A low viscosity medium used for thin fast drying layering techniques. It can also be used on its own to seal and reinforce a paint layer in preparation for scratch back, glazing or varnishing. It also returns the Atelier Interactive to a more conventional acrylic.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Works in the same way as the more fluid Slow Medium (extending wet-in-wet blending time), but with its more paint like consistency it can be used for spreading and diluting paint without making it too thin or runny.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

A thick, fast drying, waterbased acrylic gel, designed to exaggerate structure and sharpen textural edges of the paint - great for Impasto. It can be used as a very strong adhesive for bonding heavy objects. Can be mixed with the paint, overpainted once dry, or applied on top of a paint layer for a transparent textural effect. Milky in appearance but will become transparent once dry.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Heavy-Gel-Gloss.pdf Safety Data Sheet

Additives are the ideal addition to acrylic paint to change its initial appearance, such as the texture or finish. The Iridescent Medium provides a shimmering finish when added to acrylic paint.

Additives are the ideal addition to acrylic paint to change its initial appearance, such as the texture or finish. The Reeves Coarse Texture Gel will add a sand-like finish to a work of art. The gel can be added to acrylic paints before application for a refined look or can be painted on after the coloured paint is dry for a more tactile finish. It gives the art piece a tactile and rough finish.

Additives are the ideal addition to acrylic paint to change its initial appearance, such as the texture or finish. The Modelling Paste Reeves Modelling Paste can be combined with your acrylic paint to add texture, thicken consistency and provide a 3D effect to your artworks. It can also be used on it's on its own to build up shape and texture, mixed with the paint before applying. Rigid and water resistant once dry.

Additives are the ideal addition to acrylic paint to change its initial appearance, such as the texture or finish. The Gloss Gel produces brush stroke retention paintings and can be used on its own to build up texture. Rigid and water resistant when dry. Reeves Gloss Gel Medium provides a glossy effect when added to acrylic paint.

Additives are the ideal addition to acrylic paint to change its initial appearance, such as the texture or finish. This set containts 1 x 75ml Gloss Gel, 1 x 75ml Modelling Paste, 1 x 75ml Iridescent Medium and 1 x 75ml Coarse Texture Gel.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These five grades of cleaned sand contain no impurities to affect artwork. Use in paintings, mixed media and collage, or the finest grade on collograph plates. For best results, do not make the mix too dry. Large quantities on large canvases not recommended. Read more about this medium in this Jackson's Art blog post.

Low crazing extender for pouring Acrylic colours.

Low crazing extender for pouring Acrylic colours.

Low crazing extender for pouring Acrylic colours.

Golden Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for "wet in wet" techniques and reducing skinning on the palette.

Low crazing extender for pouring Acrylic colours.

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

Golden High Flow Medium (formerly Airbrush Transparent Extender) is a liquid medium useful for extending colors, decreasing gloss, and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

We generally do not recommend using Airbrush Medium with the pre-made Golden Airbrush Colors because this creates a very slow-drying, potentially weaker paint film, with poor frisket performance (color sticking to frisket or masking films) until the film sufficiently dries. When frisketing is of critical importance, use Golden High Flow Medium to dilute the airbrush colors or other acrylics.

High Flow Medium is recommended whenever a mixture requires airbrush medium additions greater than 2 parts medium to 1 part paint. This will yield a paint system that dries quickly, ‘friskets’ well, and has excellent sprayability.

Additional Tips:
Paint on any non-oily surface. Remove oils, grease, or other contaminants before application. Non-absorbent surfaces should be abraded for increased adhesion. Keep tools wet during use. Do not allow product to dry in airbrush. Clean tools with soap and water. Clean airbrush with water, ammonia/water, alcohol or miscellaneous household cleaners (however, consider effect of cleaner on airbrush parts, such as rings and seals).

Golden Acrylic Medium : GAC 900 3.78litre : for mixing with colour to create a heat-set fabric paint.

Designed to be used as a modifier for acrylic paints for painting on clothing. Offers a soft, pliable feel and when properly heat-set, provides excellent laundering stability.

Blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.
Mix with GOLDEN Airbrush Colors for "Tie-Dye" effects.

Note: The heat-setting process will release low levels of formaldehyde; therefore it is imperative that adequate ventilation be provided.

Pumice is vesiculated volcanic glass. Its rough texture and weightlessness lends itself to creating texture on paintings, particularly on large canvases. Can be mixed with the following Derivan Matisse mediums up to 30%: Impasto Medium, Gel Medium, Polymer Matt Varnish (Water-based), Polymer Gloss Varnish (Water-based), Polymer Satin Varnish, Matt Gel Medium.

Shake well before use. Quick drying, flexible and UV resistant. Use to thin paint for increased flow and transparency. Do not use as a final varnish. Made from 100% acrylic resin. Conforms to USA Standard ASTM D-4238pdf=Fluid_Matt_Medium.pdf Material Safety Data Sheet

Golden High Flow Medium (formerly Airbrush Transparent Extender) is a liquid medium useful for extending colors, decreasing gloss, and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

We generally do not recommend using Airbrush Medium with the pre-made Golden Airbrush Colors because this creates a very slow-drying, potentially weaker paint film, with poor frisket performance (color sticking to frisket or masking films) until the film sufficiently dries. When frisketing is of critical importance, use Golden High Flow Medium to dilute the airbrush colors or other acrylics.

High Flow Medium is recommended whenever a mixture requires airbrush medium additions greater than 2 parts medium to 1 part paint. This will yield a paint system that dries quickly, ‘friskets’ well, and has excellent sprayability.

Additional Tips:
Paint on any non-oily surface. Remove oils, grease, or other contaminants before application. Non-absorbent surfaces should be abraded for increased adhesion. Keep tools wet during use. Do not allow product to dry in airbrush. Clean tools with soap and water. Clean airbrush with water, ammonia/water, alcohol or miscellaneous household cleaners (however, consider effect of cleaner on airbrush parts, such as rings and seals).

A general purpose mid viscosity medium that adds translucency and increases gloss to your acrylic paints. It will extend your colours making them flow much easier which is ideal for glazing techniques. It can be mixed with the paint as a medium or used to seal a paint layer before overpainting.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Gloss-Medium.pdf Safety Data Sheet

A waterbased acrylic emulsion, which can be used straight from the bottle or thinned with water 1:1 to seal most surfaces. Atelier Binder Medium can be used as a sizing on canvas or cotton duck to seal the surface and prevent absorption of paint into the fabric. Mix with paint to dilute colour without losing intensity. Use neat between dry paint layers to seal or mix with Atelier Interactive for fast drying acrylic techniques.pdf=MSDS-Atelier-Binder-Medium.pdf Safety Data Sheet

Golden Isolation Coat is meant to be applied between acrylic colour and removable varnish.

Atelier : Acrylic Medium : 250ml : Matte Medium