Polymer Matt Varnish (Water-based), Polymer Gloss Varnish (Water-based), Polymer Satin Varnish, Matt Gel Medium.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are important. A flow enhancer that improves the flow, absorption and blending of any water-soluble paint (i.e. acrylic paint), medium, ink or dye. Minimizes brush marks by reducing friction of paint application. Does not contain binder. Over thinning of acrylic paint with Liquitex Flow-AidTM and applying to a non-absorbent surface (i.e. gessoed canvas) may result in poor adhesion. Always make a test piece for your particular application and surface. On non-absorbent surfaces, will increase the fluidity and open (drying) time of the paint. On absorbent surfaces, will act as a stain, dye or watercolor. Directions Liquitex Flow-AidTM is a concentrate. Dilute with water before mixing into paint. Distilled water is best, since quality of tap water varies. Minimum dilution: 1 part Liquitex Flow-Aid to 10 parts distilled water to achieve Flow-Aid Water. Normal dilution: 1 part Liquitex Flow-Aid to 20 parts distilled water to achieve Flow-Aid Water. Do not use undiluted. Using undiluted may result in poor paint adhesion, cause paint to crack, remain tacky and become water sensitive. Do not shake or rapidly stir. This will increase foaming of Liquitex Flow-Aid. Wait until foaming has subsided before using. Absorbent surfaces: Use as much Liquitex Flow-Aid as necessary. The Flow-Aid water/paint mixture will be absorbed by the support. Mix Liquitex Flow-Aid water into water based paint. Do not mix Liquitex Flow-Aid with turpentine or oil paint. Do not use Liquitex Flow-Aid in marbling, as this technique requires that the surface tension of the water film be maintained. Application Liquitex® Paint Additives are similar to acrylic mediums in that they are mixed into acrylic paint and acrylic mediums to change consistency, thickness, transparency, sheen, drying time and absorption rate. However, they are different in that they do not contain acrylic polymer emulsion and therefore have no binding qualities inherent in them. pdf=liqflows.pdf Liquitex Flow Aid Safety DataPlease note: due to trading agreements we are unable to ship this product outside of the UK and EU.