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Books > Religion & Spirituality > Alternative belief systems
Available as a single volume or as part of the 10 volume set
"Frances Yeats: Selected Works"
The Dictionary of Ancient Near Eastern Mythology covers sources from Mesopotamia, Syro-Palestine and Anatolia, from around 2800 to 300 BC. It contains entries on gods and goddesses, giving evidence of their worship in temples, describing their 'character', as documented by the texts, and defining their roles within the body of mythological narratives; synoptic entries on myths, giving the place of origin of main texts and a brief history of their transmission through the ages; and entries explaining the use of specialist terminology, for such things as categories of Sumerian texts or types of mythological figures. eBook available with sample pages: EB:020302852X
People with eating disorders often make desperate attempts to exert magical control over their bodies in response to the threats they experience in relationships. Mary Levens takes the reader into the realm of magical thinking and its effect on ideas about eating and the body through a sensitive exploration of the images patients create in art therapy, in which themes of cannibalism constantly recur. Drawing on anthropology, religion and literature as well as psychoanalysis, she discusses the significance of these images and their implications for treatment of patients with eating disorders. The Magical Control of the Body will be of interest to all of those concerned with patients or clients who have troubled relationships, both with others and with their own bodies.
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In this book , discover the Life Continuum, the means by which a
being inherits and then lives the lives of others. Here also
discover the Chart of Attitudes, containing the buttons which, when
pressed, unlock any case.
Spanning from the innauguration of James I in 1603 to the execution
of Charles I in 1649, the Stuart court saw the emergence of a full
expression of Renaissance culture in Britain. In "Art and Magic in
the Court of the Stuarts," Vaughan Hart examines the influence of
magic on Renaissance art and how in its role as an element of royal
propaganda, art was used to represent the power of the monarch and
reflect his apparent command over the hidden forces of nature.Court
artists sought to represent magic as an expression of the Stuart
Kings' divine right, and later of their policy of Absolutism,
through masques, sermons, heraldy, gardens, architecture and
processions. As such, magic of the kind enshrined in Neoplatonic
philosophy and the court art which expressed its cosmology, played
their part in the complex causes of the Civil War and the
destruction of the Stuart image which followed in its wake.
When Leah Reinhart was six years old, her family moved to an
unlikely neighborhood on a hill much like the country—a place
where everyone dressed and lived like they were living a real-life
Little House on the Prairie. Yet their new home was in Oakland,
California, and everything surrounding Leah’s neighborhood was
the polar opposite of their old-fashioned lifestyle. As an already
scared little white girl in a predominantly African American city,
Leah quickly learned that would have to face many of her fears—or
get eaten alive. And in her search for love and belonging, she also
found that things aren’t always as they appear. As she got to
know her neighbors, most of whom belonged to the neighborhood
church, she began to realize that the hood was sometimes much safer
than the country. Over the course of her life—learning from the
streets, a cult, trial and error, and many years of therapy—Leah
developed an eye for patterns. She learned how the belief system
she’d absorbed during her childhood manifested in her teenage
years and young adulthood. Ultimately, she learned how to change
her thoughts and accept herself—and in doing so, she broke free
of the cycle she’d been imprisoned by.
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