Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ferrous Powder can be used for highlighting and decorating works and making magnetic coatings. Use on paintings and mixed media. Mix with a gloss, matt or satin medium for your desired look and seal with a varnish. Avoid sprinkling as large amounts may cause the canvas to sag. Read more about this medium in this Jackson's Art blog post.

Ensures no colour shift from wet to dry when used with Winsor & Newton Professional Acrylic; Increases flow, maintains stability; Slows drying; Increases levelling; Pre-mix with water up to 10%, then mix with colour.

A low viscosity medium used for thin fast drying layering techniques. It can also be used on its own to seal and reinforce a paint layer in preparation for scratch back, glazing or varnishing. It also returns the Atelier Interactive to a more conventional acrylic.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Atelier’s Unlocking Formula has been specifically designed to help you control the drying of Atelier Interactive. It allows you to keep your acrylic paint wet for as long as you need. Mix the Unlocking Formula into your paint with either a brush or an atomiser spray. This formula will keep your paint wet, it will also re-wet or re-open recently dried paint. Once the paint is re-opened, new paint can be blended back in, existing paint edges can be feathered or whole sections can be removed with a rag to reveal under layers. This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. youtube=hlOIq7z7fJ4 Atelier Interactive Acrylic Unlocking Formula

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Hydrous aluminium potassium silicate. These shiny pearlescent flakes make a durable yet flexible layer on the painted surface. The thin flakes are strong and tough. They present an inert and flexible layer that has excellent exterior durability as well as an attractive and shiny, pearlescent appearance. To retain their shimmer, mix Mica Flake with either a gel medium, or gloss varnish and gloss medium. Sprinkle small amounts of Matisse Mica Flake finely onto wet medium for maximum glistening effect. For textural effects on paintings and collage, use up to equal parts of Mica Flake. Great for adding texture to collograph plates. Read more about this medium in this Jackson's Art blog post.

This medium slows the drying time of acrylic colour to give you more working time of colour for extended blending and manipulation. A ratio of 1:1 volume doubles the drying time (mix with colour up to 1:1). It maintains colour viscosity and has no effect on the finished colour when dry. This medium maintains no colour shift from wet to dry when used with Winsor & Newton Professional Acrylic.

Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than adding more medium because if too much medium is added the paint will become tacky.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=AI-Slow-Medium-Nov-2013.pdf Safety Data Sheet

The Daler-Rowney Simply Mediums are the perfect complement to the Simply range of acrylic, oil and watercolour colours. The range is designed to answer all your needs, in the simplest way! The mediums can be used to change the transparency of the paint, e.g. making the paint more fluid or more textured. The Gloss Medium is a white translucent cream which will increase the transparency of acrylic colour and will dry to a gloss finish. The Matt Medium is a white translucent cream which will increase the transparency of acrylic colour and will dry to a matt finish.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally made from silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. This versatile, precision-cut black flake is made from coated polyester film. It can be used in a variety of ways for effect and texture or as a finish in itself. Use as either a striking decorative effect or a distinctive texture on paintings and indoor sculptures, or sprinkle onto a freshly painted surface. Where a rough texture has been chosen, care should be taken – a hard and rocky surface can scratch the unwary once the work is dry. For best aesthetic results mix with Derivan Gel Medium or Polymer Gloss Varnish (water-based), as anything with a matt finish will marr the final result. Use as much as needed from desired effect. Read more about this medium in this Jackson's Art blog post.

This white, translucent, heavy-bodied gel provides a cost-effective means of covering large areas with impasto colour when mixed with pure acrylic colour. Mixtures of Matt Impasto Gel with acrylic colour will dry to an eggshell matt finish. Just as with pure colour, the gel mixture will retain brush and knife marks, and have the same thick texture. pdf=DRSDSImpastoGelMediumMatt.pdf

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support.Read more about this medium in this Jackson's Art blog post.

This medium improves the transparency and flow of the colour for blending or fine detail and provides an even matt finish. It causes no loss of colour depth when used with Winsor & Newton Professional Acrylic.

The Daler-Rowney Simply Mediums are the perfect complement to the Simply range of acrylic, oil and watercolour colours. The range is designed to answer all your needs, in the simplest way! The mediums can be used to change the transparency of the paint, e.g. making the paint more fluid or more textured. The Gloss Medium is a white translucent cream which will increase the transparency of acrylic colour and will dry to a gloss finish. The Matt Medium is a white translucent cream which will increase the transparency of acrylic colour and will dry to a matt finish.

Ensures no colour shift from wet to dry when used with Winsor & Newton Professional Acrylic; Increases flow, maintains stability; Slows drying; Increases levelling; Pre-mix with water up to 10%, then mix with colour.

A superior quality UV resistant artists; matt varnish removable with Artists; White Spirit or Distilled Turpentine. Quick drying. Non-yellowing. Does not bloom or crack. Do not use until painting is completely dry (6-12 months). Shake well before use. Do not use as a medium.

XL Crackle Paste is designed for adding textural effects and impasto to artworks on a range of surfaces.

The kit consists of two parts, a white base (primer) and the XL Crackle paste for the top layer. The primer adheres well to materials such as canvas, wood, styrofoam, plastic, glass or metal. It is not suitable for materials made of silicone. The primer adheres perfectly to the crackle paste and can be pigmented before application.

The XL Crackle Paste is a structural paste for the production of cracks, which appear as the paste dries. These cracks are deeper and wider the thicker you apply the XL Crackle Paste - a layer of up to 50mm thick is possible. Paint can be sprayed or painted over the crackle paste after application - please see below for more information.

Base Layer: Component 1 : Base / primer (small container). Apply the white primer paste as a base coat on your surface / substrate. Apply a thin and uniform layer. The primer adheres well to canvas, wood, styrofoam, plastic, glass or metal. It will not bond well to silicone or materials with silicone content.

XL Crackle Paste: The XL Crackle Paste is a structure paste for the creation of cracks. Cracks will appear as the paste dries. The cracks will be deeper and wider the thicker you apply the XL Crackle Paste. A layer thickness up to 50 mm is possible. Adhesion of the XL paste to the Base / primer (component 1) is excellent. Optimum results are achieved at temperatures of 18–25°C.

Tinting the base layer: The Base primer is white by default. When you apply the XL Crackle Paste on top, cracks will appear in the paste and the white colour of the
primer will be visible underneath and show through the cracks. Use regular acrylic paint or acrylic inks as a pigment to get the colour shade you desire.
Simply mix them into the Base primer by adding a maximum of 20% pigment. For example, if you need a total of 100g to prime your painting surface, you can use 80g of primer and 20g of paint (or more primer and less paint). You can introduce more flashy colours by mixing
shimmering pigments into the primer or use EliGlow Photo Luminescent pigment powders to provide a radiance to your crackle art. You are limited only by your own imagination!

Pigmenting the XL Crackle paste: By default the XL crackle paste is beige in colour. The paste itself cannot be coloured before application, but you can still colour your cracks afterwards. You have two options for doing this:
Option A: Spray the XL Crackle Paste with spraypaint immediately after application (i.e. when still wet). The paste will break apart and as it dries and you will obtain coloured cracks.
Option B: Let the XL crackle paste dry, then paint the surface as desired. You can either select individual cracks or paint the entire surface. With this technique take care not to let the paint run into the cracks otherwise you will no longer have a colour contrast

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended, as this sand is quite heavy. Read more about this medium in this Jackson's Art blog post.

Ensures no colour shift from wet to dry when used with Winsor & Newton Professional Acrylic; Increases flow, maintains stability; Slows drying; Increases levelling; Pre-mix with water up to 10%, then mix with colour.

Atelier : Acrylic Medium : 250ml : Matte Medium