Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality. This is a Toned Grey 400 Series Mixed Media Pad measuring 9x12in.

This acrylic paper has been developed specifically for use with System 3 colours and mediums. Its remarkable irregular linen-textured surface offers ideal tooth not only for System 3 colours, but also for all acrylic paints on the market.

Pad contains 20 sheets of heavy 230gsm acid-free linen textured acrylic painting paper.

Size: A3 / 297 x 420 mm / 11.7 x 16.5 in

Strathmore 300 Series Black Canvas Paper allows colours to take center stage, letting the artist create dramatic shadows and tones. This bold black canvas-textured paper is great for practicing techniques and making finished art.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

XL® Mixed Media Textured is specially designed for mixed media techniques. This versatile, heavyweight paper will charm the boldest students.
It has the advantage of having two different surfaces: on one side, its special grain allows pigments to grip; the other side is ideal for felt pens and markers. Anything is possible on this all-terrain paper!

XL® Mixed Media Textured is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.

Internally and surface-sized, Canson® Acrylic is a thick, resilient and absorbent paper, necessary for the acrylic technique, which is becoming increasingly popular among artists. Its cold pressed texture is perfect for wash effects but also for several layers.
This acid-free paper has excellent longevity and will keep for years. Canson® Acrylic is naturally white and contains no optical brightening additives.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

Canson Figueras is a high-quality, resistant paper specially designed for oil painting. It has a high-performance barrier to absorb oil, bonding agents and water evenly, while guaranteeing superb resistance by the surface paint layer. It has a natural texture similar to canvas.This acid-free paper offers excellent longevity and can be kept for long periods. It is ready to use and lightweight, an ideal on-the-move medium equally at home in the wild or in your studio.It is also perfectly suitable for oil pastel and acrylic, with substantial impasto effects.Type: linen canvasWeight: 290g/m2Sheets: 10

Internally and surface-sized, Canson® Acrylic is a thick, resilient and absorbent paper, necessary for the acrylic technique, which is becoming increasingly popular among artists. Its cold pressed texture is perfect for wash effects but also for several layers.
This acid-free paper has excellent longevity and will keep for years. Canson® Acrylic is naturally white and contains no optical brightening additives.

Canson Figueras is a high-quality, resistant paper specially designed for oil painting. It has a high-performance barrier to absorb oil, bonding agents and water evenly, while guaranteeing superb resistance by the surface paint layer. It has a natural texture similar to canvas.This acid-free paper offers excellent longevity and can be kept for long periods. It is ready to use and lightweight, an ideal on-the-move medium equally at home in the wild or in your studio.It is also perfectly suitable for oil pastel and acrylic, with substantial impasto effects.Type: linen canvasWeight: 290g/m2Sheets: 10

Clairefontaine Acrylic Pads contain 10 sheets of 360gsm greaseproof paper, for painting with acrylic. These acrylic pads are acid free and are available in A3 or A4 formats. The blocks are top bound making it easy for you to remove sheets quickly.They are specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. They are also suitable for gouache.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.This acrylic paper pad has a not textured surface and measures 29.7 x 42cm.

Dedicated to oil painting, Figueras® paper offers a texture similar to a canvas. It is easy to carry and can even be laminated on a board.
Figueras® paper features a special barrier that is able to absorb oil, binders and solvents, while allowing the paint to remain on the surface, achieving true-to-life colours without leaving an oily halo on the back of the sheet.
This unique paper has a texture that resembles linen and its thickness is perfect for this technique. The paper is ready to use for oil and acrylic without priming or preparation. Figueras® paper is acid-free and has excellent conservation properties which guarantees the artwork will stand the test of time.

Strathmore 400 Series Acrylic Pads are heavyweight and versatile acid-free paper, made with the acrylic artist in mind. The paper has a cream-coloured linen finish. The flipover cover makes it easy to work in the pad, and sheets stay in the pad yet tear out cleanly. 10 sheets per pad. Also well suited for a variety of other painting, drawing, pastel, or charcoal applications where a heavy paper with a toothy surface is desirable.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

Strathmore 400 Series Mixed Media Pads combine wet media performance and dry media finish for a complete range of mixed media applications. It combinches the characteristics of watercolour paper and the finish of a drawing sheet, creating a paper that performs unlike any other in the industry.

Mixed Media is available in a full range of formats and sizes.

Clairefontaine Acrylic Pads contain 10 sheets of 360gsm greaseproof paper, for painting with acrylic. These acrylic pads are acid free and are available in A3 or A4 formats. The blocks are top bound making it easy for you to remove sheets quickly. They are specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. They are also suitable for gouache. Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State. This acrylic paper pad has a not textured surface and measures 21 x 29.7cm.

Dedicated to oil painting, Figueras® paper offers a texture similar to a canvas. It is easy to carry and can even be laminated on a board.
Figueras® paper features a special barrier that is able to absorb oil, binders and solvents, while allowing the paint to remain on the surface, achieving true-to-life colours without leaving an oily halo on the back of the sheet.
This unique paper has a texture that resembles linen and its thickness is perfect for this technique. The paper is ready to use for oil and acrylic without priming or preparation. Figueras® paper is acid-free and has excellent conservation properties which guarantees the artwork will stand the test of time.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

This acrylic paper has been developed specifically for use with System 3 colours and mediums. Its remarkable irregular linen-textured surface offers ideal tooth not only for System 3 colours, but also for all acrylic paints on the market.

Pad contains 20 sheets of heavy 230gsm acid-free linen textured acrylic painting paper.

Size: A2 / 420 x 594 mm / 16.5 x 23.4 in