Men and masculinities are still inadequately incorporated into the historiography of early modern witch trials, despite the fact that 20-25% of all accused 'witches' were male. This book redresses this imbalance by making men the focus of the gender analysis and also covers the issue of regional variation in the gendering of witch persecution.

A perfect entry point for anyone interested in green magick, this all-in-one guide explains everything you need to know before beginning your own nature-inspired practice. Author Annabel Margaret runs the popular YouTube channel, The Green Witch, where she teaches everyday tools and techniques for leading a more magickal life. In this must-have handbook, she'll guide your on your green witchcraft journey from embracing intent and intuition to creating and casting spells, all utilizing easy-to-find items and simple methods. Ward the home with protective herbs; bake love, abundance or luck into tasty treats; create purpose-infused spell bags or craft soothing salves, energizing sprays and cleansing infusions. With clear instruction, straightforward information on foundational principles and tons of witchy wisdom, the magickal opportunities are endless.

In this book a widely recognized authority on religion and psychoanalysis takes a fascinating journey into Freud's past to examine the roots of his atheism. Dr. Ana-Maria Rizzuto reviews and reorganizes data about Freud's development and life circumstances to provide a psychodynamic interpretation of his rejection of God. She argues that Freud's early life and family relationships made it psychically impossible for him to believe in a provident and caring divine being. The book traces significant aspects of Freud's relationship with his father and mother, his childhood nanny, and other relatives and outlines his religious evolution from somewhat conventional beliefs as a young boy to adult unbelief. Dr. Rizzuto presents significant new details about the Philippson Bible-a copy of which Freud's father presented to Sigmund on his thirty-fifth birthday-and shows how the illustrations in that edition related to Freud's passion for collecting antiquities. The book brings to light critical aspects of Freud's early and late object relations and their lasting impact on his rejection of God.

Not only does this book give a well-researched account of the politicization of Haitian Voodoo and the Voodooization of Haitian politics, it also lays the ground for the development of creative policies by the state vis-a-vis the cult. It is an indispensable research tool for the students of Afro-American, Caribbean and African societies in particular, and for religionists and political scientists in general.

This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural. -- .

Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

The first volume of a projected four-volume series explores the body's relationship to soul and spirit on the basis of Rudolf Steiner's insights into the workings of the spiritual world. An extensive discussion of developmental disorders and childhood diseases is followed by an in-depth exploration of the polarity of inflammation and sclerosis and the biochemistry and pathology of nutrition and metabolic disorders.

This collection of essays by one of the world's most distinguished philosophers - the inaugural volume in the Prometheus Lecture Series - addresses the many and diverse aspects of atheistic humanism. Antony Flew begins his comprehensive study with "Fundamentals of Unbelief", in which he argues that there is no good or sufficient natural reason to believe that the universe is created by a conscious, personal, willing, and doing Being; that such a Being has nevertheless provided his (or her or its) creatures with a Revelation; and that we should either hope or fear some future for ourselves after our deaths. In the second part, "Defending Knowledge and Responsibility", Flew disposes of the perennial charge that a naturalistic world outlook presupposes values for which it cannot itself make room. He also criticizes sociologists of belief who refute themselves by refusing to admit that there is such a thing as objective knowledge. And he examines the subject of mental illness, explaining and defining the notion by reference to the familiar yet often denied realities of choice and consequent responsibility. The third section, "Scientific Socialism?", consists of three critical analyses of Marxism. Flew exposes the faulty philosophical foundations of Communism, compares Marxist theory with Darwin's theory of evolution, questions the status of Marxism as a social "science", and points out some of the significant failures of the socialist project. Finally, in the fourth part, "Applied Philosophy", Flew looks at three social issues, which have been the subject of much recent debate: the right to die, the definition of mental health, and the problem of racism. He concludes by criticizing B.F.Skinner's "science" of behaviorism, arguing that the ability to make choices for which we can be held responsible is an essential and distinctive characteristic of human beings.

What do classical elitists like Pareto and Mosca have in common with Marxists like Labriola and Gramsci? In this collection of essays, Joseph Femia argues that all four thinkers are united by the 'worldly humanism' they inherited from Machiavelli. Their distinctively Italian hostility to the metaphysical abstractions of natural law and Christian theology accounted for similarities in their thought that are obscured by the familiar terminology of 'left' and 'right'. The collection includes critical essays on each of the four thinkers, as well as an introductory chapter on their links with Machiavelli.

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging - to great controversy - as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.