Vallejo Thick Pouring Medium is a fluid, self-levelling medium that is ideal for dripping, pouring, and direct application on large surfaces. Designed for use with fluid acrylics and acrylic inks, it dries to a clear, glossy finish which is permanent, non-yellowing, and water-resistant when dry. It can also be used as a final high gloss varnish.Its new formulation makes it perfect for creating cells in paint pours without the use of Floetrol. You can also mix Pouring Medium with silicone oil for complex cell effects. It can also be mixed with acrylic and fluid colours to obtain a lacquer finish. Available in 500ml, 1000ml & 5000ml.

Vallejo Thick Pouring Medium is a fluid, self-levelling medium that is ideal for dripping, pouring, and direct application on large surfaces. Designed for use with fluid acrylics and acrylic inks, it dries to a clear, glossy finish which is permanent, non-yellowing, and water-resistant when dry. It can also be used as a final high gloss varnish.Its new formulation makes it perfect for creating cells in paint pours without the use of Floetrol. You can also mix Pouring Medium with silicone oil for complex cell effects. It can also be mixed with acrylic and fluid colours to obtain a lacquer finish. Available in 500ml, 1000ml & 5000ml.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Weipa Calcined Bauxite has a particularly interesting earthy colour mix. This extremely hard mineral is mined at Weipa in Far North Queensland. Calcinated Bauxite can be used in mixed media, collography and collage as well as for adding texture to paintings. It is extremely hard. Mix with impasto medium, gel medium or mett gel medium to create texture; for the best adhesion it is important not to make the mix too dry.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. This deep red transparent gemstone has an attractive glowing rich red colour. Glaze or varnish to achieve even deeper colour. Crushed garnet is an especially hard stone. It is suitable for texture for paintings, collage or collography. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Principally Silicon Dioxide, these glass beads are completely spherical and smooth. They can be used as part of paintings, collages and collographs, for effects and texture. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support.Read more about this medium in this Jackson's Art blog post.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

A low viscosity medium perfect for creating translucent glazes. Slightly extends open time and is waterproof when dry. Mix with paint for added translucency with a rich oil-like gloss sheen. Promotes flow and levelling.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. It is especially good for producing cell-like effects. Acrylic pouring involves pre-mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

Achieving a 'cell' effect is popular with pour painters and can be achieved by using just a pouring medium (and perhaps a splash of water), but most pouring mediums bind too well to the paints. Silicone is the key to creating dynamic cells in your paintings and this medium helps you achieve that - without the cracking that is usually associated with silicone and pour painting. Silicone to be the best type of lubricant for acrylic pouring because it’s predictable, neutral, and durable. It’s easy to manipulate, unlike water. It doesn’t affect colour or turn rancid like many natural oils.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thinner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease-free, slightly absorbent and stable.

Suitable for use with Tri-Art Silicone Oil Cell Flow Medium. or Vallejo Silicone Oil Cell Flow Medium.

Golden High Flow Medium (formerly Airbrush Transparent Extender) is a liquid medium useful for extending colors, decreasing gloss, and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

We generally do not recommend using Airbrush Medium with the pre-made Golden Airbrush Colors because this creates a very slow-drying, potentially weaker paint film, with poor frisket performance (color sticking to frisket or masking films) until the film sufficiently dries. When frisketing is of critical importance, use Golden High Flow Medium to dilute the airbrush colors or other acrylics.

High Flow Medium is recommended whenever a mixture requires airbrush medium additions greater than 2 parts medium to 1 part paint. This will yield a paint system that dries quickly, ‘friskets’ well, and has excellent sprayability.

Additional Tips:
Paint on any non-oily surface. Remove oils, grease, or other contaminants before application. Non-absorbent surfaces should be abraded for increased adhesion. Keep tools wet during use. Do not allow product to dry in airbrush. Clean tools with soap and water. Clean airbrush with water, ammonia/water, alcohol or miscellaneous household cleaners (however, consider effect of cleaner on airbrush parts, such as rings and seals).

Golden Acrylic Medium : GAC 900 3.78litre : for mixing with colour to create a heat-set fabric paint.

Designed to be used as a modifier for acrylic paints for painting on clothing. Offers a soft, pliable feel and when properly heat-set, provides excellent laundering stability.

Blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.
Mix with GOLDEN Airbrush Colors for "Tie-Dye" effects.

Note: The heat-setting process will release low levels of formaldehyde; therefore it is imperative that adequate ventilation be provided.

A general purpose mid viscosity medium that adds translucency and increases gloss to your acrylic paints. It will extend your colours making them flow much easier which is ideal for glazing techniques. It can be mixed with the paint as a medium or used to seal a paint layer before overpainting.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Gloss-Medium.pdf Safety Data Sheet

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 5000ml bottle of Vallejo Pouring Medium.

Atelier : Acrylic Medium : 250ml : Matte Medium

Extra heavy acrylic gel of extremely high viscosity. Dries translucent and completely matt. Avoid freezing. Formula 100% Acrylic and U.V. resistant. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Extra_Heavy_Gel_Matt.pdf Material Safety Data Sheet

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. The acicular particle shape of Wollastonite lends itself to creating texture from ready-made paints such as Matisse background for pastels or mixing with Polymer Gloss Varnish, to create areas of texture on a canvas or painting. Mix up to 20-50% Wollastonite to gesso paint to create a superb textured surface for pastels and charcoal. Wollastonite produces a more uneven texture than Ground Quartz, therefore giving a great ground for harder pastels (use Ground Quartz for soft pastels). Wollastonite is ideal for acrylic paints due to its alkaline properties. Add varnishes and mediums to create texture in paintings on canvas.Read more about this medium in this Jackson's Art blog post.

Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than adding more medium because if too much medium is added the paint will become tacky.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=AI-Slow-Medium-Nov-2013.pdf Safety Data Sheet

Increases drying time. Can be applied onto surface to be painted or mixed (maximum 10%) with acrylic colour. Will increase colour transparency if mixed with paint. Conforms to USA Standard ASTM D-4238pdf=Retarder.pdf Material Safety Data Sheet 

Low crazing extender for pouring Acrylic colours.

Low crazing extender for pouring Acrylic colours.

Shake well before use. Quick drying, flexible and UV resistant. Use to thin paint for increased gloss, flow and transparency. Do not use as a final varnish. Made from 100% acrylic resin. Conforms to USA Standard ASTM D-4238pdf=Fluid_Gloss_Medium.pdf Material Safety Data Sheet

Low crazing extender for pouring Acrylic colours.

M. Graham Acrylic Matt Medium contains environmentally-friendly matting agents which create a low sheen effect with acrylic colors.

This Matt Medium is concentrated and increases the adhesion, flexibility and durability of the paint film. It is recommended over water alone because excessive use of water as a diluent decreases the strength of the acrylic film. To thin acrylic color, make a mixture of 50% water to medium and add to your paint until desired consistency is achieved.

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

M. Graham Gloss Medium is a crystal clear, water-soluble, permanent final coating for acrylic paintings that will not crack or yellow. Used as a medium, it increases transparency, flow and gloss for traditional glazing techniques.

Gloss Medium is concentrated and increases the adhesion, flexibility and durability of the paint film. It is recommended over water alone because excessive use of water as a diluent decreases the strength of the acrylic film. To thin acrylic color, make a mixture of 50% water to medium and add to color until desired consistency is achieved.