Low crazing extender for pouring Acrylic colours.

Shake well before use. Quick drying, flexible and UV resistant. Use to thin paint for increased gloss, flow and transparency. Do not use as a final varnish. Made from 100% acrylic resin. Conforms to USA Standard ASTM D-4238pdf=Fluid_Gloss_Medium.pdf Material Safety Data Sheet

Low crazing extender for pouring Acrylic colours.

M. Graham Acrylic Matt Medium contains environmentally-friendly matting agents which create a low sheen effect with acrylic colors.

This Matt Medium is concentrated and increases the adhesion, flexibility and durability of the paint film. It is recommended over water alone because excessive use of water as a diluent decreases the strength of the acrylic film. To thin acrylic color, make a mixture of 50% water to medium and add to your paint until desired consistency is achieved.

Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matteing agents, you will only need to add a tiny amount to affect the sheen of your paint without altering the viscosity or strength of color. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ferrous Powder can be used for highlighting and decorating works and making magnetic coatings. Use on paintings and mixed media. Mix with a gloss, matt or satin medium for your desired look and seal with a varnish. Avoid sprinkling as large amounts may cause the canvas to sag. Read more about this medium in this Jackson's Art blog post.

Transparent gel for use with acrylic colour to increase viscosity and transparency. Apply straight to canvas for heavy impasto. Retards the drying time of colours. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Gel_Medium.pdf Material Safety Data Sheet

Forms a very flexible film with excellent resistance to water, erosion and UV light. Dries transparent. Can be used for glazing or increasing body. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Heavy_Gel_Gloss.pdf Material Safety Data Sheet

Forms a very flexible film with excellent resistance to water, erosion and UV light. Dries transparent. Can be used for glazing or increasing body. Vehicle: Acrylic Polymer Emulsion. Conforms to USA Standard ASTM D-4238pdf=Heavy_Gel_Matt.pdf Material Safety Data Sheet

Shake well before use. Quick drying, flexible and UV resistant. Use to thin paint for increased flow and transparency. Do not use as a final varnish. Made from 100% acrylic resin. Conforms to USA Standard ASTM D-4238pdf=Fluid_Matt_Medium.pdf Material Safety Data Sheet

M. Graham Gloss Medium is a crystal clear, water-soluble, permanent final coating for acrylic paintings that will not crack or yellow. Used as a medium, it increases transparency, flow and gloss for traditional glazing techniques.

Gloss Medium is concentrated and increases the adhesion, flexibility and durability of the paint film. It is recommended over water alone because excessive use of water as a diluent decreases the strength of the acrylic film. To thin acrylic color, make a mixture of 50% water to medium and add to color until desired consistency is achieved.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ground marble (crystalline calcium carbonate) can be mixed directly with paint, to add bulk without changing the colour and while retaining the elements that allow the paint to harden. A white transparent powder, it mixes successfully with any Matisse or Derivan medium. Larger proportions make the paint a little stringy, and this feature can be manipulated to give interesting results. Weathers well outdoors and is suitable for paintings, collage, mixed media, and on collograph plates. Use as much as needed to create effect desired. Read more about this medium in this Jackson's Art blog post.

A low viscosity medium perfect for creating translucent glazes. Slightly extends open time and is waterproof when dry. Mix with paint for added translucency with a rich oil-like gloss sheen. Promotes flow and levelling.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

This gel medium exaggerates structure and sharpens textural edges of the paint. It can be used as a very strong adhesive for bonding objects in mixed-media work. It can be mixed with the paint, overpainted once dry or applied on top of a paint layer for a translucent textural effect.

Formerly known as Satin Medium & Varnish this water-based non toxic varnish, can either be used as a medium to change the sheen level - or to provide a non-tacky protective varnish coating.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Ateliers Universal Medium is a medium and varnish rolled into one.How To Use As a MediumThere are too many mediums on offer for use with acrylics. This medium does nearly all of the techniques that you could need if you are painting in fast quick layers. However, if you want heavy impasto you will still need to use Heavy Gel or Moulding Paste.Decant some of the concentrate into a small container that you can dip your brush into.You will like the feel of the paint when the medium is added to it and you will notice that it allows you to blend and feather edges very effectively because the medium is not sticky on the brush.Small additions to thick paint will loosen the consistency while more medium creates a very attractive glazing or layering mixture which can be over painted when touch dry.How To Use As A VarnishSolvent based varnish has a strong smell because of the turps, but usually looks better than a water based one and is easy to apply.The Atelier Interactive Universal Medium/Varnish when used as a water based varnish is comparable to solvent varnish. It is very easy to apply. It gives the colour saturation and enhancement of a good solvent based varnish. By adding water to the concentrate different levels of sheen can be created between low sheen and high gloss.Artists should experiment with color swatches to decide on the finishes that they prefer.Apply a seal coat one part varnish two parts water. This allows the varnish to penetrate and seal the paint layer so that a more concentrated varnish can be spread easily when the seal coat is dry.If you want a high gloss finish the full concentrate can be used over the seal coat and two or more coats can be used to exaggerate gloss as required.For a subtle finish you might decide that the seal coat is all that you need or you might apply another diluted coat to create a satin finish which is more attractive than a satin varnish containing a flatting agent.How To ApplyPlace your painting in a sloping position so that you can pick up the runs or dribbles. You can work back and forth while the varnish is wet because it does not catch on the brush.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

A very thick and textural paste made from calcite grit. It has the same flexibility as the paint and is used to create strong textural interest at any stage in a painting's process. Dries white and can be mixed with the paint to produce a coloured ground, or painted over once dry.

A paint additive designed to slow down the drying time of acrylic paint. It may be added to other Atelier mediums to increase open time. Note: Retarder does not contain a binding agent so to avoid creating an unstable mixture, it is recommended to mix no more than 10% with acrylic paints.pdf=MSDS-Atelier-Retarder-Medium.pdf Safety Data Sheet

A specifically designed sprayer which produces a controlled fine mist intended to keep Atelier Interactive workable for as long as desired. Ideal for wet-in-wet techniques.When to spray?As the paint starts to dry you will feel your brush begin to drag. This means it is time to spray if you want to keep the paint wet and workable.How to spray?Hold the bottle back about 30cm from the painting and lightly mist the area you want to keep wet. The painting surface should not be physically disturbed by the water droplets so if you are getting large droplets or big dribbles then you are spraying too much.What if the paint won’t re-wet?After the paint has just dried it can still be reactivated with water but after about an hour, depending on the climate and paint thickness, you will need to use Unlocking Formula in your water sprayer to re-wet the paint.Note: For larger works you may need to upsize your sprayer in which case be sure to get one that delivers a fine mist of water and not a jet of heavy droplets.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than adding more medium because if too much medium is added the paint will become tacky.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=AI-Slow-Medium-Nov-2013.pdf Safety Data Sheet

A low viscosity medium used for thin fast drying layering techniques. It can also be used on its own to seal and reinforce a paint layer in preparation for scratch back, glazing or varnishing. It also returns the Atelier Interactive to a more conventional acrylic.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Works in the same way as the more fluid Slow Medium (extending wet-in-wet blending time), but with its more paint like consistency it can be used for spreading and diluting paint without making it too thin or runny.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

A thick, fast drying, waterbased acrylic gel, designed to exaggerate structure and sharpen textural edges of the paint - great for Impasto. It can be used as a very strong adhesive for bonding heavy objects. Can be mixed with the paint, overpainted once dry, or applied on top of a paint layer for a transparent textural effect. Milky in appearance but will become transparent once dry.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Heavy-Gel-Gloss.pdf Safety Data Sheet

Pebeo Studio Acrylic Pouring Medium is ideal for creating clean and lacquered pouring techniques.

Glossy, transparent and non-yellowing, this allows your paint to pour smoothly onto your surface in even, seamless sheets and puddles, without cracks or bubbles.

Atelier : Acrylic Medium : 250ml : Matte Medium