Dala Acrylic Texture Paste is a thick, off-white acrylic medium used to add body to paint, as well as enhance its depth and structure. Texture paste is used to exaggerate textures and colours within artworks. Available in fine and coarse varieties

Dala Acrylic Retarder is a clear, liquid medium that is used to extend the drying time of acrylic paint. Added straight to the paint, it can be used to mix colours on the canvas surface, as well as creating smooth blending effects.

Dala Acrylic Thickener is the medium to use when a thicker paint consistency is required. This aids in registration and prevents bleeding. Add small amounts to any Dala water based product.

Dala Acrylic Matt Glaze Medium is a pure acrylic medium that can be added to acrylic paint to reduce the glossy sheen of the paint, and can also be applied as a last layer/ varnish painted over the acrylic paint.

Dala Acrylic Retarder is a clear, liquid medium that is used to extend the drying time of acrylic paint. Added straight to the paint, it can be used to mix colours on the canvas surface, as well as creating smooth blending effects.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ground marble (crystalline calcium carbonate) can be mixed directly with paint, to add bulk without changing the colour and while retaining the elements that allow the paint to harden. A white transparent powder, it mixes successfully with any Matisse or Derivan medium. Larger proportions make the paint a little stringy, and this feature can be manipulated to give interesting results. Weathers well outdoors and is suitable for paintings, collage, mixed media, and on collograph plates. Use as much as needed to create effect desired. Read more about this medium in this Jackson's Art blog post.

A waterbased acrylic emulsion, which can be used straight from the bottle or thinned with water 1:1 to seal most surfaces. Atelier Binder Medium can be used as a sizing on canvas or cotton duck to seal the surface and prevent absorption of paint into the fabric. Mix with paint to dilute colour without losing intensity. Use neat between dry paint layers to seal or mix with Atelier Interactive for fast drying acrylic techniques.pdf=MSDS-Atelier-Binder-Medium.pdf Safety Data Sheet

A general purpose mid viscosity medium that adds translucency and increases gloss to your acrylic paints. It will extend your colours making them flow much easier which is ideal for glazing techniques. It can be mixed with the paint as a medium or used to seal a paint layer before overpainting.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Gloss-Medium.pdf Safety Data Sheet

Golden Isolation Coat is meant to be applied between acrylic colour and removable varnish.

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Lang Lang Sand is a naturally occurring mineral mined in South Gippsland in Victoria. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media or the finest grade on collograph plates. Mix with Impasto Medium, Gel Medium, Polymer Matte, Satin or Glass Varnish, and Matt Gel Medium. For best results, do not make the mix too dry - never more than 50%. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes. This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done. This is a 500ml bottle of Schmincke Pouring Medium for use with acrylic pouring.

Pebeo Studio Acrylic Pouring Medium is ideal for creating clean and lacquered pouring techniques.

Glossy, transparent and non-yellowing, this allows your paint to pour smoothly onto your surface in even, seamless sheets and puddles, without cracks or bubbles.

Low crazing extender for pouring Acrylic colours.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Low crazing extender for pouring Acrylic colours.

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 500ml bottle of Vallejo Pouring Medium.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Low crazing extender for pouring Acrylic colours.

Low crazing extender for pouring Acrylic colours.

Golden High Flow Medium (formerly Airbrush Transparent Extender) is a liquid medium useful for extending colors, decreasing gloss, and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

We generally do not recommend using Airbrush Medium with the pre-made Golden Airbrush Colors because this creates a very slow-drying, potentially weaker paint film, with poor frisket performance (color sticking to frisket or masking films) until the film sufficiently dries. When frisketing is of critical importance, use Golden High Flow Medium to dilute the airbrush colors or other acrylics.

High Flow Medium is recommended whenever a mixture requires airbrush medium additions greater than 2 parts medium to 1 part paint. This will yield a paint system that dries quickly, ‘friskets’ well, and has excellent sprayability.

Additional Tips:
Paint on any non-oily surface. Remove oils, grease, or other contaminants before application. Non-absorbent surfaces should be abraded for increased adhesion. Keep tools wet during use. Do not allow product to dry in airbrush. Clean tools with soap and water. Clean airbrush with water, ammonia/water, alcohol or miscellaneous household cleaners (however, consider effect of cleaner on airbrush parts, such as rings and seals).

Low crazing extender for pouring Acrylic colours.

Low crazing extender for pouring Acrylic colours.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Hydrous aluminium potassium silicate. These shiny pearlescent flakes make a durable yet flexible layer on the painted surface. The thin flakes are strong and tough. They present an inert and flexible layer that has excellent exterior durability as well as an attractive and shiny, pearlescent appearance. To retain their shimmer, mix Mica Flake with either a gel medium, or gloss varnish and gloss medium. Sprinkle small amounts of Matisse Mica Flake finely onto wet medium for maximum glistening effect. For textural effects on paintings and collage, use up to equal parts of Mica Flake. Great for adding texture to collograph plates. Read more about this medium in this Jackson's Art blog post.