Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. These smooth round glass beads are principally composed of silicon dioxide. They can be used on paintings, mixed media or collage. For best results mix with Gel Medium, or Gloss Varnish and Gloss Medium to maintain brightness. Because they are absolutely smooth it is suggested that art works using these glass beads are varnished with either Gloss Varnish and Gloss Medium, to securely seal the beads to the support. Read more about this medium in this Jackson's Art blog post.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Mixture Chemical Description:

Copper Phthalocyanine Titnaium Dioxide Rutile Chlorinated Copper Phthalocyanine

Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PB 15:4 / PW 6 / PG 7 Colour index number: 74160 / 77891 / 74260 Munsell Notation Listing: Hue 1.0 BG Value 5 Chroma 10.4

Viscosity Range: 18000- 24000 CPS Gloss Average: 80.75 CIE L*a*b* Values: L*54.33 a*-46.1 b*-0.17 Tint Strength: 80.75

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Titanium Dioxide Rutile Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 Colour index number: 77891 Munsell Notation Listing: Hue 4.5 Y Value 8.25 Chroma 2.8

Viscosity Range: 400-1000 CPS Gloss Average: 35.52 CIE L*a*b* Values: L*84.57 a*2.01 b*16.99 Tint Strength: 92.87

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Mixture Chemical Description:

Titanium Dioxide Rutile Amorphous Carbon produced by charring animal bones Calcined Natural Iron Oxide

Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 / PBk 9 / PBr 7 Colour index number: 77891 / 77267 / 77491 Munsell Notation Listing: Hue 6.3 P Value 3.5

Viscosity Range: 20000-24000 CPS Gloss Average: 19.08 CIE L*a*b* Values: L*35.5 a*0.14 b*-0.25 Tint Strength: 77.96

Chemical Description: Synthetic Red Iron OxidePigment Type: Synthetic InorganicLightfastness: 1Permanency: ExcellentPigment Strength: Very StrongColour Index Name: PR 101Opacity or Transparency: OpaqueLight Red Ochre is a Series 1 opaque colour. It has a masstone of deep copper red, with a very similar undertone. Very opaque basic red pigment, warmer and stronger than Indian Red or Mars Violet.Atelier Interactive is the only artists’ acrylic that allows an artist to have complete control over its drying speed. Atelier Interactive is a fast drying, professional artists’ acrylic with a smooth and buttery consistency. It offers exceptional pigment loading, and lightfastness and has a velvety satin finish.   Atelier’s Unlocking Formula has been specifically designed to help you control the drying of Atelier Interactive. It allows you to keep your acrylic paint wet for as long as you need. Mix the Unlocking Formula into your paint with either a brush or an atomiser spray. This formula will keep your paint wet, it will also re-wet or re-open recently dried paint. Once the paint is re-opened, new paint can be blended back in, existing paint edges can be feathered or whole sections can be removed with a rag to reveal under layers. There are also a range of varnishes and mediums available to be used with Atelier Interactive Acrylic paint.

Chemical Description: Coated MicaPigment Type: Inorganic Mica Flakes coated with Iron OxideLightfastness: NAPermanency: ExcellentPigment Strength: MediumColour Index Name: MicaceousOpacity or Transparency: Semi-transparentPale Gold is a Series 4 semi-transparent colour. It has a masstone of warm metallic gold, with a similar undertone. Pale Gold is a reflective non tarnishing imitation gold colour.Atelier Interactive is the only artists’ acrylic that allows an artist to have complete control over its drying speed. Atelier Interactive is a fast drying, professional artists’ acrylic with a smooth and buttery consistency. It offers exceptional pigment loading, and lightfastness and has a velvety satin finish.Atelier’s  Unlocking Formula has been specifically designed to help you control the drying of Atelier Interactive. It allows you to keep your acrylic paint wet for as long as you need. Mix the Unlocking Formula into your paint with either a brush or an atomiser spray. This formula will keep your paint wet, it will also re-wet or re-open recently dried paint. Once the paint is re-opened, new paint can be blended back in, existing paint edges can be feathered or whole sections can be removed with a rag to reveal under layers. There are also a range of varnishes and mediums available to be used with Atelier Interactive Acrylic paint.

A selection of 42 shapes with polished stainless steel blades made with hand ground hardened steel to guarantee constant flexibility, rounded natural bulbing wood handles and brass ferrule.

By the end of 2005, Old Holland had developed a range of 168 New Masters Classic Acrylics, consisting of opaque and transparent lightfast colours, free of any kind of additives and filler, with a maximum possible pigment content and a minimum colour difference between wet and dry paint. The result of the high dose of pigment and the patented binding system is that each colour displays the unique characteristics of the individual pigment. The paint dries to a satin gloss and can be used in a wide range of techniques, from thick impasto to ultra-thin glazing.

Pigment Classification: PY 43

Colour Index: 77492

Lightfastness: ASTM 1, 2

Opacity: Semi-opaque

Black Gesso Primer is a unique formulation which needs no dilution. This product is highly adhesive and is ideal for directly sealing all semi-absorbent surfaces before applying colour - both acrylics and oils. Daler Rowney’s Black Gesso Primer is suitable for both interior and exterior applications. It dries quickly to produce a matt black surface, with a slight tooth, which is easily sanded for highly detailed work. If used as a ground for acrylics, one coat is normally sufficient, but up to three coats may be required for oil colour.

Colour number/code: 706

Series number: 1

Chemical Description: Copper Phthalocyanine

Colour index name: PB15

Colour index number: 74160

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T



Acrylic colour is becoming increasingly popular because it is so versatile. It can be used on the widest variety of surfaces, (providing they are grease free and properly prepared); paper, canvas, hardboard, timber, sculpture, brickwork and plaster - so you can use it whatever your painting style.

It can be applied both thinly and thickly and at any dilution in between and is easy to use and clean up. Galeria ensures the artist has an acrylic with the best all round handling characteristics and performance at an affordable price.

Galeria, can be used straight form the tube/pot, it can be thinned or thickened with a medium or water. This variety in consistency makes Galeria suitable for both oil and water colour techniques.

49 high-intensity colours, including Iridescent and Fluorescent colours.

Full intensity and transparent.

Add to refillable markers, ruling pens or technical pens.

Great for illustration and fine detail.

Flows effortlessly from a brush.

Great for staining and colour washing.

Pour right from the bottle.

Introducing Golden High Flow Acrylics, a new acrylic paint line that can go from brush to marker or from dip pen toairbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining effects, leveling colours, calligraphy, and mixed media.

Replacing Golden Airbrush Colours, the new formula offers several improvements over Airbrush Colours, most notably an increase in durability of dry paint and more colours.

Bulk Pack x 4 Sprayon Spray Paint 250ml Post Office Red

Matisse Flow Formula acrylic colours are a vibrant and intense acrylic with a low-viscosity. They are well suited to mural work, acrylic canvas painting, geometrics, hard edge, photo-realism and fine detail brushwork. All colours are avaliable in 75ml jars.

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Organic Chemical Description:

Arylide Yellow 10G Arylide Yellow Titanium Dioxide Rutile

Opacity/Transparency: 6 Lightfastness Rating: II Permanency: V.G. Colour index name: PY 3 / PY 73 / PW 6 Colour index number: 11710 / 11738 / 77891 Munsell Notation Listing: Hue 4.6 Y Value 8.6 Chroma 13

Viscosity Range: 400-1000 CPS Gloss Average: 44.27 CIE L*a*b* Values: L*84.6 a*7.27 b*90.03 Tint Strength: 95.17

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Calcinized Natural Iron Oxide Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PBr 7 Colour index number: 77491 Munsell Notation Listing: Hue 3.0 YR Value 3.25 Chroma 4

Viscosity Range: 750-1000 CPS Gloss Average: 13.63 CIE L*a*b* Values: L*33.67 a*16.86 b*12.58 Tint Strength: 80.56

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Organometallic Chemical Description: Brominated & Chlorinated Copper Phthalocyanine Opacity/Transparency: 3 Lightfastness Rating: I Permanency: Exc Colour index name: PG 36 Colour index number: 74265 Munsell Notation Listing: Hue 5.0 G Value 1.75 Chroma 5.4

Viscosity Range: 16000- 20000 CPS Gloss Average: 93.74 CIE L*a*b* Values: L*27.82 a*-11.83 b*-0.17 Tint Strength: 83.69

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Mixture Chemical Description:

Titanium Dioxide Rutile Synthetic Hydrated Iron Oxide Diarylide Yellow HR-70

Opacity/Transparency: 3 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 / PY 42 / PY 83 Colour index number: 77891 / 77492 / 21108 Munsell Notation Listing: Hue 10.0 YR Value 7.6 Chroma 6.7

Viscosity Range: 4000-15000 CPS Gloss Average: 54.3 CIE L*a*b* Values: L*77.26 a*12.1 b*38.74 Tint Strength: 93.83

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Inorganic Chemical Description: Iron Oxide coated Mica particles Opacity/Transparency: 4 Lightfastness Rating: N/A Permanency: Exc Colour index name: Colour index number: Munsell Notation Listing: Hue

Viscosity Range: 4000-15000 CPS Gloss Average: 20.9 CIE L*a*b* Values: L*

Well-balanced range of 70 colours, with a high degree of lightfastness.

Thanks to the use of pure and non-fading pigments even after several decades the works of art retain their original colour.

An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result.

Alkali resistant, and consequently suitable for wall paintings.

Choice of small and large packaging: 120 ml, 250 ml tubes and 500 ml and 1000 ml bottles.

The paint can be thinned easily with water.

Short drying time: thin films of paint dry within half an hour.

The specific preparation method makes the paint practically odourless.



Lightfastness: ***Opacity: OpaquePigment code: PBk11

Well-balanced range of 70 colours, with a high degree of lightfastness.

Thanks to the use of pure and non-fading pigments even after several decades the works of art retain their original colour.

An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result.

Alkali resistant, and consequently suitable for wall paintings.

Choice of small and large packaging: 120 ml, 250 ml tubes and 500 ml and 1000 ml bottles.

The paint can be thinned easily with water.

Short drying time: thin films of paint dry within half an hour.

The specific preparation method makes the paint practically odourless.



Lightfastness: ***Opacity: OpaquePigment code: PW6/PG7/PB15

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power. All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss. All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.

A selection of 42 shapes with polished stainless steel blades made with hand ground hardened steel to guarantee constant flexibility, rounded natural bulbing wood handles and brass ferrule.

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Zinc Oxide Opacity/Transparency: 7 Lightfastness Rating: I Permanency: Exc Colour index name: PW 4 Colour index number: 77947 Munsell Notation Listing: Hue White Value 10 Chroma 1.5

Viscosity Range: 800-1100 CPS Gloss Average: 58.87 CIE L*a*b* Values: L*95.83 a*-0.49 b*0.56 Tint Strength: 27.2

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Inorganic Chemical Description: Oxides of Cobalt and Aluminum Opacity/Transparency: 3 Lightfastness Rating: I Permanency: Exc Colour index name: PB 28 Colour index number: 77346 Munsell Notation Listing: Hue 6 PB Value 3 Chroma 11

Viscosity Range: 23000- 27000 CPS Gloss Average: 69.45 CIE L*a*b* Values: L*36.63 a*9.51 b*-46.66 Tint Strength: 83.7