Dala Gloss Glaze Medium is an off - white, pure acrylic medium that can be added to acrylic paint to enhance the glossy sheen of the paint, as well as the colour brilliance. It increases the paints depth, trasparency and flow. It can also be used to dilute the paint for painting thin but vibrant glazes.

Dala Acrylic Flow Medium is a liquid diluent and binder formulated for use in conjunction with Dala Flow Acrylic and Dala Craft paints.

Adding this medium to either paint variety will dilute the paint, giving the paint fluid dynamics for the creation of stunning fluid acrylic / pouring acrylic artworks.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended, as this sand is quite heavy. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Lang Lang Sand is a naturally occurring mineral mined in South Gippsland in Victoria. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media or the finest grade on collograph plates. Mix with Impasto Medium, Gel Medium, Polymer Matte, Satin or Glass Varnish, and Matt Gel Medium. For best results, do not make the mix too dry - never more than 50%. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 500ml bottle of Vallejo Pouring Medium.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. It is especially good for producing cell-like effects. Acrylic pouring involves pre-mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

Achieving a 'cell' effect is popular with pour painters and can be achieved by using just a pouring medium (and perhaps a splash of water), but most pouring mediums bind too well to the paints. Silicone is the key to creating dynamic cells in your paintings and this medium helps you achieve that - without the cracking that is usually associated with silicone and pour painting. Silicone to be the best type of lubricant for acrylic pouring because it’s predictable, neutral, and durable. It’s easy to manipulate, unlike water. It doesn’t affect colour or turn rancid like many natural oils.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thinner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease-free, slightly absorbent and stable.

Suitable for use with Tri-Art Silicone Oil Cell Flow Medium. or Vallejo Silicone Oil Cell Flow Medium.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes. This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done. This is a 500ml bottle of Schmincke Pouring Medium for use with acrylic pouring.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Golden Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for "wet in wet" techniques and reducing skinning on the palette.

Golden High Flow Medium (formerly Airbrush Transparent Extender) is a liquid medium useful for extending colors, decreasing gloss, and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

We generally do not recommend using Airbrush Medium with the pre-made Golden Airbrush Colors because this creates a very slow-drying, potentially weaker paint film, with poor frisket performance (color sticking to frisket or masking films) until the film sufficiently dries. When frisketing is of critical importance, use Golden High Flow Medium to dilute the airbrush colors or other acrylics.

High Flow Medium is recommended whenever a mixture requires airbrush medium additions greater than 2 parts medium to 1 part paint. This will yield a paint system that dries quickly, ‘friskets’ well, and has excellent sprayability.

Additional Tips:
Paint on any non-oily surface. Remove oils, grease, or other contaminants before application. Non-absorbent surfaces should be abraded for increased adhesion. Keep tools wet during use. Do not allow product to dry in airbrush. Clean tools with soap and water. Clean airbrush with water, ammonia/water, alcohol or miscellaneous household cleaners (however, consider effect of cleaner on airbrush parts, such as rings and seals).

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

Vallejo Thick Pouring Medium is a fluid, self-levelling medium that is ideal for dripping, pouring, and direct application on large surfaces. Designed for use with fluid acrylics and acrylic inks, it dries to a clear, glossy finish which is permanent, non-yellowing, and water-resistant when dry. It can also be used as a final high gloss varnish.Its new formulation makes it perfect for creating cells in paint pours without the use of Floetrol. You can also mix Pouring Medium with silicone oil for complex cell effects. It can also be mixed with acrylic and fluid colours to obtain a lacquer finish. Available in 500ml, 1000ml & 5000ml.

Vallejo Thick Pouring Medium is a fluid, self-levelling medium that is ideal for dripping, pouring, and direct application on large surfaces. Designed for use with fluid acrylics and acrylic inks, it dries to a clear, glossy finish which is permanent, non-yellowing, and water-resistant when dry. It can also be used as a final high gloss varnish.Its new formulation makes it perfect for creating cells in paint pours without the use of Floetrol. You can also mix Pouring Medium with silicone oil for complex cell effects. It can also be mixed with acrylic and fluid colours to obtain a lacquer finish. Available in 500ml, 1000ml & 5000ml.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Weipa Calcined Bauxite has a particularly interesting earthy colour mix. This extremely hard mineral is mined at Weipa in Far North Queensland. Calcinated Bauxite can be used in mixed media, collography and collage as well as for adding texture to paintings. It is extremely hard. Mix with impasto medium, gel medium or mett gel medium to create texture; for the best adhesion it is important not to make the mix too dry.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Principally Silicon Dioxide, these glass beads are completely spherical and smooth. They can be used as part of paintings, collages and collographs, for effects and texture. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. It is especially good for producing cell-like effects. Acrylic pouring involves pre-mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

Achieving a 'cell' effect is popular with pour painters and can be achieved by using just a pouring medium (and perhaps a splash of water), but most pouring mediums bind too well to the paints. Silicone is the key to creating dynamic cells in your paintings and this medium helps you achieve that - without the cracking that is usually associated with silicone and pour painting. Silicone to be the best type of lubricant for acrylic pouring because it’s predictable, neutral, and durable. It’s easy to manipulate, unlike water. It doesn’t affect colour or turn rancid like many natural oils.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thinner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease-free, slightly absorbent and stable.

Suitable for use with Tri-Art Silicone Oil Cell Flow Medium. or Vallejo Silicone Oil Cell Flow Medium.

Golden Acrylic Medium : GAC 900 3.78litre : for mixing with colour to create a heat-set fabric paint.

Designed to be used as a modifier for acrylic paints for painting on clothing. Offers a soft, pliable feel and when properly heat-set, provides excellent laundering stability.

Blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.
Mix with GOLDEN Airbrush Colors for "Tie-Dye" effects.

Note: The heat-setting process will release low levels of formaldehyde; therefore it is imperative that adequate ventilation be provided.

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 5000ml bottle of Vallejo Pouring Medium.

Extra heavy acrylic gel of extremely high viscosity. Dries translucent and completely matt. Avoid freezing. Formula 100% Acrylic and U.V. resistant. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Extra_Heavy_Gel_Matt.pdf Material Safety Data Sheet

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. The acicular particle shape of Wollastonite lends itself to creating texture from ready-made paints such as Matisse background for pastels or mixing with Polymer Gloss Varnish, to create areas of texture on a canvas or painting. Mix up to 20-50% Wollastonite to gesso paint to create a superb textured surface for pastels and charcoal. Wollastonite produces a more uneven texture than Ground Quartz, therefore giving a great ground for harder pastels (use Ground Quartz for soft pastels). Wollastonite is ideal for acrylic paints due to its alkaline properties. Add varnishes and mediums to create texture in paintings on canvas.Read more about this medium in this Jackson's Art blog post.

Increases drying time. Can be applied onto surface to be painted or mixed (maximum 10%) with acrylic colour. Will increase colour transparency if mixed with paint. Conforms to USA Standard ASTM D-4238pdf=Retarder.pdf Material Safety Data Sheet