Pebeo Studio Acrylics are rich acrylic colours with high viscosity, providing excellent quality at an affordable price. Available in a range of colours, including some iridescent and fluorescent, they have a thick consistency, can retain brush or spatula marks, and dry to a satin finish.This is a 100ml tube of Pebeo Studio Acrylic in Burnt Umber.

This stable Cappelletto H Table Easel has an adjustable height to enable more accurate working and ease of substrate positioning. It is useful for working on small works while sat at a table or stood at a work bench.

The adjustability of this easel means you can prevent glare and adjust the height of your canvas or board. You can also re-position it to work at a more extreme angle or even horizontally. This also means it packs up flat making it easy to carry or store. The square base with non-slip feet makes it an easy and stable structure to use.

Cappelletto Giant Table Easel allows you to work on larger works while sitting at a table or standing at a work surface. It can be the perfect solution for small spaces where you want to work on large canvases but also use the space below where you’re working.

While enabling you to work in variety of set ups with the certainty of a straight, stable easel, this piece also folds away easily and can be used for exhibiting medium sized works. It is made with oiled, stain-resistant beech wood.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal. Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal. Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal. Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

A selection of 42 shapes with polished stainless steel blades made with hand ground hardened steel to guarantee constant flexibility, rounded natural bulbing wood handles and brass ferrule.

Perfect for storing art tools and personal belongings, total volume capacity of one liter,closable inside pocket for other small items like a wallet, phone, mp3 player etc. Montanalogo on the front. Made of red, non-scratch, soft-touch nylon. new with “Can”-zipper anda dangerous goods logos print inside.size: 15 x 20 x 3.5 cm.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.

The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.

CI name: PV19Light-fastness: *****Opacity: Semi-transparent

Finest Artists’ Acrylic guarantees best applicability with high flow resistance. Due to the extremely high solid content of Finest Artists’ Acrylic, elastic and contour-stable drying is guaranteed. Finest Artists’ Acrylic Fluid is significantly more fluid due to its reduced viscosity.With Finest Artists’ Acrylic, there is practically no colour shift between the wet and dry states. The usual highest light fastness level for Schmincke colours of either 4 or 5 stars indicates the quality of these premium acrylic paints. Finest Artists’ Acrylic has a pleasant odour. All the colours do not yellow and the dried paint layers are durable, flexible and water resistant. Finest Artists’ Acrylic can be used directly from the tube, and fluid can be used directly from the bottle, both either undiluted or diluted with water. The comprehensive assortment of painting mediums with a wide range of pastes and effect gels provides further creative possibilities.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Acrylic Studio contains the same resin as Acrylic Artist Colour, and many of the same pigments; the pigments selected for this range have been chosen for their permanence, purity and colour intensity, always keeping in mind the purpose of offering an excellent product at a moderate and uniform price.

Acrylic Studio colours do not contain fillers of any kind, so that the colours have great strength and chromatic purity. They are opaque or transparent, depending on the nature of the pigment, and dry to a semi matte finish. The range of 26 colours does not contain any toxic pigments or derivatives of heavy metals, and does not create waste products which may harm the environment. The name and colour index number of the pigments are stated on the labels and in the colourchart, so that the artist can study mixtures and develop their own colours with complete control.

The heavy body consistency of Acrylic Studio permits all techniques, allows the artist to mix the colours with all mediums as well as extraneous materials and can also be simply diluted with water for more transparent applications.

Colour Name: Burnt Sienna (Hue)

Colour Index: PY42, PR101, PBk7

Lightfastness: Highest degree of lightfastness

Opacity: Opaque

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

Fabriano Pittura acrylic blocks are made using brilliant white, 400gsm paper. They are made from high-grade cellulose and are woodfree. This paper is also acid-free, with archival permanence, and a rough, natural-grain surface. Tub and surface-sized, Fabriano Pittura is suitable for acrylic, tempera, oil and multimedia work.Glued on all 4 edges to keep the paper stretched while working (after the painting is dry, gently remove the finished sheet with a butter knife or scalpel along edges from the inside gap).

Sofft Art Sponges are specially formulated for art applications. Each sponge has a unique shape and size, designed specifically for artists and crafters. Every sponge shape is created to replicate a different brush head to allow a wide range of mark making. Different effects can be achieved with each sponge, for example, by using the sides and edges. Finished effects differ from those achieved by brushes as the brush stroke is eliminated. Sofft Sponges enable a more direct connection with the working surface, making it easier to control and predict the final marks achieved.

Sofft Art Sponges are made with a unique semi-absorbent micropore sponge material. The foam holds and releases just the right amount of colour. The sponges are non-abrasive for a smooth, uniform result.

Sofft Tools were specifically developed for use with PanPastel, but can also be used with soft pastel sticks, pencils and most water-based art and craft materials. Sofft Sponges are ideal for applying, blocking, blending, manipulating, layering, and sponging out colours.

Each product in the Sofft range was developed in laboratory, and extensively tested and re-tested in a studio; resulting in a selection of unique professional artists’ quality tools.

Sofft products are versatile, inexpensive and can be washed re-used several times (depending on colour and surface used).

Pack contains 4 sponges

Dimensions: 2 inches in diameter

Sofft Tools Knives were specifically developed for use with PanPastel, but can also be used with soft pastel sticks, pencils and most water-based art and craft materials. When used with Sofft Covers, these inexpensive tools function like a cross between a brush and a knife. Sofft Covers are made with a unique semi-absorbent micropore sponge material. The covers can be washed and re-used multiple times (depending on surface and colour used). The heads are shaped like brush heads. Knives can also be use without Sofft Covers as traditional painting knives.

Each ergonomically designed knife fits in the hand for ease of use and good control. Sofft Knives are made of a flexible, durable plastic, with handles that are shaped like traditional wooden handled knives for maximum comfort

Pack contains 1 knife and 5 flat covers

Dimensions: 6.7 x 0.4 inches approx.

A selection of 42 shapes with polished stainless steel blades made with hand ground hardened steel to guarantee constant flexibility, rounded natural bulbing wood handles and brass ferrule.

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Synthetic Organic Chemical Description: Diarylide Yellow HR-70 Opacity/Transparency: 6 Lightfastness Rating: I Permanency: Exc Colour index name: PY 83 Colour index number: 21108 Munsell Notation Listing: Hue 7.7 YR Value 7.7 Chroma 14.4

Viscosity Range: 4000-15000 CPS Gloss Average: 75.8 CIE L*a*b* Values: L*75.42 a*33.41 b*83.26 Tint Strength: 89.81

Chemical Description: Mica, Copper Phthalocyanine ß
Lightfastness: **
Opacity: Opaque
Colour Index: Mica, PB15:3

Acrylic Artist Colour contains one of the widest ranges of pure pigments available for fine arts, in a dispersion of 100% acrylic resin. The colours offer the highest grade of permanence and lightfastness. Following traditional methods, most of the colours in the range have been formulated with only one pigment, resulting in maximum purity and colour strength and giving the artist complete control over their material in mixtures and compositions.

The heavy body consistency of Acrylic Artist Colour permits all techniques, from finest brush stroke to heaviest impasto. Colours dry rapidly to a matte finish with great flexibility.

Well-balanced range of 70 colours, with a high degree of lightfastness.

Thanks to the use of pure and non-fading pigments even after several decades the works of art retain their original colour.

An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result.

Alkali resistant, and consequently suitable for wall paintings.

Choice of small and large packaging: 120 ml, 250 ml tubes and 500 ml and 1000 ml bottles.

The paint can be thinned easily with water.

Short drying time: thin films of paint dry within half an hour.

The specific preparation method makes the paint practically odourless.



Lightfastness: ***Opacity: Semi-transparentPigment code: PG7/PY74

Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.

Ara (Acrylics Rietveld Academy) is an acrylic developed at the Rietveld Academy in Amsterdam. The high pigmentation delivers pure colours posessing extraordinary tinting strength. These colours are made of 100% acrylic emulsion combined with lightfast pigments, formulated to give a smooth brushable colour with intensity and brilliance. The strong adhesion of an acrylic binder makes these colours suitable for many applications and surfaces.Ara acrylics are produced in the paint factory of Old Holland Classic Colours. The paint is made according to Old Holland’s own recipe in order to ensure the highest quality possible. All pigments have a lightfastness on the Blue Wool Scale of at least 7 in full tone and 6 when the tint is cured with titanium white. The Blue Wool Scale is the internationally accepted measure of lightfastness and runs from 1 to 8.A very good quality range of mid-priced acrylic, ideal for serious artists needing to cover large canvases.