Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

The first volume of a projected four-volume series explores the body's relationship to soul and spirit on the basis of Rudolf Steiner's insights into the workings of the spiritual world. An extensive discussion of developmental disorders and childhood diseases is followed by an in-depth exploration of the polarity of inflammation and sclerosis and the biochemistry and pathology of nutrition and metabolic disorders.

The Latino population is a pastorally challenging polyculture. This diversity requires spiritual caregivers to approach every Hispanic individual with humbleness. "Cada persona es un mundo," "every person is a world," says Montilla. To equip professionals in ministry for their ministry with and for Latino/as, Montilla centers his presentation on families and rituals at the heart and soul of the Hispanic community as the key to caregiving. In that context he unfolds a variegated picture of the particular cultural guideposts for Latinas and Latinos in the U.S. today, especially their symbols and rituals, attitudes toward health and healing, abiding faith, and contemporary quest for creative agency and dignity. He closes by exploring pastoral strategies with issues of discrimination and racism, and contemporary issues in providing pastoral counseling with Latinas and Latinos.

This collection of essays by one of the world's most distinguished philosophers - the inaugural volume in the Prometheus Lecture Series - addresses the many and diverse aspects of atheistic humanism. Antony Flew begins his comprehensive study with "Fundamentals of Unbelief", in which he argues that there is no good or sufficient natural reason to believe that the universe is created by a conscious, personal, willing, and doing Being; that such a Being has nevertheless provided his (or her or its) creatures with a Revelation; and that we should either hope or fear some future for ourselves after our deaths. In the second part, "Defending Knowledge and Responsibility", Flew disposes of the perennial charge that a naturalistic world outlook presupposes values for which it cannot itself make room. He also criticizes sociologists of belief who refute themselves by refusing to admit that there is such a thing as objective knowledge. And he examines the subject of mental illness, explaining and defining the notion by reference to the familiar yet often denied realities of choice and consequent responsibility. The third section, "Scientific Socialism?", consists of three critical analyses of Marxism. Flew exposes the faulty philosophical foundations of Communism, compares Marxist theory with Darwin's theory of evolution, questions the status of Marxism as a social "science", and points out some of the significant failures of the socialist project. Finally, in the fourth part, "Applied Philosophy", Flew looks at three social issues, which have been the subject of much recent debate: the right to die, the definition of mental health, and the problem of racism. He concludes by criticizing B.F.Skinner's "science" of behaviorism, arguing that the ability to make choices for which we can be held responsible is an essential and distinctive characteristic of human beings.

“Among all the arts, it is the art of alchemy which most closely imitates nature.� - Albertus Magnus (teacher of St. Thomas Aquinas), ca.1250 Alchemists are notorious for attempting to synthesise gold. Their goals, however, were far more ambitious: to transform and bend nature to the will of an industrious human imagination. For scientists, philosophers, and artists alike, alchemy seemed to hold the key to unlocking the secrets of creation. Alchemists' efforts to discover the way the world is made have had an enduring impact on global artistic practice and expression. Concoctions produced in the world’s alchemy labs include inks, dyes, and oil paints; cements and ceramic glazing; dazzling effects in metalwork and glass - and the modern media which now claim boasting rights as the ultimate chemical mirrors of nature: photography and the liquid crystal displays of the digital world. Alchemy may well be the most important human invention after the harnessing of fire. It was certainly a direct result, with consequences both inspired and dire. The field spurred on advancements in the visual arts and aids to human health. Ancient Chinese alchemists also unleashed the black magic of gunpowder onto the world of warfare. This book is the first to explore how the art of alchemy globally transformed human creative culture from antiquity to the industrial age, and displays the ways its legacy still permeates the world we make today.

A perfect entry point for anyone interested in green magick, this all-in-one guide explains everything you need to know before beginning your own nature-inspired practice. Author Annabel Margaret runs the popular YouTube channel, The Green Witch, where she teaches everyday tools and techniques for leading a more magickal life. In this must-have handbook, she'll guide your on your green witchcraft journey from embracing intent and intuition to creating and casting spells, all utilizing easy-to-find items and simple methods. Ward the home with protective herbs; bake love, abundance or luck into tasty treats; create purpose-infused spell bags or craft soothing salves, energizing sprays and cleansing infusions. With clear instruction, straightforward information on foundational principles and tons of witchy wisdom, the magickal opportunities are endless.

What do classical elitists like Pareto and Mosca have in common with Marxists like Labriola and Gramsci? In this collection of essays, Joseph Femia argues that all four thinkers are united by the 'worldly humanism' they inherited from Machiavelli. Their distinctively Italian hostility to the metaphysical abstractions of natural law and Christian theology accounted for similarities in their thought that are obscured by the familiar terminology of 'left' and 'right'. The collection includes critical essays on each of the four thinkers, as well as an introductory chapter on their links with Machiavelli.

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging - to great controversy - as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

Aldous Huxley's acclaimed and gripping account of one of the strangest occurrences in history

In 1643 an entire convent in the small French village of Loudun was apparently possessed by the devil. After a sensational and celebrated trial, the convent's charismatic priest Urban Grandier--accused of spiritually and sexually seducing the nuns in his charge--was convicted of being in league with Satan. Then he was burned at the stake for witchcraft.

In this classic work by the legendary Aldous Huxley--a remarkable true story of religious and sexual obsession considered by many to be his nonfiction masterpiece--a compelling historical event is clarified and brought to vivid life.

In Cyberhenge, Douglas E. Cowan brings together two fascinating and virually unavoidable phenomena of the postmodern world - the electronic environment of the Internet and the emerging world of contemporary Neopaganism - Wiccans and other witches, Druids, Goddess-worshipers and ceremonial magicians - the Internet provides an environment alive with possibilities for invention, innovation and imagination. Neopagans are not only using the Net to provide information and as a vehicle to develop and expand the frontiers of their religious experience. From online Sabbath rituals to an algorithmic I Ching for which one pays with electronically banked Karma Coins, from e-covens and cyber-groves where neophytes can learn everything from the Wiccan Rede to spellworking, to arguments over the validity of online ritual and the authenticity of one's magical lineage, neopaganism on the Internet is an ongoing experiment in the creation and recreation of postmodern religious traditions.

Each of us is made of the same "stuff," yet we continuously see each other and the world around us as dissimilar and separate. It's important to see ourselves as part of a greater entity. In "Wholarian Vision, " author Katrina Mayer presents a new way of seeing the world and bringing it together. With prose, stories, and poems interspersed, Mayer introduces the Wholarian vision-a process of being connected to all things and to all people in order to see others without prejudice or bias. "Wholarian Vision" introduces and explains this new concept and describes how it affects the mind, body, and spirit. It discusses both the Wholarian world and the relationships within it. With the goal of bringing the world together through a global perspective, "Wholarian Vision" shows how we all originate from one and we will always be part of one. Our actions, our choices, our lives, and our voices are the message of one heart, one world, and one love.