Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

Made from plywood, this wooden palette has a thumb hole placed perfectly to enable you to grip the palette comfortably whilst mixing colour. To be used with oil and acrylic, this is an ideal starter palette. Please note that this product requires conditioning.

High flexibility, natural wooden handle with rivets. Tempered stainless steel mirrored blade, the particular flexibility of the blade allows excellent spread of the colour, making special and unique effects.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Dala Pearlescent Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Colours are lustrous and dry to a satin sheen finish.

Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally made from silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Division Place Gamblin Palette Knife employs a classic design that has served artists for centuries. An excellent all-purpose choice and a must-have for every studio.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Hoyt Gamblin Palette Knife has an angled blade for new and different mark-making possibilities. Ideal for making bold, thick marks without dragging your knuckles across a painting.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The small facing area on The Ladd Gamblin Palette Knife makes for a firm flex and is easy to control. Ideal for artists that work small or rely on a knife for detailed mark-making.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Raymond Gamblin Palette Knife has a proven shape that cuts crisp, tight edges and cleanly moves paint around a palette. The Raymond is the ideal size for most painters - large enough for mixing and mark-making, but short and stiff enough for total control and fine detail.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Robert Gamblin Palette Knife has a Japanese-inspired blade that boasts the longest edge of all the knives in this range. Ideal for cutting sharp lines and dropping crisp marks. This is stiffer with more bounce than the other palette knives.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Taylor Gamblin Palette Knife is the longest knife in the range. The Taylor is for working big and creating large colour mixtures. Ideal for blocking in large areas and smoothing the texture or edges of a painting.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Cobra Odourless Varnish is for use with Cobra Artist Watermixable Oil Paints. It can also be used to protect works made with conventional oil colour and acrylic. This varnish dries within a few hours and is to be used once an oil painting is completely dry. Depending on the thickness of the paint layers, this can be up to a period of at least 6 months. Available in 400ml aerosol, in either Matt, Satin or Gloss finishes.

XL Crackle Paste is designed for adding textural effects and impasto to artworks on a range of surfaces.

The kit consists of two parts, a white base (primer) and the XL Crackle paste for the top layer. The primer adheres well to materials such as canvas, wood, styrofoam, plastic, glass or metal. It is not suitable for materials made of silicone. The primer adheres perfectly to the crackle paste and can be pigmented before application.

The XL Crackle Paste is a structural paste for the production of cracks, which appear as the paste dries. These cracks are deeper and wider the thicker you apply the XL Crackle Paste - a layer of up to 50mm thick is possible. Paint can be sprayed or painted over the crackle paste after application - please see below for more information.

Base Layer: Component 1 : Base / primer (small container). Apply the white primer paste as a base coat on your surface / substrate. Apply a thin and uniform layer. The primer adheres well to canvas, wood, styrofoam, plastic, glass or metal. It will not bond well to silicone or materials with silicone content.

XL Crackle Paste: The XL Crackle Paste is a structure paste for the creation of cracks. Cracks will appear as the paste dries. The cracks will be deeper and wider the thicker you apply the XL Crackle Paste. A layer thickness up to 50 mm is possible. Adhesion of the XL paste to the Base / primer (component 1) is excellent. Optimum results are achieved at temperatures of 18–25°C.

Tinting the base layer: The Base primer is white by default. When you apply the XL Crackle Paste on top, cracks will appear in the paste and the white colour of the
primer will be visible underneath and show through the cracks. Use regular acrylic paint or acrylic inks as a pigment to get the colour shade you desire.
Simply mix them into the Base primer by adding a maximum of 20% pigment. For example, if you need a total of 100g to prime your painting surface, you can use 80g of primer and 20g of paint (or more primer and less paint). You can introduce more flashy colours by mixing
shimmering pigments into the primer or use EliGlow Photo Luminescent pigment powders to provide a radiance to your crackle art. You are limited only by your own imagination!

Pigmenting the XL Crackle paste: By default the XL crackle paste is beige in colour. The paste itself cannot be coloured before application, but you can still colour your cracks afterwards. You have two options for doing this:
Option A: Spray the XL Crackle Paste with spraypaint immediately after application (i.e. when still wet). The paste will break apart and as it dries and you will obtain coloured cracks.
Option B: Let the XL crackle paste dry, then paint the surface as desired. You can either select individual cracks or paint the entire surface. With this technique take care not to let the paint run into the cracks otherwise you will no longer have a colour contrast

This Fleur Designer’s Paint Universal Primer a multipurpose primer for basecoating smooth, non-absorbent surfaces, such as MDF, melamine, varnished wood and most metals. White in colour. Water based with a coverage of around 1.5m squared.

A clear blocker finish for Fleur’s Rust effect products. Apply a singular coat with a brush or roller (with a completely clean tool) after a minimum of 18 hours and a maximum of 48 hours have elapsed since the reagent has been applied to the rust coat. This will prevent the rust from over oxidising and becoming too flaky or producing an undesired effect.

Fleur Designer’s Paint Rust contains tiny iron particles that oxidize when you apply the specific Reagent. The result is a real rust coating, which can be more or less homogeneous according to the type of application (roller, brush, sea sponge, etc.). Once you have reached the desired effect, the application of Fleur’s Anti-oxidant Finish protects the Rust and stops the oxidation process.

Fleur Designer’s Paint Rust products are professional, water basedd, easy to use and perfect for obtaining real rust coatings on all surfaces such as wood, metal, plastic, glass, etc. Available in two shades.

A primer for Fleur Designer’s Paint Verdigris effect. Use for a singular coat with a brush or roller. For absorbent surfaces, dilute with 20% water. With non absorbent surfaces sand the surface beforehand to improve adhesion.

Fleur Designer’s Paint Verdigris contains tiny copper particles that oxidize when you apply the specific Reagent. Verdigris is the common name for a green pigment obtained through the application of acetic acid to copper plates or the natural patina formed when copper, brass or bronze is weathered and exposed to air or seawater over a period of time.

The result of these products is a real verdigris coating, which can be more or less homogeneous according to the type of application (roller, brush, sea sponge, etc.). Once you have reached the desired effect, the application of the Anti-oxidant Finish protects the Verdigris and stops the oxidation process.

Fleur Designer’s Paint Verdigris products are professional, water based, easy to use and perfect for obtaining real verdigris coatings on all surfaces such as wood, metal, plastic, glass, etc.

A clear blocker finish for Fleur’s Rust effect products. Apply a singular coat with a brush or roller (with a completely clean tool) after a minimum of 18 hours and a maximum of 48 hours have elapsed since the reagent has been applied to the rust coat. This will prevent the rust from over oxidising and becoming too flaky or producing an undesired effect.

Fleur Designer’s Paint Rust contains tiny iron particles that oxidize when you apply the specific Reagent. The result is a real rust coating, which can be more or less homogeneous according to the type of application (roller, brush, sea sponge, etc.). Once you have reached the desired effect, the application of Fleur’s Anti-oxidant Finish protects the Rust and stops the oxidation process.

Fleur Designer’s Paint Rust products are professional, water basedd, easy to use and perfect for obtaining real rust coatings on all surfaces such as wood, metal, plastic, glass, etc. Available in two shades.

This Fleur Designer’s Paint Universal Primer a multipurpose primer for basecoating smooth, non-absorbent surfaces, such as MDF, melamine, varnished wood and most metals. White in colour. Water based with a coverage of around 1.5m squared.