Dala Acrylic Texture Paste is a thick, off-white acrylic medium used to add body to paint, as well as enhance its depth and structure. Texture paste is used to exaggerate textures and colours within artworks. Available in fine and coarse varieties

Dala Acrylic Retarder is a clear, liquid medium that is used to extend the drying time of acrylic paint. Added straight to the paint, it can be used to mix colours on the canvas surface, as well as creating smooth blending effects.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Weipa Calcined Bauxite has a particularly interesting earthy colour mix. This extremely hard mineral is mined at Weipa in Far North Queensland. Calcinated Bauxite can be used in mixed media, collography and collage as well as for adding texture to paintings. It is extremely hard. Mix with impasto medium, gel medium or mett gel medium to create texture; for the best adhesion it is important not to make the mix too dry.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Principally Silicon Dioxide, these glass beads are completely spherical and smooth. They can be used as part of paintings, collages and collographs, for effects and texture. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended, as this sand is quite heavy. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. The acicular particle shape of Wollastonite lends itself to creating texture from ready-made paints such as Matisse background for pastels or mixing with Polymer Gloss Varnish, to create areas of texture on a canvas or painting. Mix up to 20-50% Wollastonite to gesso paint to create a superb textured surface for pastels and charcoal. Wollastonite produces a more uneven texture than Ground Quartz, therefore giving a great ground for harder pastels (use Ground Quartz for soft pastels). Wollastonite is ideal for acrylic paints due to its alkaline properties. Add varnishes and mediums to create texture in paintings on canvas.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. This deep red transparent gemstone has an attractive glowing rich red colour. Glaze or varnish to achieve even deeper colour. Crushed garnet is an especially hard stone. It is suitable for texture for paintings, collage or collography. Read more about this medium in this Jackson's Art blog post.

A specifically designed sprayer which produces a controlled fine mist intended to keep Atelier Interactive workable for as long as desired. Ideal for wet-in-wet techniques.When to spray?As the paint starts to dry you will feel your brush begin to drag. This means it is time to spray if you want to keep the paint wet and workable.How to spray?Hold the bottle back about 30cm from the painting and lightly mist the area you want to keep wet. The painting surface should not be physically disturbed by the water droplets so if you are getting large droplets or big dribbles then you are spraying too much.What if the paint won’t re-wet?After the paint has just dried it can still be reactivated with water but after about an hour, depending on the climate and paint thickness, you will need to use Unlocking Formula in your water sprayer to re-wet the paint.Note: For larger works you may need to upsize your sprayer in which case be sure to get one that delivers a fine mist of water and not a jet of heavy droplets.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ferrous Powder can be used for highlighting and decorating works and making magnetic coatings. Use on paintings and mixed media. Mix with a gloss, matt or satin medium for your desired look and seal with a varnish. Avoid sprinkling as large amounts may cause the canvas to sag. Read more about this medium in this Jackson's Art blog post.

M. Graham Gloss Medium is a crystal clear, water-soluble, permanent final coating for acrylic paintings that will not crack or yellow. Used as a medium, it increases transparency, flow and gloss for traditional glazing techniques.

Gloss Medium is concentrated and increases the adhesion, flexibility and durability of the paint film. It is recommended over water alone because excessive use of water as a diluent decreases the strength of the acrylic film. To thin acrylic color, make a mixture of 50% water to medium and add to color until desired consistency is achieved.

M. Graham Acrylic Matt Medium contains environmentally-friendly matting agents which create a low sheen effect with acrylic colors.

This Matt Medium is concentrated and increases the adhesion, flexibility and durability of the paint film. It is recommended over water alone because excessive use of water as a diluent decreases the strength of the acrylic film. To thin acrylic color, make a mixture of 50% water to medium and add to your paint until desired consistency is achieved.

Designed to produce an even film with excellent clarity. The gel has a unique resinous, stringy consistency resulting from the leveling property. This product dries to a flexible, high gloss film, which can increase the transparency and sheen, while imparting a leveling quality to other Golden Acrylic products. Blends with Golden Acrylic colors to produce glazes.

Golden Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for "wet in wet" techniques and reducing skinning on the palette.

Formerly known as Satin Medium & Varnish this water-based non toxic varnish, can either be used as a medium to change the sheen level - or to provide a non-tacky protective varnish coating.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Golden Isolation Coat is meant to be applied between acrylic colour and removable varnish.

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Lang Lang Sand is a naturally occurring mineral mined in South Gippsland in Victoria. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media or the finest grade on collograph plates. Mix with Impasto Medium, Gel Medium, Polymer Matte, Satin or Glass Varnish, and Matt Gel Medium. For best results, do not make the mix too dry - never more than 50%. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

Thicker consistency than Golden Heavy Body Acrylic colours. Blend with colours to increase body. Good for holding peaks. Dries translucent.Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilize the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ground marble (crystalline calcium carbonate) can be mixed directly with paint, to add bulk without changing the colour and while retaining the elements that allow the paint to harden. A white transparent powder, it mixes successfully with any Matisse or Derivan medium. Larger proportions make the paint a little stringy, and this feature can be manipulated to give interesting results. Weathers well outdoors and is suitable for paintings, collage, mixed media, and on collograph plates. Use as much as needed to create effect desired. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended.Read more about this medium in this Jackson's Art blog post.

A general purpose mid viscosity medium that adds translucency and increases gloss to your acrylic paints. It will extend your colours making them flow much easier which is ideal for glazing techniques. It can be mixed with the paint as a medium or used to seal a paint layer before overpainting.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Gloss-Medium.pdf Safety Data Sheet

A waterbased acrylic emulsion, which can be used straight from the bottle or thinned with water 1:1 to seal most surfaces. Atelier Binder Medium can be used as a sizing on canvas or cotton duck to seal the surface and prevent absorption of paint into the fabric. Mix with paint to dilute colour without losing intensity. Use neat between dry paint layers to seal or mix with Atelier Interactive for fast drying acrylic techniques.pdf=MSDS-Atelier-Binder-Medium.pdf Safety Data Sheet

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.