Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. The first volume contains extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text. The chapters in this, the second volume, explore such areas as the rites and beliefs connected with the Islamic calendar, agriculture, and childbirth. This title will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.

Academics tend to look on 'esoteric', 'occult' or 'magical' beliefs with contempt, but are usually ignorant about the religious and philosophical traditions to which these terms refer, or their relevance to intellectual history. Wouter Hanegraaff tells the neglected story of how intellectuals since the Renaissance have tried to come to terms with a cluster of 'pagan' ideas from late antiquity that challenged the foundations of biblical religion and Greek rationality. Expelled from the academy on the basis of Protestant and Enlightenment polemics, these traditions have come to be perceived as the Other by which academics define their identity to the present day. Hanegraaff grounds his discussion in a meticulous study of primary and secondary sources, taking the reader on an exciting intellectual voyage from the fifteenth century to the present day and asking what implications the forgotten history of exclusion has for established textbook narratives of religion, philosophy and science.

Kentucky has a rich legacy of ghostly visitations. Lynwood Montell has harvested dozens of tales of haunted houses and family ghosts from all over the Bluegrass state. Many of the stories were collected from elders by young people and are recounted exactly as they were gathered. Haunted Houses and Family Ghosts of Kentucky includes chilling tales such as that of the Tan Man of Pike County, who trudges invisibly through a house accompanied by the smell of roses, and the famed Gray Lady of Liberty Hall in Frankfort, a houseguest who never left. Montell tells the story of a stormy night, shortly before Henry Clay's death, when the ghost of the statesman's old friend Daniel Boone calls upon him, and then recounts the more modern story of the ghouls that haunt the rehearsal house of the band The Kentucky Headhunters.

Included are accounts of haunted libraries, mansions, bedrooms, log cabins, bathrooms, college campuses, apartments, furniture, hotels, and distilleries, as well as reports of eerie visitations from ghostly grandmothers, husbands, daughters, uncles, cousins, babies, slaves, Civil War soldiers, dogs, sheep, and even wildcats. Almost all of Kentucky's 120 counties are represented. Though the book emphasizes the stories themselves, Montell offers an introduction discussing how local history, local character, and local flavor are communicated across the generations in these colorful stories.

"This varied collection of essays traces the intertwining of modern Paganisms with popular music through a wide variety of genres. An important contribution to our understanding of emergent Pagan cultures, and a very exciting book." - Sabina Magliocco, California State University "Pop Pagans: Paganism and Popular Music is a crucial contribution to the study of spirituality and music. The wide-ranging coverage and theoretical perspectives presented here provide an essential baseline for approaching this dynamic intersection of expressive forms." - Holly Everett, Memorial University, Canada Paganism is rapidly becoming a religious, creative, and political force internationally. It has found one of its most public expressions in popular music, where it is voiced by singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging across the US, UK, continental Europe, Australia and Asia, Pop Pagans assesses the histories, genres, performances, and communities of pagan popular music. Over time, paganism became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to express a powerful and even transgressive force in everyday life. Pop Pagans examines the many artists and movements which have contributed to this growing phenomenon.

"This varied collection of essays traces the intertwining of modern Paganisms with popular music through a wide variety of genres. An important contribution to our understanding of emergent Pagan cultures, and a very exciting book." - Sabina Magliocco, California State University "Pop Pagans: Paganism and Popular Music is a crucial contribution to the study of spirituality and music. The wide-ranging coverage and theoretical perspectives presented here provide an essential baseline for approaching this dynamic intersection of expressive forms." - Holly Everett, Memorial University, Canada Paganism is rapidly becoming a religious, creative, and political force internationally. It has found one of its most public expressions in popular music, where it is voiced by singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging across the US, UK, continental Europe, Australia and Asia, Pop Pagans assesses the histories, genres, performances, and communities of pagan popular music. Over time, paganism became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to express a powerful and even transgressive force in everyday life. Pop Pagans examines the many artists and movements which have contributed to this growing phenomenon.

Narratives of possession have survived in early English medical and philosophical treatises. Using ideas derived from cognitive science, this study moves through the stages of possession and exorcism to describe how the social, religious, and medical were internalized to create the varied manifestations of demon possession in early modern England.

Neo-paganism is the attempt to revive the polytheistic religions of old Europe. But how? Can one just invent or reinvent an authentic, living faith? Or are modern neo-pagans just engaged in elaborate role-playing games? In SUMMONING THE GODS, Collin Cleary argues that the gods have not died or forsaken us so much as we have died to or forsaken them. Modern civilization-including much of modern neo-paganism-springs from a mindset that closes man off to the divine and traps us in a world of our own creations. Drawing upon sources from Taoism to Heidegger, Collin Cleary describes how we can attain an attitude of openness that may allow the gods to return. In these nine wide-ranging essays, Collin Cleary also explores the Nordic pagan tradition, Tantrism, the writings of Alain de Benoist, Karl Maria Wiligut, and Alejandro Jodorowski, and Patrick McGoohan's classic television series The Prisoner. Cleary's essays are models of how to combine clarity and wit with spiritual depth and intellectual sophistication. "The writings of Collin Cleary are an excellent example of the way in which old European paganism continues to question our contemporaries in a thought-provoking way. Written with elegance, his work abounds in original points of view." -Alain de Benoist, author of On Being a Pagan "Jung compared the absence of the gods to a dry riverbed: their shapes remain, but devoid of the energy and substance that would make them live among us as they used to. What we await is the energy and substance to flow once more into the forms. The words of Collin Cleary, his thoughts and ideas, constitute the kind of fresh and vital energy that is needed to effect the renewal of the gods in our contemporary world." - Dr. Stephen E. Flowers, author of The Northern Dawn "Collin Cleary's Summoning the Gods is one of the most important books in its field. Unlike those who would speak for the gods, he shows us how to bring the gods into our lives by letting Them speak for themselves. Perhaps most importantly, Cleary has given serious followers of pagan religions the philosophical tools to defend their beliefs against the most erudite critics." - Stephen A. McNallen, Asatru Folk Assembly "Collin Cleary is a rare breed: a scholar of the mystical, and at the same time a mystic whose probing visions are informed by rigorous study. These are more than just eloquent and thought-provoking essays on myth, religion, or art; at their best, they resonate with the august and ancient tradition of the philosophical dialogue. Time and again, Cleary offers insights that powerfully orient the reader toward archaic ways of thinking, knowing, and seeing vividly-as if through newly opened eyes." -Michael Moynihan, co-editor, TYR: Myth-Culture-Tradition "I have admired Collin Cleary's work in TYR and Runa for years, and I am delighted that this volume of nine essays has arrived in the world. Cleary possesses the admirable ability to write with a frank 'openness to the divine' (to use his own phrase). He does so both clearly and profoundly, on a number of inter-related subjects. The essay 'Philosophical Notes on the Runes' ought to be required reading for all serious students of the runic systems. This book belongs in every radical Traditionalist library." -Juleigh Howard-Hobson, author of Sommer and Other Poems "Collin Cleary's Summoning the Gods is a landmark publication in the intellectual side of the Heathen revival. By applying modes of analysis ranging from Heideggerian phenomenology to Hegelian dialectic, Cleary manages to penetrate deep into the core of polytheistic religiosity. Attracting a thinker of Cleary's stature is an indicator of the vibrancy and health of modern Heathen thought. This book should be a welcome addition to any thinking Heathen's book shelf." -Christopher Plaisance, editor of The Journal of Contemporary Heathen Thought

This is a Comprehensive Survey of the Bhakti Movement as it sprang in South India to spread across the subcontinent in independent and multifarious manifestations yet marked with amazing commonalities. Spanning a period of 11 centuries starting from the 6th CE, the movement encompassed in its sweep a vast range of dimensions; Social, political, economic, religious, cultural, linguistic, ethical and philosophical. Among the multifarious movements which contributed to the formation of India and its Culture, the Bhakti was undoubtedly the most pervasive and persistent, says the author. Besides its sweep and depth, what proved most remarkable about the movement was that it arose almost everywhere from the masses who belonged to the lowest class and castes. Though spirituality was its leitmotif, Bhakti proved to be a stirring song of the subaltern in their varied expressions of resistance and revolt. A seemingly conservative phenomenon became a potent weapon against entrenched hierarchies of orthodoxy and oppression, in a wonderful dialectical expression. This qualifies Bhakti movement to be reckoned on a par with European renaissance as it marked a massive upsurge in the societal value system to directly impact a range of fields like arts, politics, culture or religion. Even as he takes note of the elements of reactionary revivalism that also marked the Bhakti movement, the author convincingly argues that those of renaissance and progress far outweighed the former.

This textbook demonstrates the relevance and importance of humanism as a non-religious worldview. Each chapter includes a helpful pedagogy including a general overview, case studies, suggestions for further reading, and discussion questions. Making this the ideal textbook for students approaching the topic for the first time. The textbook explores controversial topics that will instigate debate such as human rights, sexuality, relationship between science, humanism and religion, abortion, euthanasia, war and non-human life.

Having already published a bibliography on Annie Besant, Theodore Besterman in this book continued with the story of her life. She was a prominent British Theosophist, women's rights activist, writer and orator who lived between 1847 and 1933. Originally published in 1934, this work is fascinating for anyone with an interest in Annie Besant's life specifically or in any of the areas in which she became a household name.

Reissuing seminal works originally published between 1916 and 1995, Routledge Library Editions: Alchemy (7 volume set) offers a selection of scholarship covering various facets of alchemical traditions. Some texts examine alchemy itself while some offer insight into the motives for alchemical research and others outlay portraits of people such as Giordano Bruno and John Dee.

This comprehensive book outlines the life and works of an important revolutionary intellectual of the 16th Century. This book follows Bruno's life and the development of his thought in the order in which he declared it. Giordano Bruno was an Italian Dominican friar, philosopher, mathematician and astronomer. He was burned at the stake after the Roman Inquisition found him guilty of heresy but his modern scientific thought and cosmology became very influential. His writings on science also showed interest in magic and alchemy and those are outlined in this book alongside what he is most remembered for - his place in the history of the relationship between science and faith.

This comprehensive annotated bibliography, first published in 1990, guides the user helpfully through where to find information on various elements on alchemy when researching. Divided into categories to aid finding the right area of interest, this book forms a unique reference tool.

Of interest to interdisciplinary historians as well as those in various other fields, this book presents the first publication of 14 poems ranging from 12 to 3,000 lines. The poems are printed in the chronological order of their composition, from Elizabethan to Augustan times, but nine of them are verse translations of works from earlier periods in the development of alchemy. Each has a textual and historical introduction and explanatory note by the Editor. Renaissance alchemy is acknowledged as an important element in the histories of early modern science and medicine. This book emphasises these poems' expression of and shaping influence on religious, social and political values and institutions of their time too and is a useful reference work with much to offer for cultural studies and literary studies as well as science and history.

This was originally a two volume set which is now bound as one. Here is presented an investigation of the nature of the earliest extant records of the supposed communication with angels and spirits of John Dee (1527-1608) with the assistance of his two mediums or 'scryers', Barnabas Saul and Edward Kelly. Volume 2 of this work is a transcription of the records in Dee's hand contained in Sloane MS 3188, which has been transcribed only once before, by Elias Ashmole in 1672. Volume 1 is an introduction and thorough commentary to the text which is primarily explaining its many obscurities. The author describes the physical state of the manuscript and its history then continues with a biography of Dee and his scryers and some background to Renaissance occult philosophy. Further chapters address the arguments that the manuscript represents a conscious fraud or a cryptographical exercise and describe the magical system and instruments evolved during the communications or 'Actions'. The last, fascinating chapter examines Dee's motives for believing so strongly in the truth of the Actions and suggests that a principal motive was the conviction, not held by Dee alone, that a new age was about to dawn upon earth.