CI name: PW4Light-fastness: *****Opacity: Semi-transparent

Finest Artists’ Acrylic guarantees best applicability with high flow resistance. Due to the extremely high solid content of Finest Artists’ Acrylic, elastic and contour-stable drying is guaranteed. Finest Artists’ Acrylic Fluid is significantly more fluid due to its reduced viscosity.With Finest Artists’ Acrylic, there is practically no colour shift between the wet and dry states. The usual highest light fastness level for Schmincke colours of either 4 or 5 stars indicates the quality of these premium acrylic paints. Finest Artists’ Acrylic has a pleasant odour. All the colours do not yellow and the dried paint layers are durable, flexible and water resistant. Finest Artists’ Acrylic can be used directly from the tube, and fluid can be used directly from the bottle, both either undiluted or diluted with water. The comprehensive assortment of painting mediums with a wide range of pastes and effect gels provides further creative possibilities.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

The Level 3 Cap is a soft skinny cap, for medium average spray width from 1 - 4cm (0.4“ to 1.6“).The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

The Fat Cap Pink is a cap for a wide average spray width of can: 12cm (4.7“). Perfect for filling-in, coarse fadings and fat lines. On High Pressure Cans it works similar to our level 5 cap. The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

The Fat Cap Orange is a cap for a wide average spray width of can: 8cm (3.2“). Clean medium fat cap.The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

The Maclaim Cap is a fine skinny cap for an average spray width of can: 1cm (0.5“). Perfect for fine fadings and cut-offs.The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

The Skinny Cap Beige is a cap for a fine average spray width of can: 1cm (0.5“). Perfect for fine works, but minimally grubby.The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

The Skinny Cap Aerosol Art is a skinny cap for a fine average spray width of can: 1cm (0.5“). An alround skinny cap with a soft spray touch, due to the round form.The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

The Skinny Cap Black/Black is a cap for fine average spray width from can: 1-1,5cm (0.4“ to 0.6“). Perfect for Metallic Colors.The spray width changes with the used distance to the object. For skinnier lines, spray from a closer distance. For fatter lines, spray from a further distance.

High quality spare tips for Montana Acrylic Markers.

This 0.5mm tip is designed to fit into the 0.7mm marker body.

The new Montana ACRYLIC Marker range is ideal for all your fine detailed work. Markers are refillable and offer replacable tips. Each marker is filled with a high quality water-based UV-resistant paint and is available in colours that match to corresponding colours in the Montana GOLD spray paint series when sealed with varnish. The optimum flow control pump-valve system allows accurate handling and application. Quick drying. For interior & exterior use.

A low viscosity medium used for thin fast drying layering techniques. It can also be used on its own to seal and reinforce a paint layer in preparation for scratch back, glazing or varnishing. It also returns the Atelier Interactive to a more conventional acrylic.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

A specifically designed sprayer which produces a controlled fine mist intended to keep Atelier Interactive workable for as long as desired. Ideal for wet-in-wet techniques.When to spray?As the paint starts to dry you will feel your brush begin to drag. This means it is time to spray if you want to keep the paint wet and workable.How to spray?Hold the bottle back about 30cm from the painting and lightly mist the area you want to keep wet. The painting surface should not be physically disturbed by the water droplets so if you are getting large droplets or big dribbles then you are spraying too much.What if the paint won’t re-wet?After the paint has just dried it can still be reactivated with water but after about an hour, depending on the climate and paint thickness, you will need to use Unlocking Formula in your water sprayer to re-wet the paint.Note: For larger works you may need to upsize your sprayer in which case be sure to get one that delivers a fine mist of water and not a jet of heavy droplets.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

The Atelier Pouring Medium is designed so you can create acrylic pouring paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes. This pouring medium can be mixed with any fluid acrylic, artist acrylic paint or with acrylic inks. The medium allows you to pour your mixes easily and forms a smooth, self-levelling surface without trapped air or bubbles. It increases colour transparency and this means you are able to produce more interesting paint layers. It dries to a gloss finish and is waterproof, flexible and durable when dry. The medium dries clear meaning any work will be slightly darker upon drying.

If you want to further reduce the risk of air bubbles when pre mixing your medium and acrylic colour stir slowly. For the best results it is worth priming your substrate with gesso or a binder medium. You can use Atelier Unlocking formula to break any bubbles on the surface of the painting and to change the surface tension.

This product is part of the Atelier Traditional range.

The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.

You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

This is a 250ml bottle of Atelier Pouring Medium.

A paint additive designed to slow down the drying time of acrylic paint. It may be added to other Atelier mediums to increase open time. Note: Retarder does not contain a binding agent so to avoid creating an unstable mixture, it is recommended to mix no more than 10% with acrylic paints.pdf=MSDS-Atelier-Retarder-Medium.pdf Safety Data Sheet

A very thick and textural paste made from calcite grit. It has the same flexibility as the paint and is used to create strong textural interest at any stage in a painting's process. Dries white and can be mixed with the paint to produce a coloured ground, or painted over once dry.

A thick, fast drying, waterbased acrylic gel, designed to exaggerate structure and sharpen textural edges of the paint - great for Impasto. It can be used as a very strong adhesive for bonding heavy objects. Can be mixed with the paint, overpainted once dry, or applied on top of a paint layer for a transparent textural effect. Milky in appearance but will become transparent once dry.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Heavy-Gel-Gloss.pdf Safety Data Sheet

Ateliers Universal Medium is a medium and varnish rolled into one.How To Use As a MediumThere are too many mediums on offer for use with acrylics. This medium does nearly all of the techniques that you could need if you are painting in fast quick layers. However, if you want heavy impasto you will still need to use Heavy Gel or Moulding Paste.Decant some of the concentrate into a small container that you can dip your brush into.You will like the feel of the paint when the medium is added to it and you will notice that it allows you to blend and feather edges very effectively because the medium is not sticky on the brush.Small additions to thick paint will loosen the consistency while more medium creates a very attractive glazing or layering mixture which can be over painted when touch dry.How To Use As A VarnishSolvent based varnish has a strong smell because of the turps, but usually looks better than a water based one and is easy to apply.The Atelier Interactive Universal Medium/Varnish when used as a water based varnish is comparable to solvent varnish. It is very easy to apply. It gives the colour saturation and enhancement of a good solvent based varnish. By adding water to the concentrate different levels of sheen can be created between low sheen and high gloss.Artists should experiment with color swatches to decide on the finishes that they prefer.Apply a seal coat one part varnish two parts water. This allows the varnish to penetrate and seal the paint layer so that a more concentrated varnish can be spread easily when the seal coat is dry.If you want a high gloss finish the full concentrate can be used over the seal coat and two or more coats can be used to exaggerate gloss as required.For a subtle finish you might decide that the seal coat is all that you need or you might apply another diluted coat to create a satin finish which is more attractive than a satin varnish containing a flatting agent.How To ApplyPlace your painting in a sloping position so that you can pick up the runs or dribbles. You can work back and forth while the varnish is wet because it does not catch on the brush.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Formerly known as Satin Medium & Varnish this water-based non toxic varnish, can either be used as a medium to change the sheen level - or to provide a non-tacky protective varnish coating.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.

Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• Opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yielding

Usage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfaces

Applications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.

Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).

Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.

Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.

Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.

Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.

Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• Opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yielding

Usage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfaces

Applications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.

Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).

Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.

Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.

Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.

PW6 PBr24, Opaque, Excellent LightfastnessLascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques.Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yieldingUsage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfacesApplications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.